I've looped around from finding the belief that The Wizard of Oz was "the first color film" or "first technicolor film" understandable if wrong to finding it deeply annoying
Like. I get how it feels true - how the transition from sepia to technicolor in the film feels epochal, and how it's a springboard to people imagining how AMAZING and how AWESTRUCK audiences must've been at the time, but it just isn't the case, and no one in 1939 would've thought it was the first color film.
I mean, you've probably seen Snow White (1937) and Adventures of Robin Hood (1938). At the time color features were becoming more common, and they had been common in cartoons and shorts for years.
On a base level, if The Wizard of Oz was such a monumental moment in film history, giving people something they've never seen before, why did it only break even at the box office? By all accounts while not a flop it did decently but not great, and it only became a Cherished Classic thanks to TV airings later on. I mean, 1939 saw what is still, if adjusted for inflation, the highest grossing film ever made, and it wasn't The Wizard of Oz
Here is the actual history of color: most silent films were tinted, most commonly with different scenes being all tinted different colors, but more rarely hand-coloring. But back then people started experimenting with many different "true" color film systems, most of which failed for one reason or another, and there were a couple silent features made in two-strip technicolor, which had a more limited palette. At the start of the sound era, some black & white scenes would have color segments; this stage has been largely forgotten bc in many cases, the color segments don't survive & we only have them in black and white. Then three-strip technicolor began and became the dominant form of color until the late 1950s, with the first full-length three-strip technicolor film being 1935's classic...Becky Sharp. Which did decently, and got one Oscar nom for Best Actress, but didn't really become a classic. And then color films became more common until they became the norm in the 1960s
But it has to be a classic, right? It can't just be some random movie that ushered in technicolor. It has to be a famous movie everyone's heard of. It can't have been a gradual process touched by many individual artists, it has to be something one Great Man ushered in overnight, and the crowds were amazed, bc they had just been waiting for someone to Do Color Film so they could ditch black & white forever. It couldn't have been the case that they rejected many previous attempts at color film bc they sucked. Nothing can ever be the result of many people making many choices in many works of art, it has to be the work of one Great Work of Art that Changed Everything Instantly, and all the little people and failed experiments and less-enduring ones just have to be erased to make way
But it isn't. The transition from sepia to color in The Wizard of Oz did dazzle audiences, and still does, but that's because it's a incredibly well-done visual effect and a creative choice within the story to show the change from Kansas to Oz. We don't have to say it was important bc it was the first to do something technologically; it can be important for just being a really good movie













