The first one that came to mind is when I went up somebody and whispered in their ear “live fast, eat ass”
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The first one that came to mind is when I went up somebody and whispered in their ear “live fast, eat ass”
galacticrabbit replied to your post “this user is the united states”
You are now the entirety of the united states, congratulations, what's your first order of buisness?
the 1,300 guinea pigs the guinea pig rescue here saved are now the presidents and their tax plan involves giving everyone 1 emotion
Tag that person who never makes you cum 🙈 #oncueapparel #galacticrabbit
Let's count the stars and hypnotize ourselves to sleep. Shop: oncueapparel.com Search: amazed cat #oncueapparel #galacticrabbit
Gala Mukomolova received her MFA from the Helen Zell Writers’ Program of the University of Michigan. Her work has been published in Indiana Review , Drunken Boat, PANK, and others. She is a winner of the 2016 Discovery/ Boston Review Poetry Contest. Monthly, she transforms into an astrologer called Galactic Rabbit. Lots of people believe in her.
JULY 2016, Galactic Rabbit Love NOTES <3
Dear Summer Hares,
Today is July 19th and there is a full moon in Capricorn. Today would have been my father’s 79thbirthday so I’m thinking of him and who he taught me to be and who he never got to be and why. My father was already disabled when we came to America. He had a vulnerable heart and spent most of his time being my caregiver, organizing the apartment, and hiding needful things in useful places where we never found them again. Once, in a life before I ever knew him, he had been a photographer, a “speculator” in Moscow’s shadow markets, and an alcoholic. My mother said he “loved women” and that I must have taken after him. He spent a lot of time alone in this country and when he died, his death was just like his life here—neglected by doctors, numerical, shrouded in a language he never understood.
When I think about my place in this country, as a refugee turned citizen, as a Jew fleeing violence and a girl too gay to ever go back, I wonder what it feels like to belong anywhere and at what cost? Citizenship is dissociation, the art of forgetting: to belong in America is to forget America. What wars has this country waged for its citizens and against them? We fills our tanks, we pay our taxes. Who walks blithely over the graves black and brown bodies make—men and women both, named and unnamed? This toxic whiteness—which is not new but is also not inevitable—it a pollution we accept, build houses on, grow food in, swim. It is a thriving not in spite of death but because of it. Patriarchy—root of capitalism, which is fascism’s disguise, which claims there are those of us who are disposable—how can we extricate ourselves from its power? That, too, is a mythology our money has made real.
I spend my days unraveling, following a thread of violence and suppression that only has to whisper its presence in order to expel power over me and who I believe I am meant to be in this world. And what about you, reader? What have you agreed to so that you might feel this free?
-GR
P.S. You can support the writing of these astro-loveletters at my paypal site OR
You can donate to FIERCE instead, an organization I value in NYC “FIERCE is an LGBTQ youth of color-led organization. We build the leadership, political consciousness, and organizing skills of LGBTQ youth. In New York City, we organize local grassroots campaigns to fight police harassment and violence and increased access to safe public space for LGBTQ youth. ”
Aquarius It was not until I became a student of women’s liberation ideology that I could understand and forgive my father. I needed an ideology that would define his behavior in context. The black movement had given me an ideology that helped explain his colorism (he did fall in love with my mother partly because she was so light; he never denied it). Feminism helped explain his sexism. I was relieved to know his sexist behavior was not something uniquely his own, but rather an imitation of the behavior of the society around us. All partisan movements add to the fullness of our understanding of society as a whole. They never detract; or, in any case, one must not allow them to do so. Experience adds to experience. -Alice Walker “Can I Be My Brother’s Sister?” Ms., August 1979
Today I’m thinking about the fullness of your experience, what you allow yourself to feel and know—deep in your bones—and what you file away for a later date when you think you’ll be ready. Our books only teach us so much. And countries too, with their invented histories, their every-day pleasures and heaps of garbage, what can they tell you about your purpose in this world? Your reflection glimmers beautiful in shop windows and is gone. I want to believe, given all this war and death and violent denial, that this summer has been easy for no one. Still, time presses down on us with her thumb and demands work, demands we eat, demands we smile when someone takes a picture of us standing under a waterfall. And you must go to the waterfall, Aquarius, no matter how broken the world. You must go to the waterfall and watch the cataract beat down on the rocks at its foot, watch the water shape them. In what other types of suffering is beauty born? And when is beauty a seed? And when is beauty a burden?
