#georcy

[bunnybelovedsblog]

i just love this scene so much

[honorarypines]

Lucy Carlyle has to be one of the most shippable charcters of all time. She literally has chemistry with everyone and it never feels forced

Lockwood? obviously. not much to explain here. They have drama, mutual pining, both angst and comfort

Skull? Duh. The codependency. The snarky dialogues. She's his only connection to life and he's her only human (well kind of) connection when she leaves the agency. Match made in hell and I love it

George? May not be everyone's cup of tea, but everything you need in order to ship is there. They are complex, they constantly bicker, they share a lot of intimate moments. Very well written relationship in general

Holly? Hell yeah. Rivals to friends and possibly lovers. Grumpy x sunshine. Amazing character development on both sides. 10/10 no notes

Kipps? Now, in the books there's little to no this kind of chemistry between them but then show randomly added a bit of romantic vibe at least on the Kipps' side. So it counts. I guess.

The show also gave us Norrie and the sapphic vibes of these two were off the charts

Gotta love Lucy. Girl thinks she's soo repelling while in reality I wouldn't be surprised if every member of the team had a crush on her at some point

[hollcwboy]

gay. gay and gay 2 and gay 3

[daisyndahlia]

lucy after lockwood pisses them both off

[bi-cot3]

…does anyone want to hear about my ideas for cot3 hunger games au?

[waiting-for-my-hogwarts-letter]

you’re okay, you’re okay, you’re okay (we’re okay)

Post THB Oneshot; George needs Lucy's help

Lucy's flat in Tooting was far from perfect, but it's not like she ever expected anyone else to really see it anyway.

Of course, that plan went out the window the second George had nowhere else to go.

Or: After a case gone wrong, Lucy's flat is closer than A&E.

(link in reblog)

[skeletal-fish]

there are only two kinds of breakup songs. locklyle during black winter core and georcy during black winter core

[maarigolds]

Lucy, Lockwood and George, after everything.

(show edition. I'm not going by book canon for this one, so don't worry about spoilers)

At 21 or 22, Lockwood is the first of them that starts to lose his talent.

Which makes sense, since he's the oldest. At the beginning he refuses to even acknowledge it, but Lucy and George figure out what's happening soon enough. For a while he's just ashamed and angry and sad all the time. Then it gets better: Lucy and George get him trough it. He also calls Kipps, and they talk for hours, both coming out of it feeling almost at peace (Kipps has gone back to school and is talking about wanting to become a teacher. Which Lockwood feels like should surprise him, but actually doesn't). 

Lucy is next. It breaks her heart a little (because of skull and all other type 3s) and it scares her a lot. But then she realizes how soothingly quiet the world can be at times, and lets herself think that maybe she will be alright. 

George is last. And the thing is, even though it saddens him to lose the one thing that connected him to ghosts, mainly he's relieved. He's been waiting for the other shoe to drop for a while, and now that it has, he's ready for whatever may come next.

The jobs get more and more rare as they hear, see and feel less and less. Lockwood knows he could hire new kids to replace them, but in truth he doesn't really want to. Perhaps Lockwood & Co. can be laid to rest at last: after all, they've already achieved more than he ever dreamt. So the next time a client calls, he informs her they've shut down and gives her the name of an up-and-coming independent agency he's heard great things about. He only feels mildly guilty about it. 

Even if they're technically not his employees anymore, George and Lucy stay. They don’t talk about it, but the idea of moving out of Portland row and living lives that aren't intrinsically intertwined feels wrong to all three of them: they're a family, after all, and nothing has to change about that.

Still, they need to make money somehow. So they muse about going far away from London, opening a bakery, living in a small house by the sea. But in the end they stay, both in the city and line of work they're used to. Because they do belong there, it's undeniable. George, of course, goes into ghost research and becomes a leading voice in the field, discovering new ways to help agents all over the country. No one is surprised, but everyone is proud. Lucy one day shows up at Barnes' office to ask him about becoming an inspector. It's the last thing either would have expected, but when he asks her why, she says it feels like the best place to be to help kids like her. To stop people like Jacobs. So he gives her a job. She's determined to change things from the inside. Barnes thinks that if someone could, it's her. And Lockwood... well, it takes a while for him to figure it out. But one evening Lucy comes home talking about a kid left deeply traumatized by a job gone wrong, and suddenly he knows. The next day he calls the bank to open up a pro bono clinic for agents and ex agents in need of psychological treatment. After less than a week they already have their first client. 

Slowly but steadily, it becomes their new normal. 

Lockwood sets up a study in the room on the stairs and works mainly from there. George, on the other hand, works at a lab in the City: he is the first to leave in the morning, but he always comes home soon enough to cook dinner. Lucy keeps slightly more irregular hours, and sometimes her job keeps her away for longer than she'd like. But then again she occasionally gets to come home to the adorable view of the boys fast asleep in front of the tv, so that's good.

One day Flo brings them a stray cat she found while working: they name him Donut and spoil him way too much.

Lucy starts gardening. George grows a magnificent beard (Lockwood is not jealous of it). The fridge breaks down and they have to buy a new one. Airf's son replaces him at the shop. They put up a hammock in the backyard, and spend their vacations piled into it. Mrs Burke from across the street knits them all hats for Christmas. Lockwood adds new framed articles on the walls and new knick-knacks on the bookshelves. 

He's not sure when, but one day 35 Portland Row stops being the home his parents left behind and becomes his home. Their home: his, and Lucy's, and George's (and Donut's. And Kipps' when he comes over for lunch on Sundays. And Flo's when she swings by using her own keys. And Barnes' when he stays for tea after long work days).

So they keep going as they have, day after day, year after year, slowly growing older. Wounds heal and scars fade. The sun shines through the kitchen windows on summer mornings. The smell of persian food fills the air every evening. Old rapiers get dusty in the umbrella stand. There aren't any ghosts between their walls, both real and metaphorical.

Everything is alright.