Hi! I’m falling back down the vld rabbit hole and am once again consoling myself with how the series could/should/was meant to wrap up its various character and plot arcs and come to a satisfying and well written ending with all of tpl’s metas that i found really enlightening back in the day. So first of all, thanks for all the time and energy you guys put into everything you’ve collected/organized/posted!
Second, do you know if any of felixazrael’s metas are still available anywhere? With the blog deactivated, tumblr has kicked all the links on the old posts.
Third, do you have any thoughts on how unavailable vld seems to be now? Amazon doesn’t even have s7 and 8 available for purchase.
Thanks and have a fantastic day! 🌼
Hello hello! :D
Welcome back to the VLD rabbit hole! You are so sweet! I shared your lovely compliments with my teammates, and we are so pleased to hear from you! I also occasionally re-read the old metas; there are a few things I'd change about them if I was to revisit them today, but on the whole I think they stand the test of time pretty well, and I'm proud of all the hard work and love we put into them. I keep meaning to write a retrospective of sorts to reflect on the things that have and have not changed since then, but I can never quite seem to find the words for articulating all the feelings that'd be necessarily wrapped up in all that.
Felix is a difficult topic. They voluntarily withdrew from the community and asked that all copies of their work be pulled down and disposed of. Out of respect for them and our friendship we complied with their request, even as we as a whole are staunchly against deleting fandom history. It's a complicated and frustrating situation, but they have the right to decide what happens with their work. I'm sorry, I believe all of Felix's metas are lost now.
As for your third question... OH BOY do I have thoughts! :D
I have many thoughts about the availability (or lack thereof) of VLD.
So, as of this writing, the first two DVDs (covering Season 1-2 [production season 1], and 3-6 [production season 2], respectively) are out of print and difficult to come by. Seasons 7 and 8 [production season 3] were never released at all for purchase. I believe there are still several places you can purchase digital copies of the first 6 seasons, but again, seasons 7 and 8 were never released.
There could be several reasons for some of this - the DVDs were of low-quality and never sold particularly well (why would you buy a low-res version of a show you could watch on Netflix in HD?) so it's not too implausible to imagine that 7 and 8 were simply never printed because the expense of printing was more than the expected profit. That's plausible, that's reasonable. What's much less so is the unavailability of the episodes for digital download. Making something available for purchase digitally is so inexpensive, by comparison to DVDs, that it's basically free. And with the size of VLD's fandom (even today), you'd surely get enough sales to cover the already negligible costs.
So it's not a money issue. And it's not a demand issue. What have we got left?
The way I see it, there's two main options here, and they both boil down to: something regarding seasons 7 and 8 being edited is interfering with making those seasons available for purchase.
Option 1: It's something legal.
The rights for Voltron have always been a tricky thing. It's owned by the private company WEP (World Events Productions) which leases out different pieces of the rights to other companies so that they can make the shows and the merchandise based on the brand.
I, and my team, fully believe that Bob Koplar, the CEO of WEP, is the man responsible for ordering the edits to Seasons 7 and Season 8. The "why" of the matter is still speculative, but it's pretty clear that he's responsible. (I can get into the details if asked, but we'll be here all day if I do it now, lol)
So Koplar holds the rights to the brand, but DreamWorks, which made VLD, holds the rights to the individual show. If there's a legal conflict between the companies, say, over which version of the show can be released... then that could be why we're not seeing those episodes.
Option 2: It's spite.
Following on the last option, with Bob Koplar having levered his control over the Voltron Trademarks to force DreamWorks to make edits to their show, it's very possible one or the other is preventing the release of the episodes in an effort to screw with the other.
From Koplar's side of things, he's small and petty enough to rip an entire completed show - millions of dollars in investment in animation alone - to pieces for reasons that seem to amount to him disliking the story direction. He'd absolutely hold up the release of the episodes if there was something about them he still didn't like - and there's plenty still there for him to hate! (*cough* like the caricature literally named after him in the Season 7 episode "The Feud" *cough)
From DreamWorks' perspective, they had an entire completed show - millions of dollars in animation, remember! - ripped to pieces by a power-tripping, petty, little man. Which they then had to shell out additional funds to pay to reconstruct. The resulting product, which they were contractually obligated to release to Netflix, was then rejected wholesale by the fanbase, completely destroying any possibility of a franchise for one of the biggest hit shows they'd seen in years. We're looking at tens of millions of dollars down the drain. Would a company like DreamWorks turn around and screw over Koplar in turn for what he did? Yeah, I think they might.
All in all, I can't say why they're not available... but I do know that back, immediately after Season 8 aired, WEP's storefront (Voltron Store) and social media accounts were claiming that the final DVD would be out by "the fall", which, given the timeframe, was presumably fall 2019. So at some point there was a plan to make those episodes available, at least on WEP's part. This, however, was likely before it was revealed to Bob that the episode "The Feud" was mocking him specifically.
I can't say whether those episodes will ever get an official release, but I can say that if they do, it's going to dig up this whole entire mess all over again. And I'm pretty sure that neither party involved wants that. WEP has their new movie in production, and DW probably see the entire show as something they'd like to forget. Releasing those episodes will bring them both nothing but bad PR.
