DON: Harry, I want to talk to you.
HARRY: I can explain.
DON: What is the benefit of that thing [slide projector]?
HARRY: It sells projectors to people who already have them.
DON: Yeah, and the wheel stacks. You store your slides in it and you'r ready to go.
HARRY: I took pictures for the paper at Wisconsin. The machinery is definitely part of the fun. It's mechanical.
DON: What'd you take pictures of?
HARRY: Girls mostly. Could go up and ask them their names afterwards like you were gonna put it in the paper. And some other stuff, artsy-craftsy stuff.
DON: Artsy, like what? Like reflection of a tree in a pond?
HARRY: Worse. I did a whole series that was just handprints on glass.
DON: Black and white, I suppose.
HARRY: Of course. I was fascinated by the cave paintings at Lascaux. They're like 17,000 years old. Now, the bisons get all the attention, but there are also all of these handprints, tiny by today's standards, with paint blown all around them.
DON: Signature of the artist.
HARRY: But I thought it was like someone reaching through the stone, you know, right to us. I was here.