Mar 24
'Tom O'Bedlam' by Norman Lindsay, c. 1918
seen from United Kingdom
seen from United Kingdom
seen from Türkiye
seen from South Korea
seen from Malaysia
seen from Malaysia
seen from Malaysia
seen from China
seen from Mexico
seen from Netherlands
seen from Malaysia
seen from Germany
seen from Sweden
seen from Australia
seen from Türkiye
seen from China
seen from Malaysia
seen from Canada
seen from Germany
seen from Ireland
'Tom O'Bedlam' by Norman Lindsay, c. 1918
Utopia Art: Where Tradition Meets Innovation
Few Aboriginal art movements have had a greater impact on the international art world than Utopia Art. Emerging from the Utopia region of Central Australia, this extraordinary movement transformed ancient cultural knowledge into some of the most celebrated contemporary artworks ever produced in Australia.
Home to renowned artists such as Emily Kame Kngwarreye, Utopia became famous for paintings inspired by Dreaming stories, bush foods, ceremonial traditions, and the seasonal rhythms of Country. Unlike many Western Desert paintings, Utopia artists developed highly individual styles ranging from delicate dot fields and batik-inspired patterns to sweeping abstract compositions that rival the world's greatest modern painters.
At its heart, Utopia Art is about connection—to ancestors, Country, ceremony, and the enduring knowledge embedded within the desert landscape. Through their paintings, artists mapped sacred places, celebrated cultural identity, and shared stories that have been passed down through generations.
Discover the history, leading artists, symbolism, and international significance of one of Australia's most influential Aboriginal art movements
SCAMP was an absolute blast! I'm so grateful I was able to scoot up to Sydney to table at the first ever edition of the festival, surely the first of many to come. Thank you so much to everyone who stopped by for a chat or to grab a comic, everyone who swapped, the wonderful organisers and team who put on such a professional show, and the wonderful Siobhan from Cockatoo Comics who planted the seed! I'll definitely see you all next year :)
Curse Birds 4 is free to read - right here! Physical zine copies will be available to purchase soon on my webstore. They will also be sold at my table at Perth Supanova, 29 and 30 of June!
"Blue emperor on Blue Himalayan poppy". Watercolour on archive quality paper. Was given as a present to my friend.
Resin and stone works, details.
Stelarc Exoskeleton Exoskeleton A six-legged, pneumatically powered walking machine has been constructed for the body.
The locomotor, with either ripple or tripod gait, moves fowards, backwards, sideways and turns on the spot.
It can also squat and lift by splaying or contracting its legs. The body is positioned on a turn-table, enabling it to rotate about its axis. It has an exoskeleton on its upper body and arms.
The left arm is an extended arm with pneumatic manipulator having 11 degrees-of- freedom. It is human-like in form but with additional functions.
The fingers open and close , becoming multiple grippers. There is individual flexion of the fingers, with thumb and wrist rotation. The body actuates the walking machine by moving its arms.
Different gestures make different motions- a translation of limb to leg motions. The body's arms guide the choreography of the locomotor's movements and thus compose the cacophony of pneumatic and mechanical and sensor modulated sounds....
Excerpt from the Exoskeleton performance at the STRP Biannual in Eindhoven, 01.03.2013 Credits: Concept and Performance Stelarc Walking Machine Design/Construction/Electronics/Programming f18institut / Stefan Doepner, Lars Vaupel, Gwendolin Taube, Tom Diekmann Technical Assistance: Joy Wagner Manipulator Construction: Jan Cummerow / f18institut Prototype programming: Ulf Freyhoff Computer Simulation: Steve Middleton