Thank you so much for your message! I enjoyed receiving it, and I had great fun writing out this answer! I'm always happy to talk Voltron, Voltron theories, Voltron related media. Have a lovely day!
Listen, I said I wasn’t going to write any more VLD metas, but this one is borderline fanfic, so I have an excuse. My theory is a bit stretched, like a thin rubber band ready to snap, but hey, it’s always fun to theorize. I’m just throwing it out here for funsies.
So, first off, what are the easiest and fastest ways to change the course of an already animated story?
— Static images are easy to alter - Lotor’s cOrpSe comes to mind. Easy to draw a bunch of purple spaghetti over his body.
— If there are changes in the script, calling voice actors back to record new dialogue is also cheaper (and faster) than applying major changes to the animation itself (re-recording dialogue is called ADR and it’s used in the industry on a regular basis).
With that in mind, here’s where I’m applying my theory:
At the end of Knights of Light Part II, Allura remains unconscious, while all the other Paladins wake up from the entity-assisted trip to Honerva’s mind:
From here on, I (like many others before me) hypothesize that she’d continue her metaphysical journey and finally meet Lotor — a natural consequence of the fact that he (his subconscious more exactly) enticed Allura to follow him in the Clear Day episode (“Follow me”? And then we never saw him again? Hello? Anyone there?).
As seen in the “Genesis” episode in S8, Lotor is boiling in his own rage — a rage of galactic proportions, magnified by the rift quintessence. Similar to how she woke the Old Paladins up from the darkness inside Honerva’s mind, Allura would now have a chance to awaken Lotor’s consciousness.
The difference between Lotor and Alfor et al. is that Lotor also retains his physical body — and I posit it would not look as horrid as published in canon. After simmering in the quintessence field among entities, it would make more sense story-wise for Lotor to resemble his parents’ transfiguration. A vampire-like appearance. The flecks of purple light emanating from him in the (supposed) coRpSe scene suggest that as well (Remember Zarkon and Honerva’s eyes, effusing motes of eerie purple light after coming back from the rift?).
Here’s where I’m deviating from the traditional theories:
The outcome of Lotor still retaining a viable body would be that Allura would completely wake him up from his vampire state: mind and body.
In other words, Allura would revive him remotely, via the entity connection. She wouldn’t need to storm the pyramid. Or, to quote Allura herself in the very last episode of S8, she’d “change the quintessence within [his] vessel/body from a destructive force into a life-giving force” (note that in canon she applied this technique to Honerva, while they were in the Connected Consciousness Plane, so… also remotely). As per Allura’s own recount, this was something that Lotor helped her learn.
This would bring us to the next point, as we see it in canon:
At the beginning of S8E12 “The Zenith”, Merla unexpectedly comes to the Paladins’ aid, parrying a Komar robeast’s strike against Voltron:
Pidge exclaims: “It’s the Altean!”
“Why is she helping us?” Lance asks.
Merla pleads with the Paladins. “Please, do not harm them! They were misguided, much like I was. We all were.”
We never actually see Pidge, Lance or Merla talking, we only hear their voices while the robots carry on with the battle.
This sneaky little snippet of dialogue is where I think stuff might have been altered.
Why?
Because Merla freaking died in the previous episode. Honerva blasted Merla’s mecha to fine cosmic dust, and we witnessed that in a mighty well animated scene, for that matter.
So. Who might have actually piloted that Komar robeast?
Well…
How about… Lotor? What if Lotor’s “do not harm them” was swapped with Merla’s voice?
Freshly awoken from his mega mental breakdown, but still refusing to accept Honerva as his mother — thus putting up a big fight against her (and consequently pushing Honerva to such batshit insanity where she’d decide to search for a child-Lotor in another reality), Lotor would eventually manage to escape the pyramid aboard a Komar mecha. Abandoning Sincline in this case would also serve as a symbolic gesture of departing his past life and actions, and joining the Coalition for good. (Also, in Allura’s vision in “Clear Day”, the Komar robot had a bit of a sacrificial symbolic role, so there’s that as well).
Inserting Lotor here would be an effective action sequence, with a bigger story impact than Merla’s — and it would flow nicely, as he’d arrive in the nick of time to help the Paladins. Not to mention, it would save a lot of time and budget, by skipping that extra episode about storming the pyramid.
Look, I love the ‘storming the pyramid’ idea and all the art that’s been done so far with it. I’d love to see more! I wrote a fanfic around it, too. But what if there was a more streamlined approach?
Also… Also… This action flow would explain the unprofessionally chopped frame (rip Hunk, we only see your shoulder) that follows immediately after the Merla-helps-Voltron scene. (Oh, how about Lance’s “Why is she helping us?” rolling right during this frame? We don’t even see Lance’s mouth - how convenient!)
In the unaltered version of this split screen (there must be an uncropped version, because otherwise… where’s Hunk?), I posit there wouldn’t be any Merla; instead, we’d see the newly-arrived Lotor, the Paladins, and the two remaining Altean warriors. And the convo would flow something like this:
Pidge: “It’s Lotor!”
Lance: “Why is he helping us?” (Or perhaps he would say something else completely? We can’t see his mouth; I guess it was easier than re-animating his lips to the new dialogue?)
