seen from Singapore
seen from Australia
seen from United Kingdom
seen from Italy
seen from Italy
seen from China
seen from Italy
seen from United States
seen from United States
seen from China
seen from China
seen from Australia
seen from China
seen from Australia
seen from Sweden
seen from United States
seen from Malaysia
seen from China
seen from Singapore
seen from Italy
Monotype from Fowlers Gap in far western NSW. I was teaching 12 wonderful students this Spring with @inthefieldartistworkshops alongside painter @nk_nk_ and foodie @laurenforlonge . Next month we will be In The Field at Bundanon on the Shoalhaven river, more info in my bio. Monotype is oil on primed paper, 27x27cm. #monotype #oilpainting #fowlersgap (at Fowlers Gap Arid Zone Research Station) https://www.instagram.com/p/CkjVCizBybL/?igshid=NGJjMDIxMWI=
It’s such a wild palette of colour out there, heading back out west soon. This one was started plein air and finished in studio, “Dry creek study Fowlers Gap”, oil on board, 50x50cm, 2021 #fowlersgap #artistsoninstagram #australianartist (at Fowlers Gap Arid Zone Research Station) https://www.instagram.com/p/CLvasnuDPma/?igshid=1wk9skz3jranx
Flood plain Fowlers Gap, watercolour and mixed media on paper, 75x105cm. A truly special place to paint, thanks @nk_nk_ for the invitation and the company. #fowlersgap #watercolorpainting #australianart #brokenhill https://www.instagram.com/p/CCxvZQyjfQR/?igshid=18302oh8efqk1
Siluetos
Siluetos: The Fowlers Gap Interventions is now up on my blog!
The Fowlers Gap Interventions My initial proposal for our visit to Fowlers Gap was to explore my bodily relationship with the land by revisiting an ongoing series of body/land/performance artworks. My first Silueto was a straightforward scratch in the dirt of the driveway just after breakfast. Morning cross-light put the mark into relief. I chose the driveway because it was on the path between…
View On WordPress
A slideshow of images from Peter Sharp’s studio, showing the drawings, paper works, and sculptures created in the field at Fowlers Gap, all feeding into his larger paintings.
