Sir Galahad, George Frederick Watts

seen from Australia
seen from United States

seen from South Korea
seen from Russia
seen from Japan

seen from Australia

seen from South Korea
seen from United States
seen from Russia
seen from Yemen
seen from South Korea
seen from China
seen from Australia

seen from South Korea

seen from Malaysia
seen from Russia
seen from China

seen from South Korea

seen from United States
seen from Japan
Sir Galahad, George Frederick Watts
Time, Death and Judgment, George Frederick Watts, 1866, Art Institute of Chicago: European Painting and Sculpture
George Frederick Watts exhibited this painting at the Royal Academy, London, in 1865 as Design for a Larger Picture. He later executed a number of versions of the same subject, which was identified by Mrs. Watts as Time bearing a scythe and pressing forward through the stream of life hand in hand with his mate, Death. The figure of Judgment follows behind, holding a sword. In the last half of his career, Watts, a celebrated Romantic painter, favored allegories like Time, Death, and Judgment, which were influenced by his studies of the heroic forms of the Renaissance artist Michelangelo and the warm palette of Titian. Bequest of Charles L. Hutchinson Size: 36 × 28 5/16 in. (91.5 × 72 cm) Medium: Oil on canvas
https://www.artic.edu/artworks/16557/
Drapery Studies, George Frederick Watts, 19th-20th century, Harvard Art Museums: Drawings
Harvard Art Museums/Fogg Museum, Gift of Warren R. Stone Size: 68.4 x 56.9 cm (26 15/16 x 22 3/8 in.) Medium: Black and white chalks on heavy tan wove paper
https://www.harvardartmuseums.org/collections/object/295141
Bust of Clytie, George Frederick Watts
Klayti, George Frederick Watts
Sir Galahad, George Frederick Watts, 1860-1862, Harvard Art Museums
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Size: 191.8 x 107 cm (75 1/2 x 42 1/8 in.) framed: 217.2 x 127 x 8.3 cm (85 1/2 x 50 x 3 1/4 in.) Medium: Oil on canvas
https://www.harvardartmuseums.org/collections/object/230160
Jane Senior, 1858, George Frederick Watts
Orlando Pursuing the Fata Morgana, 1848, George Frederick Watts
Medium: oil,canvas