Lotor: “Please, do not harm them!” [Optional: “They were misguided — much like I was. We all were.” — this would tie in with what Allura said about him in the Connected Consciousness scene: “Lotor may have been misguided, but ultimately he wanted to preserve life.”]
Scrolling further into S8E12, there are two almost identical semi-static scenes (an Altean character is animated briefly), separated by about 5 minutes (min 12:08, then min 17:00). The background dissimilarity is what triggers my suspicions. Remember I said static images are easy to alter? Spot the differences between these two pics:
Image 1 - minute 12:08:
Image 2 - minute 17:00:
In the second shot Matt and N-7 are gone, but more importantly… the Balmeran alien on the right has been replaced by Merla, and her Komar mecha looms in the background. See how easy it is to switch characters in static scenes? It’s canon. Boom. Proof right here.
What if… that character was actually Lotor? If he was supposed to be in that mecha instead of Merla, this would be a great opportunity for him to join forces with his beloved Alteans, and… and… express his own magical powers! (Oh, magical Altean Lotor? We’ve been waiting for this since Oriande, haven’t we? Here we go!)
Not to mention the super-symbolic gesture he’d make, of giving up his own quintessence — after syphoning it from other Alteans in the past.
Ultimately though, we know that the Balmerans & the Coalition’s efforts fail, as they’re unable to contain the rift. Their reality collapses. Meanwhile, Voltron-Atlas misses their entry point to the next reality. They’re all defeated. Honerva reaches her target reality. There, she meets cute little Lotor, gets rejected (again!) by him, and looses her shit completely.
Then, out of thin air, Voltron-Atlas reappears. May I ask how? Because damn sure, canon never explained it.
While my imagination is exhausted here, I have a couple of options, sourced from a previous meta of my own, as well as @violethowler ’s meta. In either case, the idea is that a supernatural being from beyond realities must have helped them, perhaps akin to the Sphinx in the VLD comics — maybe a Lion Goddess (foreshadowed in S1)? Perhaps they must pass some tests? The riddle of the Sphinx? Perhaps their experience in S7, “The Journey Within” was the Goddess’ test, and they already passed it? Unity, friendship, hope… All that good stuff.
And here, in the Nowhere Land beyond realities, I speculate that Lotor reunites with the Voltron-Atlas team. A seven-unit team (as hinted through Kolivan’s interview in “Day Forty-Seven”). According to a previous analysis of mine, there are animation glitches that hint at Lotor being present in the final scenes in the Connected Consciousness.
Like I said, this is a highly speculative piece. More fuel for fanfiction though.
One thing I’d like to make clear as I close my analysis. When I talk about altering an already animated story, I’m referring to executive meddling, imposed upon the talented crew that poured all their love into this show: the EPs, the writers, the animators. You know, the whole “toys for boys” meddling issue. Imo, the show runners deserved better, just like this story. I’m simply speculating on what could have been.
Omg hi! Hello! I'd noticed recent traffic to my old metas and was wondering where it was linked from! You don't know how happy I am to discover your blog! I wanted to reach out/connect and let you know we're still around/have our own discord server. We're happy to provide any of our materials/research that might be of help, and and and omg just wow. I am so incredibly excited to discover there are more people who CARE about this still!!
OMG HI, HELLO!?
Firstly, WOW. I was a big fan of your metas and analysis' back in the heyday with Team Purple Lion! I would love to (if you're willing) to share your sources and materials as well.
Secondly, I can't wait to share what we've found too!! It's been a profound rewatch, that's for sure.
Wait. What happened with Bob Koplar and Voltron? There were reasons as to why it was so bad?!
There absolutely are.
And before I go any further, I have no clue if you already know who Bob Koplar is, but if you do, then this little explanation will just be for anyone reading this who doesn’t: Bob Koplar is the current head of WEP (World Events Productions), the company that made the original show in the 80s and owns the Voltron brand. Dreamworks at the time of the Netflix Voltron series’ production only had the rights to adapt the existing Voltron material and did not own the brand outright. All scripts/episodes for VLD had to go through Bob for approval (by his own admission, although the video where he acknowledges this has sadly been deleted from Youtube).
So with that explanation out of the way, the reason the final season of Voltron is so bad was because the showrunners and writers at Dreamworks had a very specific story they were trying to tell, while based on comments made by cast, crew, and Koplar himself over the years, Bob wanted 1) a glorified toy commercial to sell toys to 6 year old boys, and 2) a successor to the previous Voltron series, Voltron Force.
Based on all the evidence found in and around Seasons 7 and 8, the crew’s plans for the final seasons would have involved revealing that Lotor was still alive in the Rift, that he was innocent of the crimes he had been condemned for, and that he would reconcile with Allura and Team Voltron before joining them in the final battle against Honerva.
Bob found out about this while the crew was making Season 7 and ordered them to change it. Based on interview comments and the history of the Voltron brand, the most likely reason was because he wanted Lotor to remain a villain so he could be reused as the antagonist of a sequel series. The crew complied and removed much of the content surrounding this plotline from Season 7, but then reworked it into Season 8 and tried to push for their planned ending anyway, banking on the hope that by the time Bob found out they’d defied him it would be too late for him to do anything. Instead, the showrunners were forced to cut out multiple episodes’ worth of footage and then rearrange what was left in order to have the number of episodes their contract with Netflix obligated them to release. (A summary of the most notable evidence of changes within the season itself, along with a rough outline of what the final season should’ve looked like based on what was removed, can be found here)
And this all happened after production was already completed, as even the animators and most of the voice actors were surprised by the version of the final season we got.
