
seen from Malaysia

seen from Spain
seen from United States
seen from United States

seen from Singapore

seen from United States

seen from France

seen from Canada

seen from Spain
seen from China
seen from China
seen from Brazil

seen from United States

seen from Spain

seen from Spain
seen from China
seen from United States

seen from United States

seen from Romania

seen from Argentina
Production stills and behind the scenes of "The Schizoid Man"
The Saint: The Fiction Makers - Part 1 (6.11, ITC, 1968)
"Mr. Klein, do you remember what SWORD did to the police sergeant in Sunburst Five?"
"Oh no..."
"The equipment is fully operational in the cellar, it can be filled with acid in one minute."
"Oh, you wouldn't!"
Production stills and behind the scenes of "Living in Harmony"
The legendary Frank Maher, my not-so-secret crush, in one of his most underrated appearances 😆
(fringe fandom redefined)
*Random Thoughts about Random Trading Cards*
While none of us can be sure which episodes are part of the legendary McGoohan Seven, “The Schizoid Man” is definitely one of my personal favorites.
There is so much to love about this episode: plot, pace, action, ironic twists, and A LOT of McGoohan. Also, a lot of Frank Maher, who my husband has started suspecting, might be my real crush.
Just when it seems that Number Six is finally settling into village life, including a very simpatico avuncular relationship with the lovely Alison, a sinister plot unfolds.
Before our eyes, Number Six gets drugged, relocated, reconditioned (both mentally and physically), and literally doubled into a new resident called Number Twelve.
Getting stripped of his identity is one thing; being confronted with an impostor claiming to be the real individual goes deep into the psychological realm of identity, projection, and the archetype of the Shadow.
Surprisingly, not even the mental link with Alison can prove his true identity.
Finally, our hero succeeds in mentally and physically emancipating himself from the village administration's paradoxical attempt to both eradicate and confirm his existence as Number Six.
Which ultimately gets him into a helicopter, but certainly not out of the village.
(Random side thought: If McGoohan had not adamantly refused to kiss Jane Merrow, the Zener cards would never have been part of the plot- and God knows what alias I would have come up with instead of threewavylines 😆)
Ending the day with a Danger Man double treat - courtesy of “I am Afraid You Have the Wrong Number”
Front view: Patrick McGoohan / Rear view: Frank Maher
(Either way- no complaints 🔥)
Man in a Suitcase: Blind Spot (1.20, ITC, 1968)
"You know what I have in here?"
"Your lunch?"
"A confidential report concerning you."
"Confidentially, I don't care."