Pisces
You run the hot water over the dishes in the sink, of which there are many. They are evidence of a beautiful morning, a morning making food for a lover or a friend or your kid—who is coloring now in the other room and really only sometimes on the table instead of the paper—which is to say, evidence of your life. There is soap too, in this water, breaking down grease from butter and meat and from meals before this meal. Is this what it’s like to have a beautiful heart? Small tasks adding up to a daily life, which is not removed, which has today to worry about and tend to.
You tend to it. You pluck each dish from the hot basin and think about gloves, about needing some. You can do this. You can clean each separate thing, sometimes gently and sometimes with your elbow deep in it. This work is an offering, a gratitude, a time to think about the rest of the day and the many meals that follow this one. Not all of them will be beautiful but each one will be a choice you have made in response to some kind of hunger.
Once, life was a different room everyday. You walked in and walked out, you were always changing but nothing felt changed. These days, you walk into the same room and it is the room of yourself. In this room, you let the right ones in and you know you are strong to care and be cared for, both. In this room, you do the work, you get dirty and you come clean.
Aries
In response to a question about the future of Queer art in relation to “Society’s” progress and growing acceptance of “Others,” Avram Finkelstein, famous for his political and collective-focused art (Silence = Death poster), replied:
I think the idea of queerness as we’re talking about it at the moment, in academic circles, the idea of queerness as a way of describing otherness will always be true. There’s only room for 1 percent to rule the world. We can’t all rule the world, although, I’ve spent my life trying to figure out how we can.
And that’s what my work is about—it’s a battle, and you never stop fighting, and every time you figure out one way to navigate power structures, they figure out another way to absorb it, so it’s a constant, ongoing struggle.
The generosity of the artist’s vision, his ability to balance grief and action, pride and humility—I wasn’t surprised to find out he was an Aries. Aries, the visionary, the optimistic heart, the one who believes a skill they don’t have is just something they haven’t learned yet.
For the past few weeks your generosity has drained you. In order to care for those who depend on you, you split your world into two: creator and nurturer. You felt like you had to choose and in choosing lost sight of how—in the many other lives you’ve lived—the two not only met but also thrived at once. Aries, you maker of new possibilities, rest up and let your collective visions return to you. Imagine a life where the nurturer in you has boundaries that rise up out of love and never out of fear, where the creator in you makes art that is a reason to live in this world.
Taurus
In another world we are walking shoulder to shoulder through an exhibit called Twice Militant. It’s at the Brooklyn Museum’s Sackler Center and it’s all about Lorraine Hansberry. We want to honor her brilliance of course, to scan her ingenious arguments for the liberation of women, black and gay in particular, her commitment to being exceptional and her suffering from it. Her suffering feels very present in the room the way genius can change the air when it is made visible.
What holds onto us, what always holds, are the secret things. The lists she wrote privately, her likes and dislikes, her contradictions and her clear river of want:
Lorraine Hansberry, age 32, 1962:
I regret That love is really as elusive as everybody over 30 knows it to be …. My consuming loneliness All the friggin’ hurts in this world That a certain lady let my letter be read! The shallowness of the people who have come into (and lately been expelled from) my life.
I like 69 when it really works The first scotch The fact that I almost never want the third or even the second when I am alone. Praise fate! The inside of a lovely woman’s mouth The way little JW looks in the movies Her coquettishness Her behind—those fresh little muscles Parts of the lingering memory of a betrayer
I am proud that I am losing some of those fears that I struggle to work hard against many, many things and on my own of my people
I should like … to be utterly, utterly in love to work and finish something
Taurus, as this month comes to a close and the full moon rises thick with strong will, I want to imagine you writing a list. You can start with the easy things—a job that fulfills your strong spirit, when you have enough money to make time with friends luxurious. These things are easy because you know the limits of the material world. Now go deeper. To work and finish something. Now go deeper.
Gemini
You’re in my room with the door closed and I can hear the drill driving into the drywall. All day you’ve followed amiably like a bright kite string as our mutual love, my best friend—your lover, tugged us along. Here to there, this way then that—she’s the boss, even when the plan is in my best interest, even when I’m the one who said Ikea? Fort Tryon Park? She says soft serve AND hot dogs, house margaritas and a whole pizza pie.
We might have our own concerns but none of them apply. Yes bring it all over. Let’s make a room beautiful together, bending seductively over hammers.
It’s not impossible to commit to beauty, after all, to a day spent tightening and un-tightening the same curtain-hanging system. And isn’t this a kind of worship? A kind of being there for each other—the witnessing of daily tasks: bringing bags in from the rain, fumbling for the dropped screw through the under-bed dust bunnies, the sticky margaritas that splash up everywhere.