Bob has also been implicated by multiple interviews with cast and crew as pushing back against the crew’s desire to include queer characters and relationships in the show, and prevented them from including any same-gender romance between the paladins.
If you’re interested, the group of fans behind much of the research into the Bob-mandated editing of Voltron Season 8 has put together a few reconstruction videos depicting an approximation of what the unedited versions of certain episodes would have looked like.
Okay, so I was watching this panel again for fun and when Kimberly is asked if Allura has the power to bring people back to life at 40:00, AJ makes a face and immediately looks to Kimberly who pauses for a moment and shares a long, pondering look with him across the table to which he smiles and replies with a laugh: “Don’t look at me. We are but puppets.”
Maybe I’m just reading into it or maybe this has already been discussed years ago, but why would they have this exchange if the question had nothing to do with Lotor/AJ? Could this be hinting at the theorized original storyline in S8 where Allura essentially brings Lotor back from being trapped eternally as a robeast? Or is this interaction merely a coincidence?
Voltron: Legendary Defender and its final season remains as one of the most poorly received children’s shows in the past decade. The show was a reboot from DreamWorks of the popular Voltron franchise owned by WEP LLC (World Event Productions) who were responsible for the first version of the show Voltron: Defender Of The Universe (1984), an adaptation of the anime show GoLion by Toei Animation. It initially started strong when released in 2016, with a premise that of a typical mech-centric kids’ show; 5 pilots of 5 robot lions coming together to form one big robot (Voltron) to fight against a big bad alien villain in space, however despite the formulaic appearance it proved to be a captivating watch with detailed and beautiful animation as well as surprisingly deep subject matter. The themes and messages of the show touched on darker topics such as racism and genocide with the backdrop of a complex portayal of war while still balancing it with the light-hearted and goofy dynamics of the diverse main characters, played by a diverse cast. Produced by Lauren Montgomery and Joaquim Dos Santos, both of whom had worked on the acclaimed Avatar: The Last Airbender and Legend Of Korra, the story set up promised an equally deep and intricate story for VLD as had been the case for ATLA and LoK, as a result the show attracted a large and varied fan base beyond just children, many fans adults eager to see how the story and darker themes would be resolved as well as how the minority representations would be treated.
The final season released on Dec 14th 2018 came as a great shock to fans, not only were they intensely dissatisfied with the ending, virtually no one from any area or sub fandom was happy with the season as a whole and at the time of this article’s writing it has lower than a 6% rating on Rotten Tomatoes. The show and its producers faced massive criticism over insensitive representations of minorities, an unsympathetic and condemning end for an abuse victim despite redemption for their abusers and a disempowering arc for the main woman of colour character in which she was sidelined and dismissed by her male counterparts up until her sacrifice. The core themes and messages of love, forgiveness and acceptance regardless of race were completely subverted, instead conveying to an impressionable Y-7 and above audience the opposite; heritage and race define a person rather than their own actions. As well as fans, many parents of kids who watched the show expressed unhappiness with the final season due to the toxic and regressive messages it sent. Soon after the season dropped a petition emerged to “free the original season 8 of Voltron” due to the belief that the final season was in fact an edited product of what the creators originally planned. This belief was sparked by visual inconsistencies in the season itself, the audio description not lining up with the action on screen (now fixed), one character not being played by her voice actor but her voice actually another character’s with the pitch turned up as well as comments from the cast and animators, now deleted. The strongest claims of edits were made by Tumblr user Leaking Hate in her initial meta Chasing The Ghosts Of Season 8 and the follow up, a more detailed breakdown, Seek Truth In Darkness in which she presented an alternative story that had been edited and cut down for reasons then unknown, with narrative and visual evidence from the season itself to support her argument. She and a few other fans officially came together in February 2019 to form Team Purple Lion, a team of analysts dedicated to finding the truth behind the disaster of the final season. However, since the fandom had had a poor history of harassing the show’s creators over ships (romantic relationships between characters) most attributed the poor story and resolve to an attempt to keep things neutral romantically between characters in a poor bid to please everyone. As a result the petition and campaign were merely linked to lack of shipping satisfaction for the fandom and dismissed as more toxic fandom behaviour that had been displayed previously by many fans.
Petitions and campaigns like these are not uncommon after a show or film’s ending, similar situations might be the HIMYM backlash in which fans were so unhappy with the ending of the show that there was a petition for an alternative ending, as well as the petition to Warner Bros regarding the Snyder Cut of Justice League. Both of these have actually succeeded with the Snyder cut of Justice League set to release in 2021 and the HIMYM DVD box sets containing the alternative ending, however what makes the Free VLD s8 campaign now led by Team Purple Lion unique is its claim that there’s an original finished product that the creators intended for release but was edited after completion to produce the poor final season that was released on Netflix. Often corporate meddling in creative works is common but it has not been documented before as a post production occurrence changing the finished work, it’s always taken place pre-production as was the case with Disney and Colin Trevorrow’s original script for ep. IX or during production, in the case of Justice League and Zak Snyder.
