Dec 27, 2021
Modern Love #7
seen from United States
seen from China
seen from Yemen
seen from Malaysia
seen from United States
seen from India
seen from China
seen from Italy
seen from China
seen from Hong Kong SAR China
seen from Poland
seen from Malaysia
seen from Malaysia
seen from China
seen from Brazil
seen from China
seen from United States
seen from United Kingdom
seen from United States
seen from United States
Modern Love #7
BOOKSMART is perfect.
Olivia Wilde’s directorial debut is absolutely and 100% perfection. The beauty lies not just in the fact this is one of the first (if not the first) fully female directed, produced, and written blockbuster comedies ever.
Kaitlyn Dever and Beanie Feldstein are more than brilliant. They are so brilliant, the dialogue feels like a documentary on Gen Z. Their connection, their friendship, the comedic situations they inevitably find themselves in (because..high school) is so great, I had to see it not once, not twice, but three times. What is particularly brilliant for me about these two actresses is that they may fit the classical ‘outcast’ personality type and identity, yet they are the valedictorian and saludatorian and Feldstein’s character is the Class President. Moreover, the cast is a great set of Gen Z people who, by the way, never make fun of any of the queer characters.
The queerness of any of the characters in this film never takes over the narrative. Their queerness is, of course, a navigating factor for their actions (as any high school’s sexuality would be): queerness doesn’t take a backseat. However, no one gets HIV, no one dies of AIDS, no one is bullied or beat up for their queerness. And sure, those stories are important and sure this may be a little unrealistic -- even in California. But I think the point here is that this reality could exist for queer people. This reality could be. Isn’t that one of the things art’s supposed to do for us? Show us what could be?
Wilde’s direction is honestly un-matched. This film is bound for cult-status in the sense that its use of uncharacteristic formal direction is beautiful and totally not for show alone. There is magical realism all in and woven throughout the film but it’s hilarious and it doesn’t navigate the story. On the contrary, it complexifies the story; it helps us better understand the characters, their lives, and their experiences.
Fave scene: uber driver van watching porn. That’s all I’ll say if you haven’t seen it, you will still be happy; if you have, you know you busted a gut. GO SEE THIS FILM NOW.
"Lady Bird" de Greta Gerwig avec Saoirse Ronan, Beanie Feldstein, Julie Steffans, Lucas Hedges, Timothée Chalamet, Laurie Metcalf, Tracy Letts et Stephen McKinley Henderson, mars 2018.
Al Feldstein, Painted Recreation, cover of Weird Fantasy #11 (1952)
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The EC Archives: Modern Love
Al Feldstein, cover of Weird Fantasy #8, 1993
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Beanie Feldstein feels
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