Dear Gemini, if the words that fill you now seem impossible to say, it is ok to make what you mean. To offer up the physical thing: small offerings, gentle tidings, something material you’ve imbued with love power. This is about ritual and intention. About having a clean heart. But, keep in mind that an offering won’t guarantee you anything, not love or secrets or even a gift in return. An offering is made for the pleasure of giving, the lightness of it. I see you, your Gemini gift might say,you are so important to me—this is a symbol of my gratitude.
Cancer I’m listening to “Don’t Stop Believing” at my local café and the song is turned on too loud (Can one even listen to the song on low? you might ask and I might answer…yes). It’s infiltrating my mind and flooding me with images of who we were a decade ago: irreverent philosophers, whimsical radicals, patriarchy smashers. Who knew Bon Jovi could conjure up such feminisms?
Last week, I found you in the East Village and we took turns people watching. At our final destination, Tompkins Square Park, we watched a six-person cover band sing American hits. Everyone danced in their own way: one women swayed her arms up from her fold-out chair while her husband thrashed around a few feet away, a young man walked the periphery pumping his limbs in rhythm to the beat. We were talking about loss and heartache, about when what we love holds us back and when it helps us grow. We were also talking about people, the people dancing, the people we love, the people walking by with dogs that looked exactly like them.
Even though it looks entirely different than how it once did, I know I grew up in that park. I fell in love with lost girls, I thrashed around in misogynist mosh pits and I want to tell you that it’s ok, everything. That even though we’re grown up, we’re not done yet. When we were young, we felt large in the world and everything was ours. Now we are smaller and so we lose things: our old self-beliefs, the futures we thought we wanted, the parents we imagined we could have. We can’t have everything, Cancer, not even most things. But we can have a bench to sit on, a bad song to sing along to, a good friend who rubs our hand gently and says Even if it feels impossible, one day you’ll be grateful that you lived through this.
Leo
I knew I had no business there, in that stark white basement room full of bodies wringing hands and tapping feet. I went anyway. I went every week on a Thursday evening for a month until, faithfully, I was bestowed a 30-day chip, a coin with the number 1 on one side and the words One Day At A Time on the other. And yes, there was alcoholism in my family, plenty stories of the man my father had been and who my brother was becoming. But, I wasn’t there to think through either of their lives or the effect they had on me. I was just chasing a dead relationship in a foreign city and I needed ways to nurse my sense of self-worth.
What I understood: Sobriety isn’t always practiced in weekly meetings guided by a nameless God and twelve step lists. Sometimes it’s the practice of seriousness in regards to the self, of understanding emotional limits and physically wrenching restraint. I didn’t give up substances, I didn’t get sober, but that month of listening, of impromptu post-meeting dinners held in the generous homes of women with long beaded necklaces and wise eyes, drew a line around my body and defined me: a boundary between my own pain and the pain of others, the place where our lives met and diverged.
This month, I encourage you to think about what sobriety means to you. Even if you are wandering home drunk, even if the soft rattle of Klonopin in your tote bag brings you a sense of safety. I know you might be out there doing the hard work of fighting for your life. I understand that you might be nursing a soda at the bar, leaving parties early because the smell of pot is bringing up waves of nausea. But, Leo, your commitment to yourself—to knowing your own limits—is more than what substances you consume. It’s the relationships you have, the jobs you take on, the amount of time you spend sitting still within your own grief so that you might touch its edges and soften them with that touch.
Virgo
Just as I sat down to write this lovenote a Virgo texted me and asked whether or not she is crazy, a Virgo who I don’t know well, a good friend of good friends, almost family. I couldn’t give her a straight answer, mainly because I know that for many Virgos “crazy” is a loaded word and an even more loaded state of being. Perhaps it’s because Virgos give so much of themselves up to other people, their love leaks through their very presence—their hands and their good deeds. Or perhaps it’s their mutable nature mixed with their very human(e) sign that can feel nothing less than crazy when our country—and this world—feels on the brink of very great disaster. It permeates our being, this suffering racist world, whether or not we know it.
I think feeling out of place can make you feel crazy. I think buying dozens of self-help books you never finish can make you feel crazy, especially if your idea of self-help is unraveling the minds of great philosophers. I think that folding your whole self into the life of someone else, whether it is because you are afraid to lose them or afraid to find yourself, can make you crazy.
If this month of late night bacchanals and badly timed commitments has left you feeling alienated, outside of some greater picture, outside of yourself and what means most to you—I understand. Virgo, returning to yourself is a work that is never over. We fuck up, we start again, we find reasons to be better versions of ourselves that are beyond us—whether it be the work we have left to do, the people (sometimes very small) who look up to us, or all the lives that have conspired to bring us to this very troubled moment.