Since the start of the campaign in Dec 2018 there’s been continuous investigation and action taken by TPL to provide proof for their claims and the movement has evolved into a fight for creators’ rights, still active now a year and a half on. Their investigation early on resulted in discovering the IP holder (those who own the trademark) WEP as the ones with control over the show and therefore responsible for the released edited season 8. They’ve since defended DreamWorks and the showrunners from criticism in favour of requesting WEP and specifically President Robert Koplar, self proclaimed “steward of the property” for the original season 8 by the showrunners that was not released. There’s also been strong advocation from TPL to keep the protest against WEP’s interference with the creative team’s work peaceful to avoid dismissal and belittlement due to prior instances of the VLD fandom’s toxic behaviour that often included harassment of showrunners and toxic fan behaviour ranging from abusive remarks online to death threats, after the final season rumours were flying and the EPs faced abuse from upset fans so there was an active effort to stay civil on TPL’s part.
TPL and the #FreeVLDS8 movement has continuously faced criticism and backlash since its start regardless, the response from fellow fans ranging from supportive to downright disbelief and even the showrunners stating publicly [March 28th 2019 Let’s Voltron podcast] that there’s no “alternate cut of Voltron” branding the idea as a “conspiracy theory”. Claims of harassment have been attributed to TPL and the legitimacy of their allegations questioned, one fan questioning the possibility of the edits’ execution as well as others categorizing them as fans creating a theory based on shipping fulfillment. The controversy and consistent campaign a year and a half on interested me greatly, therefore after being led back to the movement by the very comments discrediting them I approached Team Purple Lion for comment on the aforementioned claims as well as conducting my own research and investigation into them. 3 members of the team, Crystal Rebellion, Dragon Of Yang and Leaking Hate spoke to me openly about their campaign and my own research produced some interesting results as well.
The basis of their argument is set on the show’s final season being an edited product, when I asked about what pushed her to this conclusion and writing her initial meta Leaking Hate explained that a mutual friend of Crystal and her’s drew their attention to it through the story saying:
“It’s interesting, nearly ALL of the episodes had a moment or two in them where Lotor [male villain] COULD have reappeared, and didn’t. Do you think he was written in to be the savior all along, and it was the higher ups that said no, good boy Lance [one of the main characters]? It seems like, given the narrative, and even given this season, it should have been Lotura [Lotor and Allura ship name], and all that wasn’t just feels… off. And not as a Lotura stan, I mean in general.”
“And YES I had. There was a narrative gap where Lotor should have fit, but for some reason wasn’t.” Hate said, “The initial conclusion we jumped to was that Lotor had been removed in the writing stage.”
It wasn’t until another friend mentioned a key scene out of place in the story and she went back to view it that she started to suspect the season had been changed from its original state. The scene in question was one in which Lotor says “Follow me!” at the end of Allura’s dream sequence in s8 ep8 Clear Day, despite his death being established before and after this point in the story. “There was no reason for that Follow Me shot to be there,” Hate explained, “unless the action of the viewer following Lotor had been removed.” Having studied a Fine Art degree and therefore well versed in animation and visual art she was able to recognise scenes that had been edited unusually throughout the season once she actively searched for other visual evidence. The Follow Me scene as well as others she found are displayed in her Ghosts meta, all indicating a different story from the one told in the show, along with the evidence Leaking Hate presented some initial ideas on what the story was (a redemption arc for Lotor and several sub arcs for the main characters that resolved their stories and previously set up story beats).
[Image Description: A close up of Prince Lotor’s face from season 8 on Netflix, staring directly out of the picture at the viewer. There are subtitles showing his speech at the bottom of the image, saying “Follow me!” End ID]
After Team Purple Lion’s formation Leaking Hate went on to publish a part two to her initial Ghosts meta, a 21k word meta entitled Seek Truth In Darkness which contained all visual evidence of edits found in the season as well as an extrapolation of the initial story indicated by said edits. The original story appeared to resolve unfinished narratives and arcs that the released s8 dismissed and the treatment of the representations in the show better, from respect towards minorities to an empowering arc for Allura, the main female character. Despite the original season having a more positive story, negative feedback from fans has been more common than positive. When I questioned the team members on it Leaking Hate mentioned “most people who believe we’re wrong tend to think we’re wrong in our premise” Dragon of Yang confirming that “it’s usually the premise of “VLD was edited after completion” that people disagree with”. However the screenshots they present as visual evidence hint at some truth in their argument, the first screen cap shown below indicative of some poor edits made to the animation since 3 characters are essentially cropped out of the picture.
[Image description: A split-screen from season 8 on Netflix, featuring from left to right: an Altean pilot, Merla, Keith, Hunk’s shoulder, Pidge, the top half of Allura’s face, and the top half of Lance’s face. End ID]
Likewise this screen cap shows a split screen visually unbalanced with 2 characters at the bottom partially cropped out as well as the character on the left side with a much larger screen space than the other characters.
[Image description: A split screen from season 8 on Netflix, featuring from left to right: top left Shiro, below him is Keith in a larger section and Allura in a small triangular section below and to the right of Keith’s section. In the middle is a section showing Honerva’s mech stabbing the Voltron-Atlas mech with purple lightning shooting out. On the top right is Hunk, below him is Pidge, and below her the top half of Lance’s face. End ID]
Seasons prior to the final had always had visually balanced split screens with each character centred in their frames appropriately, indicating these and other s8 shots like them as an anomaly.
