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Il cinema di Antonioni, la Scuola di Francoforte e la trascendenza
Il cinema di Antonioni, la Scuola di Francoforte e la trascendenza
La Scuola di Francoforte, nata nell’ambiente dell’Institut für Sozialforschung, fu uno dei più importanti movimenti filosofici di orientamento post-marxista del Novecento, attiva dagli anni venti fino agli anni sessanta inoltrati. Fra gli autori del cinema europeo, Michelangelo Antonioni fu sicuramente il più vicino e il più attento alle teorizzazioni della Scuola di Francoforte, arrivando a…
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Thüringen, 1923. Hintere Reihe- Zweiter von links- Friedrich Pollock, Mitte- Georg Lukács, Zweiter von rechts- Felix Weil. Vordere Reihe- Erster von links- Karl August Wittfogel, Mitte- Karl Korsch, rechts vor ihm Käthe Weil
The analysis of the causes of economic crisis...leads to the conclusion that it would be false to predict the necessary end of capitalism in the near future. ... What is coming to an end is not capitalism, but its liberal phase. Economically, politically, and culturally the majority of human beings will have less and less freedom in the future. ... As a consequence of the release from the constraints of parliamentarianism and having at their disposal the entire apparatus of the psychic domination of the masses, the governments that are appropriate for this period appear to be independent from classes and to stand above society without partisanship. A sociological analysis of the new state-form is an indispensable task of the present; the economic problems...provide the key to understanding.
Friedrich Pollock, “Remarks on Economic Crisis” (1933), pp. 350-353
Under a totalitarian form of state capitalism, the state is the power instrument of a new ruling group, which has resulted from the merger of the most powerful vested interests, the top-ranking personnel in industrial and business management, the higher strata of the state bureaucracy, (including the military) and the leading figures of the victorious party's bureaucracy. Everybody who does not belong to this group is a mere object of domination.
Friedrich Pollock, The Frankfurt School Reader, p. 73