Libra
What’s passion anyway and who knows where it comes from? For a long time, it all seemed sort of cut and dry: some people are passionate people and some are not; passion exists in some nebulous part of our psyches, evoked from us if the flute plays just the right song. O if it were so then make it so, sister. What I’ve come to, and this knowledge was not wanted but needed, is that there is no lack of passion inside anyone and passion is not summoned from the outside by anyone.
If you want to pray to the goddess of passion on your own terms, to light a large votive candle, look no further than the face (and Amazonian everything) of Serena Williams. Libra-extraordinaire, Serena is asked to prove to the world over and over that she is worth adoration. It must be daunting to work so hard, to give up your life, to know that your own country will cheer for a stranger before it cheers for you. Watch this woman, only in her thirties, this world a trembling passionate muscle in her arms: https://www.theguardian.com/sport/video/2016/jul/10/wimbledon-highlights-serena-williams-victory-in-womens-final-video?CMP=share_btn_tw
“I felt a lot of pressure I guess, I put a lot of that pressure on myself. Obviously had some tough losses… I had to start looking at positives and not focusing on that one loss…Once I started focusing more on the positive I realized that…um… I’m pretty good, and then I started playing better.”
Passion, you have it, more than enough—even on the days when you feel weak and small in the world. Make something. Make something everyday even if you’re feeling like nothing you do is close enough to your dreams. Focus on the way small wins lead to the big ones. Focus on Serena, or any Amazon who raises her racket and never backs down.
Scorpio
Once, in rags and mesh, you were two girls belonging to no one. The East Village community gardens were just as much yours as the open sky raining. Each night, when you ran away from your family, you ran to her little storefront teeming with roaches and radical road shows—women and books and guitars and lost cats. You were seventeen, queer, and unafraid to die. She read your tarot card under a tin tile ceiling painting dry-blood-red. Now, over a decade later, you’re sitting in a blue-carpeted living room and a Himalayan salt lamp is glowing over the Ikea furniture. It’s a different era but the magic has only gotten stronger.
She turns over your cards one by one and you know she’s the only one you trust to tell you who you’re becoming—since you’ve been becoming in front of her for so long.
Queen of Pentacles, the signifier, eight of pentacles the cross, and so it goes: a reading where the universe screams abundance and you can’t look anyone in the eye. This is the truth you’ve known all along, the only thing that has kept you going despite your most valiant, self-destructive, efforts. Whatever you believe in—it believes in you. However empty your pockets, your cup overflows. Bring the cup to your lips, Scorpio. This month, make a contract with the universe. Honor it everyday and in your best interest. Don’t let yourself down and you’ll not be let down. Promise.
Sagittarius
I’m lying alone on a beach in Cherry Grove and so far I’m the only naked one here. Both my girlfriend and I have Eileen’s books out on the blanket. She’s re-reading Chelsea Girls, which is making me nostalgic for when I was reading Chelsea Girls. It was so good all of it, the butch bravado, the playful puppy-dog narcissism. I’m reading Maxfield Parrish but the poems—there’s labor in poems—they make all these holes threw me. I just want to laugh about Sagittarian impulses like in “1969” where she wrote:
We were both Sagittariuses and had enjoyed standing outside the library at night, smoking cigarettes and talking about sex. We laughed a lot. Ugh, and I’m so selfish I don’t care I want every life we’ve lived to exist all at once. Like right now. We could be drinking G&Ts together over a big cabbage salad while I scan your essay and you scan my third eye AND we could be watching the sunset over a strip club in LA, splitting a Xanax for the road AND you could be walking me along Coney Island beach in the middle of October and letting me kiss you because my father is dead. I guess we cry a lot too. Laughing and crying, all the women we’ve been together—it’s getting easier.
I don’t care if I’m the only naked one out here; don’t be afraid to be feminine. I’m getting up and going in the water. Can’t you feel your most vibrant capable selves returning? I feel it. Everything you’ve been doing has brought you to this moment. Don’t be afraid to choose your life on your own terms.
Capricorn
What does it mean to be self-made and how to go about the business of un-making oneself? There are pop cultural narratives of course: the overnight success, rags-to-riches, the lonely girl who got herself out of a nothing town and into the arms of a big city stud. There are narrower interpretations as well, the mural artist discovered on the street, the YouTube singer gone viral, how one perfectly crafted Tindr profile got someone their life partner. These stories serve to fill our imaginations with limits, to keep us wanting the same thing—so that we might never question what is underneath all this wanting. Narratives of fabricated lives, of blind luck, tell us nothing about the day-to-day work of loving one another and ourselves. They give us no road maps for becoming; they say sky’s the limit but they paint a sky on the ceiling over our dreams.
