BMW 3.0 CSL 1972 / Charles FIRMENICH / CHE / Henri MOSER / CHE by Artes Max Via Flickr: ESPÍRITU DE MONTJUÏCH 2019 / Circuit de Barcelona
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BMW 3.0 CSL 1972 / Charles FIRMENICH / CHE / Henri MOSER / CHE by Artes Max Via Flickr: ESPÍRITU DE MONTJUÏCH 2019 / Circuit de Barcelona
I think for a long time the perfume industry wanted to hide everything that happened before the bottle, because they wanted to keep their secrets, their sources, everything. The consumer of today wants transparency. They want to be sure that no harm is done to the children in Madagascar [for example]. And [they] want to be sure that the ingredients that are in the bottle that [they are] going to pay quite a large sum of money for is ethical. And this is great.
Dominique Roques, head of natural ingredient procurement at Swiss fragrance giant Firmenich
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Spread the loveFirmenich sat down with three Central Saint Martins tutors to discuss teaching the future and the role scent has to play in design.
[...] We certainly encourage our students to explore multi-sensory design approaches here at CSM. It is hugely exciting to see our students explore the potential for olfactive design to address issues they are concerned with, such as the climate emergency.
During the collaborative project with Firmenich, many of the students were also keen to explore the ways in which scent can be linked to both personal and cultural memory, and how olfactive experiences could allow people to connect and better understand each other and their environments.
We encourage our students to engage with the political and cultural contexts of their work. They look at the intersection of craft, science and technology, and we also believe it is crucial that they collaborate with the communities their projects relate to, in order to stimulate debate as to what we want our collective future to look like.