artwork referenced in shattered to ash
Ophelia (1851-52), John Everett Millais x
Kate is dead and ashes now. Ashes to ashes, dust to dust, nothing left of what she was, nothing to prove she was ever real, not even a portrait like beautiful waterlogged Ophelia. No one paints burnings. Can’t pretty them up, can’t add flowers and vines and call it artistic.
The Story of Nagastio degli Onesti (1483), Sandro Botticelli x
Over the months, as he conned his way into Adler’s good graces, Neal noticed more about Kate. She pinned her hair into a messy bun with a pencil when she worked late. Her favorite artist was Michelangelo, but her favorite artwork was Botticelli’s The Story of Nastagio degli Onesti.
Landscape with the Fall of Icarus (c. 1560), Pieter Bruegel the Elder x
He’s a flight risk, apparently. He already flew, already fell. He’s Icarus, face down in the water in Bruegel’s landscape.
Spirit (1885), George Roux x
Kate had christened the first page with a sketch of Neal, standing at an easel, done in oil pastel. The room around him was dark, the brightest point on the page Neal himself, face obscured. Attached to the next page with a paperclip was a library-printed copy of George Roux’s Spirit.