Hate reconstructed both screencaps based on what she believed they were originally:
[Image description: A split-screen from season 8 on Netflix, featuring from left to right: an Altean pilot, Merla, Keith, Hunk’s shoulder, Pidge, the top half of Allura’s face, and the top half of Lance’s face. On the top, right, and bottom of this screencap is dark pink background with the black lines of the split-screen extending to the edges of the colors, marking out where the rest of Hunk, Allura, and Lance should be visible if the view had not been cropped. With the lines extending out, Keith’s portion of the screen is also extended, leaving a completely removed section of the split-screen remaining, which is highlighted purple in this image. End ID]
[Image description: A split-screen from season 8 on Netflix, featuring from left to right: top left Shiro, below him is Keith, below and to the right of Keith is Allura in a small triangle section, the bottom of her face slightly cut off. In the middle is a section showing Honerva’s mech stabbing the Voltron-Atlas mech with purple lightning shooting out. On the top right is Hunk, below him is Pidge, and below her the top half of Lance’s face. On the left, right and bottom of the screencap is a dark pink background with the black lines of the split-screen extending to the edge of the colours, marking out where the rest of Lance and Allura should be visible if the view had not been cropped. Keith’s portion of the screen is smaller and a small dark pink section to the right separates his portion from the middle. Below him where his portion originally extended to is a section coloured dark purple that extends a little further to the left of Allura’s portion. End ID]
Other noticeable examples include scenes with the female lead Allura where her proportions do not match with any prior drawings of herself indicating that she was another character redrawn, Leaking Hate suggested Lotor as his proportions fit each instance.
[Image description: 2 pictures of Allura in the Blue Lion from a front and centre angle side by side. On the left Allura has her eyes closed and her arms stretched out holding onto the controls, the entire cockpit is glowing blue. On the right Allura’s eyes are open with a determined look on her face, she’s slightly hunched with her arms gripping the controls, the cockpit is coloured normally. End ID]
The image on the left is of Allura from s8 ep13 and the one on the right from the same episode a few minutes later, scaled so the interiors (which are unchanging 3D models) are the same size. She is notably taller in the one on the right with her head reaching above the seat and her frame bigger, with wider shoulders and thighs.
These are just a few out of the many examples of edits made that Leaking Hate presents in her metas along with her reconstruction of the original season based on what each edit indicates. While the reconstruction is to some point subjective, the visual inconsistencies are clear and can be easily checked by watching the show at each point said to be edited.
The timeframe and possibility for the edits’ execution, called into question by a fan on a twitter thread (now deleted) stating “it’s not physically possible to make that many edits in 2 months and with leftover budget”, was also addressed by the team and their work. Leaking Hate clarified that “it wasn’t 2 months” that they took place in, “it was 6. The edits began in mid July”, a fact determined by voice actor Jeremy Shada mentioning in an interview released on July 23rd that he had gone in to record new lines at the time. Hate also said, “It’s less of a question of would they have time than it is, well. They did do it. It was nearly impossible. But the fact that it is done shows that they did.” She went on, “I think people misunderstand when we claim it was ‘edited’. They hear “it was reanimated”, but it wasn’t reanimated. There is NO new animation in the edited s8 at all. As far as I can tell, 99% of the edits are composed of tracing, clever cuts and sleight of hand.” This is backed up by all the visual evidence they present as well as their work, claiming absence of animation (making the story disjointed and incoherent in places) rather than new, additional animation changing it.
Crystal Rebellion added, “One thing that strikes us (I feel pretty confident speaking for everyone in this case) is that Studio Mir [responsible for animating the show] is impeccably flawless with their work. Their previous work before Voltron: Legendary Defender, and even Seasons 1-6 and most of 7 are beautifully animated. Stunning. Season 8... is not. Studio Mir also had a viewing party for VLD: S8 - and they reported that they loved the final product; so the animators saw Season 8 after it was completed. The season, however, that aired, was really shoddy animation, rough transitions, music mistakes, and what appear to be alterations to still images - it isn't their usual quality of work, and moreover, the animators have stated that they don't recognize what aired. Often we've been asked something like 'Maybe they just didn't know what scenes they were animating' or 'Didn't know the intended finished product' but in this case, it is documented that they saw the final season and that it's different from what was aired. The poor workmanship in what we see from S8 - all the edits Hate goes through to find and explain, coupled with Mir's disbelief, is indicative that the animation studio had no idea this happened. That means it 1) Happened post-production and 2) It wasn't the Studio that changed anything. Dos Santos mentions in an interview [March 4th ABTV] that they were cut and pasting mouths and moving frames around - no time, no budget, and no staff left. It was all them, after it had been completed - after Mir had seen the original rendition and loved it, that all this happened. The parallel point to that to further support it is, had this been written in the script from the beginning, we would've seen a flawlessly animated season with a painful storyline. We don't see that.”
