sheronm mentioned you on a post “alogicals: listen, there is absolutely nothing that gets me going like...”
I love this trope sooo much! @xparrot What is 'winning someone over' one-sided pining? I mean mutual pining is pretty much one-sided pining from each POV, by definition?
One-sided pining, at least how I meant it, is when you have a guy (it's almost always a guy) who has a crush on a friend who has made it clear they only see him as a friend, only he persists in the crush and the mooning and being all angsty that it's not returned. And sometimes the object of his desires eventually gets worn down/”won over” and gives in, making it the "nice guy" fantasy. (The last example I’ve seen of one-sided pining that didn’t end in a ship that comes to mind was in s1 of Supergirl and was actually handled quite well, with Kara's best friend Winn having a not-well-concealed crush that he eventually manned up, confessed, she told him she loved him as a friend but not more, he was briefly depressed and asked for a little time apart, and then he actually let go and came back as her friend, sincerely, and I actually started liking his character quite a lot. But the nice-guy "being friends with a girl who thinks you're just friends but actually you're pining" is a trope I detest.)
Though I think there are some pairings that people disagree on based on whether it comes across as one-sided or mutual? Like, a pairing that one side does deny their feelings but then later recants, sometimes it's somewhat up to interpretation, whether it's that they were worn down, or whether they were repressing their feelings for some reason. Which is often dependent on how you interpret a character, how plausible denial is for them, etc.
(My favorite mutual pining is when both sides are suffering in noble silence until one of them says or does something accidentally to confess their feelings, and then they fall in bed together by the time other finishes saying “OMG ME TOO!” Which really only works if you have either have a huge barrier to the relationship or completely socially inept characters who can't read cues to save their lives. John/Rodney in SGA was fantastic for this because they were both such hopeless dorks.)