Well, what if our dreams are deeply rooted in one another? What if, beyond the painted ceiling there’s a universe where you and I—we can build the world we want? We would first have to look at ourselves: the person you imagine yourself to be, the unique and only “I.” Ask: Have I fallen victim to capitalist ideology? Has the hardness and scarcity of this world found its way inside me and, despite my best intentions, I have harmed more people than I’ve helped, lost more friends than I care to admit?
There will always be two sides to our lives (and maybe more, maybe many more): the side that is illuminated and the underside the floats us down this river. Capricorn, have you dealt with the underside? Seek counsel, journal your nightmares, take a swimming class. I know you trust your intuition but maybe it’s time to learn other kinds of trust.
Galactic Rabbit May 2016!
Dear Rabbits in Galaxies Far and Wide,
I’m writing you beside a bouquet of dying flowers in an apartment that is not mine. This bouquet has peonies in it and lilacs too, which are my favorites, which are the flowers I ordered for my mother on Mother’s Day although she was not speaking to me. I wanted to show her that despite her inability to be the mother I want and despite my resistance to ease up my boundaries around her carelessness, I would not forget about her and I would always offer her beauty. This month, I spent a great deal of time think about mothers my birth mother and “the many gendered mothers of my heart” a la Maggie Nelson.
There are those of us who have always felt alone in the world, intrepid, aliens in every community we find ourselves in. We have had to learn our love language from strangers and take it on as if it is natural to us. Which it became. Then there are those of us who have been loved well our whole lives—and now must learn how to love others generously, without fear of loss. No matter what love planet we hail from, whether it is a planet where no life thrives or a planet full of mysteries, it is our job to take care of ourselves and each other as best we can when what the world offers is not enough.
In these letters, I aim to be your champion, a kind of mother, or lover or anything that lets us touch each other.
Yours, Galactic Rabbit
Thank you to Claire Skinner, as always, for being my Clairvoyant Friend. If you’d like to donate to the making of those love letter scopes you can visit my PayPal ! xo
Aquarius
Recently, my dear friend Angela Watrous (Aquarius), who is an empathy-centered healer, shared this a quote from Gertrude Stein (Aquarius) about writing and creating: After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. – Gertrude Stein, “Paris, France.”
Despite my reluctance to hold Gertrude Stein in my mind for too long, lest she rises from the dead and decides to write MY autobiography, I couldn’t help but find it timely. There’s something about spring, about the promise of new life and new adventures, that brings out the wanderlust in all of us. And if we are lucky, or privileged, or very particular about how we spend our money, we can have what we want. We can trade apartments with friends in foreign countries, make money under the table picking weed in California with the new loves of our lives, travel all along the old Eastern Bloc and redefine who we are as artists and makers.
You can do any of those things as long as you remember, my dear Aquarius, you are someone who lives in two countries. The one you rise into everyday, weaving in and out of the life you’ve built—your accomplishments, your obligations, your loved ones—and the country that only your spirit knows by name. No matter where you go, no matter how far you’d like to be, it is your task to take your spirit with and tend to the home inside yourself. There is no else and no other place that will do this for you. Knowing can be both a kind of freedom and a kind of weight, practice recognizing it as the former.
Pisces
When I met you, at a dinner party full of strangers, it was as if we had known each other all along. Something about your face, the shape of it, your unruly hair and the way you danced—stomping almost. Something about your mouth against my mouth, not perfect but young-hearted, it made me want to see you again. I imagined our affection like two wild ponies from separate herds necking in the dark.
And, even though it took you months to write back to me, I wanted to take that walk with you in the rain. I liked the way we cut through April, the spring in our hearts babbling and strewing flowers. I liked that we wanted to eat at the same place, that we took bites from each other’s plates. I liked, too, the bookstore after, with that horrible open mic and the ridiculous lesbian erotica. I said I’m free unto the world, but you have someone waiting. You said There’s no one waiting and we went to a bar where you held my knee between your knees for a long time before kissing me.
I want to write this here because in our texts since then, the pony in my heart has walked through an evasive fog. I want to tell you that I know how to let beautiful things alone. This spring, I’ve walked by dozens of Magnolia trees and never took a petal for myself. Pisces, whomever you open yourself to next, whatever door you come to, it might do you good to figure out what you want before you knock and how best to say it plain.