Although Mir’s reaction to the season they viewed in October (before its official drop) has since been deleted, one animator’s response to the season 8 that was released on Netflix is still online, comparing the show to a house and stating that “every single brick of the last season is very upsetting” but “everything else is good” (translation can be found here), making it clear he was not pleased with the final product. Joaquim Dos Santos does also mention in the interview Crystal references that changes were made to season 8 after season 7 dropped, stating, “You can probably see it in the animation. If you really pay attention it’s like, it’s literally our editor cutting out mouths and puppeting different dialogue.” It’s documented that the epilogue was added to s8 late after s7 dropped however it does not have any dialogue, this statement paired with Shada’s about “still recording on Voltron” begs the question, what change was made besides the epilogue? Hate shows in her Darkness meta that Shada’s character Lance was used to replace Lotor as well as Allura in key scenes, if Shada was still recording lines (unusual since audio recording is done very early in animation production) then it would have been for these moments.
Not all criticism has been based on the editing premise however; the story they present as the original has garnered negative comments as well since it featured Lotor, a divisive character due to his moral ambiguity and previous condemnation as a killer, and predominantly focused on his redemption as well as relationship with Allura. The narrative makes it clear that Lance, the blue paladin and one of the main characters popular with fans, would not have been the focus as he was in the released season and would have been replaced by Lotor as Allura’s partner. When I brought up the claims of bias in their reconstruction Leaking Hate pondered on it.
“Do I love the story because it is Lotura, or do I love Lotura because the story makes me love it?” she mused, “I think it's all the same. I was able to pick out the original story because of my bias in favour of Lotor, Allura, and Lotura. Had I not been invested in those characters, and that ship, I would have had no reason to look. I am not reconstructing based on wish fulfillment, or what I want to see,” she asserted, “but the story I am finding happens to be a story that I love.” In regards to Lance and her analysis on him she stated bluntly, “I HATE Lance. Were I reconstructing based on wish fulfillment I would have him alone and miserable. But that is not a good story. The real story of OGS8 has Lance coming to love himself and to learn to accept Allura's friendship as equally worthy as her romantic affection. It has him grow into a good man, and it has him become Allura's right hand when he helps her save the man she loves. It is an uplifting and wholesome message for little boys and grown men alike. And I think it is equally important that we save S8 for Lance as it is that we save it for Lotor and Allura.” When I mentioned that some would find her dislike of Lance an argument against her she also added that “they are right to.”
“I would not trust someone claiming to have found the 'real' story if I knew they hated Lotor or Allura.” However she admitted, “I don't hate him all the time. I think, if the Lance we get in OGS8 is the Lance I believe is there, then I will find him tolerable, if irritating.”
While it’s true that Hate is critical of Lance and his character, the reconstructed story she presents in Seek Truth does reflect her words, giving him an empowering and sympathetic arc growing from his previous immature and womanising character into a selfless, respectful friend. The team have also put their efforts into creating and realising the story in their reconstruction of the original s8, Rise and Atone, and so far it has stayed true to what they’ve promised, addressing characters and their arcs, the only deviation made being a romance free conclusion in a bid to stay ship-neutral. Dragon of Yang explained the narrative decisions they made with R&A stating clearly, “If this was wish fulfillment, we would have stopped at one detail or another. Every character’s arc was halted and destroyed beyond reconciliation or catharsis. Every character deserves their story to be done justice, and open-endings give that catharsis VLD originally had while remaining respectful to everyone’s shipping preferences. VLD is a story of hope and growth, to deny that a character has grown since day 1 is to deny that there is a story there to be told, and that in turn denies a person out there - who likely identifies with that character - the feeling of being seen. The best thing we can do as scholars and as activists,” she concluded, “is try to recreate the vision the staff had originally made and do so with care and attention to the work they put into every line.”
As for the harassment claims attributed to Team Purple Lion by both fans and The Voltron Store on twitter, there’s not much to support them, and in fact a great deal to disprove them. The team has maintained a level of professionalism in both their work and in their conduct online, consistently citing sources and providing proof for claims as well as campaigning respectfully. Hate commented, “they seem to be conflating our protest with the general hatred being thrown around in the fandom. We've made a point to emphasize polite but firm protest and advocate reaching out through official channels.” While there is a lot of anger and hate from fans towards the show and the producers, none of it has been from Team Purple Lion. Their protest has continuously avoided and often defended the producers and voice actors, who have been regularly attacked by other fans during the show’s airing and since due to the poor conclusion, all of whom TPL have made clear are under NDAs and cannot comment freely (although it’s worth noting, they stopped actively promoting the show on their social media after the season 8 release). Instead their questioning has focused on WEP, the company who own the Voltron trademark, after discovering through a meta analysis of a VLD episode signs that they were meddling with the creators’ vision of the show and ordered them to change it against the producers’ wishes. While it was only a speculative piece, WEP’s quick reaction to the release of said meta by claiming through their Voltron Store twitter that they “do not have any influence over the creative direction of the show” despite ignoring fans for months after the season release suggests some truth to it. Twitter user Eros compiled all evidence of their involvement since then in a Twitter thread and the majority of it is damning, their denial directly contradicting statements from the voice actors and producers prior to and after s8 that confirmed they were the controlling party and had creative input, as well as the creators’ desire to tell a progressive and empowering story however not being able to because of “other controlling parties” outside of DreamWorks. WEP have also made contradictory statements to fans about the season, saying that “nothing was edited” yet agreeing with a fan that a lot was left out and a director’s cut would sell well, as well as mocking another who left a Facebook review (March 16th 2019) complaining of being hung up on, replying to them that an “imposter” answered their phones:
[Image description: A facebook review of The Voltron Store. Text from the top reads as:
Reviewer (name coloured out) doesn’t recommend The Voltron Store.
