Discover Top Posts Tagged with #fba

Black Americans Dancing at Labor Temple Hall, Bon Temps Carnival Ball, New Orleans, Louisiana, 1953.

Ralston Crawford Collection, Hogan Jazz Archive, Tulane University Special Collections.

#black history #dance #soulaan #soulaani #america #ancestry #1950s #Labor Temple Hall #black american history #black americans #foundational black american #fba

The Sinners Movie was overall Dope. Definitely was a movie designed to appreciate your heritage that stems from black people hailing in America🌎

One thing I found interesting is Ryan Coogler inspiration for the twins aspect. As seen above he mentions how he was inspired by the Yoruba Twin dieties Ibeji. He also mentioned it resonates because he has twins within his family. I also had that in common as well. My Paternal 2x Great Grandpa was a twin and helped raised my Papa(Paternal Grandfather) . And on my mother's side I was told there were 7/8 sets of twins . Now I will say not all made it to full term but I know of at least 3 sets of twins I knew and my mother grew up with. Definitely a dope aspect overall

Monaleo | Sexy Soulaan

#Monaleo #sexy soulaan #BAH Flag #music #music video #soulaan #screamed when our flag appeared #Black American Heritage Flag #FBA #Foundational Black American

Reports of Afrika Bambaataa's death caused a landslide of content & an ongoing debate w/i Black America. The Man is a globally recognized Architect of HipHop Culture; his contribution CANNOT be ignored. That said, the allegations of Child Molestation, & his court loss on Sex Trafficking Charges in Pennsylvania has done significant damage to Bambaataa's legacy. The advent of his death has brought deeper questions about HipHop Culture, Black Entertainers, & the overall effect of Celebrity behavior on Mainstream Society.

Content Creators like: Hassan Campbell, The Star Report, Willie D, & Dwann B have brought excellent questions to the Afrika Bambaataa conversation. While Bambaataa deserves credit for his contribution to HipHop Culture, he also deserves the spotlight for pushing the current Origin Story that places DJ Kool Herc, Himself, & Grand Master Flash as the 'Trinity' of the Culture. This narrative COMPLETELY IGNORES The Black Spades, Disco King Mario, Coke La Rock, & the DeeJays That came before them. In My Essay on HipHop's '50th'(?) Anniversary- I went into detail on WHO came before Kool Herc, Bam, & Flash. Grand Master Flash in particular comes across like he was divinely inspired, but doesn't mention the influence of Grand Wizard Theodore, or the fact that he carried Crates for the 'Master Plan Bunch'.

Many 'Old School' Rappers have been silent (to this point), but comments by Chuck D & KRS One have been heavily scrutinized. Chuck basically thanked Bambaataa for being an influence on him, & for helping him along the way. Chuck D went on to imply that Bambaataa's 'accomplishments' should be separated from his 'alleged' misgivings, & got COOKED! Chuck's original Post has since been deleted. KRS One also spoke on Bambaataa's death, & stressed Bam's importance to 'The Culture'. Kris went as far as saying that Our 'Leaders' should be exempt from criticism, & ALSO got Cooked! I don't know why, but hearing Chuck D & KRS One speak in accord, reminded Me of other times they 'Spoke on behalf of The Culture'.

The few 'Old Heads' speaking out about Afrika Bambaataa, are basically saying the same thing: 'Bam's sexual preference was an open secret in The Bronx, & probably the WORST KEPT SECRET in HipHop Culture'(???)... I have said many times over The Years that 'I don't recall EVER seeing Afrika Bambaataa (or Grand Master Flash for that matter) w/ a Woman, but I never knew that it was an 'Open Secret'. In retrospect, his Parties make more sense now. Bambaataa gets credit for Opening the Door to HipHop Culture, & taking it 'Downtown'. Puerto Rican Breakers, Punks, along w/ SoHo Artists & Designers were regulars at Bam's Events. As Children, We thought it was because Bam played Break Beats from different genres; now it looks more personal.

Content Creators have been laser focused on the accusations of Child Molestation, more than Bam's contribution to HipHop Culture. The initial discussion has expanded into a (long overdue) conversation on Molestation in the Black Community. In My 'New Year's Post', I pointed out that 2026 is a 'Year Of Manifestation'- a year when Things come to a Head. The Delineation Movement has reached the 'House Cleaning' phase, just in time for Spring. As We re-examine Our Culture, it's important to acknowledge the elements that need to be Weeded Out. We have to be honest about the bad habits that We picked up from Chattel Slavery & Integration w/ 'Black & Brown' Immigrant Groups.

Afrika Bambaataa is NOT the only figure in HipHop Culture w/ allegations of Child Molestation. Several Producers have been run through the Rumor Mill over the last 30+Yrs. We heard about the Hollywood Stories- from Shirley Temple to Roman Polanski, but the number of Black Celebrities facing rumors can't be ignored. Bambaataa's position as a [shamed] Cultural Icon has become an excellent starting point for a sober discussion about the State of Our Culture. What sets Black American Culture apart from Everyone Else, is Our ability to hold Ourselves accountable. We don't play semantics, or make excuses for bad behavior; We Own it.

The subject of Bambaataa's 'Legacy' is creating another conversation in the Black Community. Bam was the first person that I heard narrating the '1520 Sedgwick Avenue' Story of HipHop. Kool Herc was elevated above ALL of the DeeJays that came before him, & We were initially silent when Bam referred to Herc as: The'God Father' of HipHop. The Seeds of Doubt in this narrative were sowed by Kool Herc himself. Shortly after his 'coronation', Herc began to change his appearance. He no longer resembled Fred Williamson; now he resembled Peter Tosh. HipHop Heads in NYC took note, but We were doing Our 'Pan Afrikan Thang'. At that Time, We saw a kindred spirit in Our Jamaican Neighbors. We partied together & embraced the Culture, Food, & Music. We knew that Kool Herc was Jamaican, & didn't sweat his cultural expression.

Herc's luster began to fade when he bowed before U- Roy, & referred to him as: 'His King'. Kool Herc has been careful w/ his words ever since. The claims of Herc being 'The Foundation' aren't coming from him; they're coming from 3rd Generation Artists like: Pete Rock, Busta Rhymes, & Fat Joe. The deeper conversation w/i Bambaataa's 'Origin Story', is the prominence of Immigrants & the TOTAL ABSENCE of Indigenous Black Americans. Their [Collective] influence on The Culture has seen the transformation of B- Boys & B- Girls (like Gremlins), into Rude Boys, Ragamuffins, & Dancehall Girls. HipHop Music used to be something that you could play around your Parents & Elders; it created conversations between the Younger & Older Generations.

The Current manifestation, is just vulgar. Most of the Songs have more profanity than content. The lack of Content & Originality may be the reason why Current Artists are having problems filling Arenas. The integration of these 'Other Cultures' into HipHop, is why some are arrogantly claiming Ownership. Bambaataa heard the conversations, but he never tried to set The Record straight. The Current State of HipHop is Bam's 'Legacy'- it stands as a reflection of his Vision & his Deviance. As We continue these conversations on 'Culture' & being 'On Code', We have to pay attention to the Methods being used to infiltrate Us... I thought that HipHop's 1st Generation was the 'Golden Age', but in light of the contradictions of several HipHop Pioneers, I have a feeling that 'The Golden Age' hasn't happened yet.

-And THAT, is a Good Thing.