Aries
In the month since you’ve been far from me, we’ve relied on the phone to keep us close. You at a residency in the middle of nowhere trying to generate new work, me juggling two new jobs on top of my old ones, time is difficult and ceaseless. Running back and forth between obligations, I’ve carried two voices with me: yours and Elena Ferrante. Of course, I have no idea what Elena’s sign is or what her real name is… or anything else for that matter. What I know for sure is this: there is something radical inside her work, something so brave that the woman who writes it can’t stand to be compared to the women she creates.
There is a violence in her books I understand. The kind that calls a girl down to her knees, the kind that makes you think brute force would be better than nothing. You close a chapter and stand still as if seeing your own adolescence again: Wasn’t I just as cruel to myself? Wasn’t I just as selfish in the face of suffering?
Since finishing the second book of her Neopolitan series, I’ve felt the force of her absence and yours simultaneously. Which is really the trouble with distances and finding books to live in. Your presence and her language a kind of call toward opening in me, I want to bring you to that place and show you to each other. In lieu of impossible things, I will tell you this: whatever you are making in this world, if you are brave, if you go beyond what feels good and toward pain, then you will find an opening. You must know what it takes to lower yourself in without getting lost. You must bring the necessary tools to get out.
Taurus
In the New Yorker, Claudia Rankine wrote a reflection on the work of Adrienne Rich. It’s titled “Adrienne Rich’s Poetic Transformations,” but reading the essay (which is pulled from a forthcoming introduction to collection of Rich’s work), you might find that the one who’s transformed is Rankine. Over and over she recalls a young version of herself, a writer and activist coming into her own and looking for voices that could keep her company. We see her at the table of her youth, pouring over Baldwin and Rich and Lorde, trying to understand what art is for.
Rankine shows us the poems, draws lines between where Rich’s craft began and what it grew into. She also shows us her political letters, including this one regarding her decline of the National Medal from the Clinton Administration and the NEA:
There is no simple formula for the relationship of art to justice. But I do know that art—in my own case the art of poetry—means nothing if it simply decorates the dinner table of power which holds it hostage.
Re-reading these words, which I have read many times before in a state of admiration and awe, I imagined I might bring them to you. Taurus, does your work, your beautiful energy and commitment, decorate a dinner table that you would rather not sit at? Do you wake feeling like you have given away so much of your creative force, that you barely have any left for yourself? If there is a power that holds your best-self hostage, learn to recognize it. If your boundaries are being crossed, it’s your job to maintain them.
Gemini
It’s close to eight when my brother (Gemini) calls me. I’ve spent the day cleaning my apt, visiting my friend who is injured, babysitting an infant, and moving to the West Village to housesit for ten days. His phone call finds me finally beginning to write. I don’t want to pick up, to interrupt the solitary space I’ve carved out, but I do it anyway. My brother doesn’t call me often, if at all. We talk about work, I tell him how I spend my days, how hard it is to make ends meet. And, even though he replies in kind—detailing how little he gets paid, how long his workdays are, how little he sees his kids—he lets me know that if I need any money he’s got me.
Because it’s embarrassing, I’ll admit that I treasured those stories we read as children, the ones where the girl and her brother go off bravely into the woods and find a way to survive. They aren’t brave at first, just lost. And yes the girl is clever. She feeds the wild cat and knows what lights the dark heart of the forest witch. But her brother is her champion. Not because he is bigger or stronger—and he might be—but because he sees in her a great power and vows to protect it.
In my heart, my brother and I are those children. In this world, I know he doesn’t have me, can’t protect me, can’t champion me in any way I’d understand. When he makes his offer, I want to sayjust call me more, just try to know me but I don’t. I thank him; I ask him if he’s happy, if he likes what he does. “Listen,” he pauses, sighs. “It’s been a rough few years, you know? It’s like I’m being born again. I’m new, I’m re-building my life.” This admission, hopefulness, it catches me. With those few words, I realize that in this story, I must be the champion. Gemini, if you move bravely toward your new life, I will be your champion.
Cancer
You wrote me a letter and every day since its arrival, I’ve looked it over and considered you. Considered the night I gave you my hand and you led me through a forest so dark the moon could barely do its work, the coral ring you bought me on a cruise with the girlfriend you said you were leaving. The month my family rejected me and you showed up drunk. How the car swerved and my heart lurched with disappointment.