Review reads: Terrible customer service. They literally hung up on me mid sentence and it was clearly not a case of a call accidentally being dropped. Extremely disappointed by the lack of professionalism!
The Voltron Store’s reply to the reviewer: if you actually talked to us you would find we are very nice people! And we never hang up on anybody EVER - unless they make outrageous claims like Power Rangers is better than Voltron!
The reviewer’s reply: The Voltron Store I did speak to a woman who identified herself Stephanie briefly, but I will never speak to your company again. Thank you for the response but I don't appreciate being called a liar. Please see the attached screenshot for proof of my abruptly ended call back in January. I desire to have no further communication with your company now, I simply decided finally other people deserved to know my personal experience.
Below is a screenshot showing the reviewer called The Voltron Store’s number.
The Voltron Store replied: We do not have a Stephanie here. That must be the issue: you dealt with an imposter! We would review the security cam footage but it does not go back 2 months. End ID.]
In stark contrast to WEP, Team Purple Lion has responded to criticism and addressed it, as well as reaching out to media outlets to clarify and correct poorly sourced claims, however have been faced with no response. Their questioning of WEP and their requests for the original season 8 on social media have been civil; their replies to the Voltron Store posts on Twitter containing no insults or cruel remarks, the harshest only critiques on the company’s lack of tact promoting a show and its merchandise that many considered offensive and toxic due to the last season. “At no point did we set out as some kind of campaign to “attack WEP” or “demand a new season”,” Crystal Rebellion said. “We were a handful of people looking at what amounted to, to use a metaphor, a puzzle that had technically been assembled but most of the pieces didn’t match up properly. We eventually decided to take the pieces that didn’t line up and look at what the picture was supposed to be. There was no ulterior motive - we just wanted the truth. When we realised the truth and it became obvious early on that Mir had seen the original season, we became convinced there was an unedited s8, perhaps in Mir’s backup drives. People saw it, which means it was a completed product, so it became a campaign to ask for it, it’s what the fandom wants, it’s what is profitable.”
In the face of all the negative response and disbelief, Team Purple Lion have gathered an overwhelming amount of evidence to support their case, not only from the show itself but also corroborating statements from the production team and cast as well as WEP’s conduct in response to the campaign. As a result TPL have gained a great amount of support and followers from the Voltron fandom, and are still gaining more a year and a half later. “I gotta give a shout out to Cosmic Royalty,” Leaking Hate said, “a group of Russian fans who reached out to us asking if they could do translations of our work. We host their translations on our website now and there’s apparently a group 500 strong on the Russian social media site VK that supports the work we do together!” Violet Howler on Tumblr has also been a big supporter as well as new fans, recently revealing themselves in the wake of good news, the fight to get the original season seemingly won as Leaking Hate displayed in her most recent meta. In it Hate outlines evidence for the franchise’s ownership changing hands from WEP to DreamWorks and therefore the release of the original season, based on the recent repromotion of the show through articles, new merchandise from the store and the new store designs that all suggest the release, since there would be no other reason to promote a show that was a PR disaster, so universally hated. Regardless of all the opposition and discredit they have faced, confirmation of the truth of Voltron’s original season 8’s fate is expected this summer before the official art book is made available, in the form of the season’s release itself. Whether the fans will be happy with it is another story, however Leaking Hate emphasised firmly that fan satisfaction was not the point, or at least not entirely. “Nothing is perfect, and nothing will please everyone. Especially a show like VLD, with almost 35 years of legacy and fans behind it. There are people who will not like the original season, there are even some who will prefer the edited one - I’m sure the WEP executives are some of them. But it will be the season it was supposed to be, the one that was a labour of love. There is so much love and care poured into every frame of VLD, this was a story that the people working on it wanted to tell; it was more than just a job to them. It was created with love, and it was with love that we fought for it, and when it comes down to it that’s what VLD’s meta narrative was about: love.”
[ID: A screencap of Lotor facing away from the viewer at the lighting of the Kral Zera, pink light shooting out on either side of him at shoulder level before a purple-tinged night sky. Superimposed on the top-left corner of the image is the text “On 10.23.2019...” and on the bottom-right corner is the text “Rise and Atone”. End ID.]
While it’s all well and good to write meta analyzing what was done to VLD seasons 7 and 8, and another thing to talk about what was originally present, it’s completely different from seeing it yourself. We’ve already successfully reinserted where S8E2 “Shadows” belongs in season 7 of VLD. Now join us on October 23 as we present Episode 1 of our educational reconstruction of VLD Season 8: Rise and Atone, “Launch Date”.
With the help of an amazing team of artists and voice actors, Team Purple Lion is eager to show the fandom what once was to the best of our ability, using literary elements and devices preserved within VLD S8. We have found some truly amazing scenes, and found closure for arcs that not even we anticipated, but uncovered through our research.