In Bluets, Maggie Nelson quotes (a beloved song of mine) Emmylou Harris’ Red Dirt Girl:
One thing they don’t tell you ’bout the blues when you got ’em, you keep on fallin’ ’cause there ain’t no bottom,’ sings Emmylou Harris, and she may be right. Perhaps it would help to be told that there is no bottom, save, as they say, wherever and whenever you stop digging. You have to stand there, spade in hand, cold whiskey sweat beaded on your brow, eyes misshapen and wild, some sorry-ass grave digger grown bone-tired of the trade. You have to stand there in the dirty rut you dug, alone in the darkness, in all its pulsing quiet, surrounded by the scandal of corpses.
I’ve read Bluets over and over for years. I read it when I moved across the country and away from my homophobic family; I read it when my father died and when my partner and I separated for good. When I read it, I never thought of you. Not because you didn’t break my heart—you did. I didn’t think of you because I let you go. Dear Lover, You were so beautiful, with your perfect mouth and square palms. We built a world with our love. We were covered in dirt and smelled like fire. We were water animals who felt too much and there was a time when time did not matter.
Time matters now and there is only going forward from here. You can’t be who you were, can’t raise the dead. Put the spade down and climb out of the hole, dear heart. Like the moon, love is never gone. It just keeps changing shape.
Leo
There is a string that ties us to each other, this much I know and not much more. A decade ago, in a small bookstore-turned-punk hovel that I sometimes treated as my home, you chanted your poems and they settled in me. Years later, we were at the edge of a dock, pouring honey into Seneca Lake, singing. I sent you a package made of art scraps, things that I thought might please you. You sent me your lover’s book, bound by metal bolts, picture of a girl against naked trees—furtive—you note scribbled at the edge.
The taxi ride in Oregon, our friend’s writer’s retreat in NY you demanded I attend—even if it meant paying for it yourself. A moment when, gently against the wall, you touched me as if in all those years of sailing past we’d made a lover’s cartography.
The last time we saw each other, backstage at a small show, your chair was so close to mine I thought there was only one chair. You bit into an apple and I felt your teeth, the apple’s flesh sprayed against my arm. You handed me the apple and I, knowing where your eyes were, dragged my tongue slow along the bite. A map is not a life, Leo, only a handful of coordinates that show us where we might have ventured and boundary monuments that keep shifting despite our best efforts. There’ll always be great loves that barely happen to us, an apple for each paring knife, each mouth. Look to the stars, Leo, the sea that carries you—even if this particular journey feels done, your lessons are not done.
Virgo
Tonight the sky darkens in what feels like slow motion. We’re sitting on bleachers packed tight with bodies, waiting for awe. There is a structure on the river that’s part Navy vessel part pigeon coop. We’re preparing for Duke Riley’s Fly By Night, birds affixed with LEDs brushing the sky. The bird-themed music cuts off and the streetlights dim, a recording of pigeons chirruping, cooing, wings beating, comes on and it’s a little overwhelming, the way these sounds are here and not here.
The birds murmur quietly at the edges of their roosts until the recording cuts off and they’re beckoned to take flight. What if they shit on us? You ask. What if I never feel awe? I wonder. They don’t shit on us and I marvel at how peaceful it is to watch these creatures weave in and around the night, clusters forming and breaking apart against oncoming clusters. The sky begins where ground ends and we are not so separate from them. You keep pointing to a bird that flies a little too high, a little too far—that one is not coming back. But they do. They come back because their power is not solitary. If love is anything for these pigeons, it flickers above us illuminated: submission, shared language, the desire to touch freedom and then return to the hand that knows you.
What if I’m powerless? You ask as we walk home slowly, after the birds have returned to their boat. We’re talking about our families, wanting to change things that seem utterly unchangeable. You have power, our friend replies, the joy you bring to others is a kind of power. I think about the birds, their luminescent dance, the way Prince’s When Doves Cry came on and how you pulled us all in for a group hug. She’s right about you, about the kind of love you have for this world, its potential like hundreds of beating wings.
Libra
Last week, as we walked slowly around pillows stitched with images of Stone Butch Blues and maps of ye olde lesbiane textes at an exhibit called “Queering the Bibliobject,” we wondered aloud at what makes a distinctly Libra poem. Is it the quest for beauty? I ventured, a poem like a crow pecking around for jewels. Does it have something to do with balance? You replied a little sidewise, as if balance wasn’t something one could achieve with a poem.
For a long time, we shared this city and did not know each other. The lovers who bridged us were bridges on fire or bridges under construction or an ex with whom one of us was in love and one of us was a pillar of salt. So, no, we never met at a park or poetry reading or late night café to talk about the many kinds of pain we are capable of enduring for love. But, we were tied by it and If our bodies were not capable of such destruction, they could be beautiful.
Tonight I’m thinking about beauty as the ultimate balancing act. A Libra poem about the gorgeous ways our bodies are bridges and how we cross them and how we burn trying. And, there is the water rushing through trying to teach us something about what we’re scared to lose. And, here, the mysterious boats we board so that we might sail under the shadows of what we’ve built and destroyed, into wild worlds yet unknown to us.
Scorpio
In another universe where we live seaside lives, you are always shucking oysters. Here it is, another crustacean, another tight-lipped little treasure box and you with your perfect knife. You were born to open what wants opening, to tip it just so, and suck the secret out. But in this life, Scorpio, your job is not so clear-cut (unless, of course, you truly work in the sea and even then there are limits to what you know of the secret life of oysters). In this universe, you can’t force a secret out, can’t demand trust and surrender at knife point.
Even if you are gentle, even if you practice the oft-cited golden rule “do unto others,” no one owes you intimacy—no one has to do unto you what you do unto them. Intrinsically, you know this. You’re perceptive; you hold reverence for the hard protective shell and the pearl all at once.
Why waste your time with prying open what wants to stay shut? Could it be that this time, like many times before, you’re looking for intimacy in all the wrong places? What you’re drawn to is a kind of shadow work—you are the hand and the shore where closed things wash up at dusk. But, it’s not your job to pry out everyone’s truth and show it to them, not your place to lick sorrow from a tight mouth. Sometimes, you just have to cup what comes to you in your good strong hand, and give it right back to the sea.
Sagittarius
We’re on a road trip together to a place neither of us has travelled. New Mexico, maybe. Your dog is with us, napping in the back seat. Or, for some reason, you haven’t brought her. We spend our pit stops watching videos of her casually slinking over to her drinking bowl or staring solemnly out a window. On the road, every song is a song we reinvent to suit our nostalgia, every snack break a guilty pleasure waiting to happen
For however long this lasts, a few days or a week, we write the story of our lives. We call on the energies of the great Sagittarians and channel their powers. Tonight, in a desert dive bar, we are meticulous as Joan Didion. We suck up local phrases like water, quietly leaning toward the other tables—nosy anthropologists. Tomorrow, we’ll be all passion and sunrise, Cisneros-brilliant, building a new language out of marks in the sand.
What I’m saying is, there is a possible world, a moment forthcoming, when you will have the chance to feel easy. Open and flowing toward the great river of being, nothing to live up to, owing your goodness to no one. You’ll be treated as good because you’ll say you are good. Your love and attention and care will be more than enough—it will be vital to the any shared journey. You will ask for what you need and, darling, you will get it.
Capricorn
It’s over 70, I’ve got a baby strapped to my chest in a wrap so thick I’m afraid he’ll overheat and I’ll never be allowed to nanny again. I pull his wibbly head out and support it on my arm. He’s so relaxed. Why not go to the library? In the main lobby, two separate women look me over and say, “Bless you” very matter-of-factly. “Bless you!” I reply, wondering if we’re all talking about Jesus or what. I wait at the fiction reference desk until a librarian appears and asks, “do you need help?” Like standing by the desk glancing from side to side is not indicative. I’m looking for Tell My Horse, by Zora Neale Hurston. “It’s upstairs in History,” she looks it up and writes down the number.
At the history reference desk upstairs, I ask for directions. He points me to a bookcase; the book’s missing. “I was sent here,” I explain. He apologizes, walks me over to a collection of travel books. “This can’t be right,” I conclude as if I’m the librarian. He looks the book up again. It’s available. Do I want to put it on hold for when it turns up? Possibly in a week? Maybe it’s on display. I guess May is Voodoo month. He calls the Voodoo display woman. She doesn’t pick up. I go down to the main lobby and there, in a glass case with a smudging bowl, I find Zora.
I go to the reference table. “Can I borrow a book being used in the display?” I ask but I know the answer’s no. The baby stirs. “You can put it on hold and have it in a few…” she starts to suggest but then “O it’s on hold.” “Shit,” I say and leave the library. I cross the street, settle on a nice patch of grass in Prospect Park. Then, I think about you, about Zora, about doing what needs to get done even when it’s hard—even when it makes you uncomfortable. I think about the baby in my arms that would prefer I be walking, rocking him with my stride. The baby begins to cry but I need to rest. Sha sha I whisper in his ear and download a pdf of Tell My Horse. Accept what you can’t change, Capricorn, and don’t spend too much time trying to make a thruway out of a dead-end street.
Libra, yesterday your body was a living record of all that has happened to you and before you. Today, your body is just a human body—it is muscle, blood, and bone. In order to protect it, the stories that evoke shame must have a different ending. You must be brave enough to write them.