#ghost films

[ghostcatcherire]

From Rebecca to The Others, Gothic cinema reminds us that ghosts are never just ghosts. I’ve rounded up 5 paranormal favourites and dug into why they linger long after the credits. Have a read!

Classic Gothic Horror Movie Picks

[anothermillennialreviewer]

A Haunting In Connecticut, Ghosts Of Georgia: A Waste Of Katee Sackhoff's Time

Summary  A family living in Georgia experiences a haunting in Connecticut. There is something very noughties about this film, the editing style and the shifts between black and white and colour is quite jarring. Stylistically it feels almost out of place with the decade this film released in, and the effect has a repetitive quality to it. The lead is terrible, it is hard to say if it is her or…

A Haunting In Connecticut, Ghosts Of Georgia: A Waste Of Katee Sackhoff's Time

[anothermillennialreviewer]

Black Cab: Get An Uber

Written by Luke Barnes Summary Nick Frost plays a cabbie with an attitude. This film has an interesting aesthetic but fails to do much more with it than the bog standard. I like the idea of a horror film about a cabbie driving down northern country lanes in the dark worrying about ghosts, however, in reality the film is just very standard. I found the bulk of the film to be entertaining if…

Black Cab: Get An Uber

[caphappy]

Now, along with his loner daughter Kat - short for Kathy - Doc Harvey travels from town to town, searching for paranoid poltergeists, scared spectres, the depressed and the dead...

Casper (1995)

[ghostflowerdreams]

Ghosts Films

It’s October! The month in which I watch even more horror movies than usual. Each year I tend to have a theme to help narrow down what to watch. So far I’ve done Zombie Films, Werewolf Films, Vampire Films and Slasher Films. This year’s theme will be the paranormal, specifically Ghosts.

The thing about me is that I’m not really phase by a lot of horror movies. They don’t scare me unless it’s a stupid jump scare which is more of a knee-jerk reaction of something unexpected. But the very few movies that have manage to get to me are those centered around hauntings. Even worst if they’re base on a true story.

I’m pretty excited to dive into this since I’m usually reluctant to watch them in the first place. I’m focusing only on films that I haven’t ever seen before, even if they’ll been out for years. This isn’t in any particular order either.

1408 (2007) -- is an American psychological horror film based on Stephen King's 1999 short story of the same name. It is directed by Mikael Håfström and stars John Cusack and Samuel L. Jackson. The film follows Mike Enslin, an author who investigates allegedly haunted houses and rents the titular room 1408 at a New York City hotel. Although skeptical of the paranormal, he is soon trapped in the room where he experiences bizarre events.

It's a simple, but an effective thriller and this horror is definitely more psychological than scary. I enjoyed it and thought it was a neat concept because it does something different than the usual ‘oh, look it’s a scary ghost’ that most horror movies do.

The Innkeepers (2011) -- is an American supernatural horror film written, directed and edited by Ti West. It stars Sara Paxton, Pat Healy, and Kelly McGillis. Its plot follows two employees at the Yankee Pedlar Inn who, during its last weekend of operations, attempt to document the alleged supernatural activity in the building.

It’s fine. I like the atmosphere, but it’s very slow paced and the horror is too low key for me to find it all that scary. It is nice to see a film that isn’t all about gore, special effects, and trying to scare you constantly, but it’s just not for me. Some people may like this. Just beware that there is a few loud-noise jump scares if you’re using headphones or earphones. I really hated it when the audio unexpectedly gets loud enough to cause physical discomfort.

The Canal (2014) -- is an Irish horror film that was directed and written by Ivan Kavanagh. The film stars Rupert Evans as a father investigating a horrific murder that took place in his home in the early 1900s.

It’s okay, nothing groundbreaking though. I liked the pacing and the atmosphere, but I found it very predictable. That’s because there's only so many directions that a horror film like this can go in. Is it an evil entity possession? Mental illness? Is it an actual monster or person behind it?

Even if It’s predictable, if the story is done well enough it should leave you with a sense of dread and goosebumps at not knowing for sure which is it. Unfortunely, this film didn’t invoke any dread, goosebumps or fear in me. It’s just an okay film.

Don’t Listen (2020) -- is also known as Voces is a Spanish supernatural horror film directed by Ángel Gómez Hernández. The movie follows a man who after the inexplicable death of his young son in their new home begins to experience ghostly phenomena, prompting him to seek the help of a paranormal expert.

Well, there’s two reasons I picked this movie. I want to expand my horror palette by watching more foreign movies. And I’m also trying to learn Spanish. I’m happy to report that I was able to understand half of it without relying too much on the English subtitles.

It’s good, but it didn’t scare me. I went into this expecting one thing and it turned out to be something else. That’s not a bad thing. I just don’t know whether to still include this in the list or not. I suppose me saying that is a hint in itself that’s not entire what you think it is..

Also, as a heads up because it caught me off guard. There’s several cats seen dead. You don’t see how it happens, just that they’re all hanging gruesomely from a tree around the 53 minute mark.

We Are Still Here (2015) -- is an American horror film written and directed by Ted Geoghegan and starring Andrew Sensenig and Barbara Crampton as grieving parents who find themselves the focus of an attack by vengeful spirits.

It’s great! The film didn’t waste any time and dive right into the spooks. It’s not scary for me, but it was still fun and entertaining to watch.

Housebound (2014) -- is a New Zealand horror comedy film written, edited, and directed by Gerard Johnstone. It is his feature film directorial debut. The film stars Morgana O'Reilly as a woman sentenced to house arrest in a potentially haunted house.

It’s great! It’s a perfect mixed of horror and comedy. I had fun watching it and would definitely recommend, especially when you want something that’s not so heavy on the horror.

The Devil's Backbone (2001) -- is also known as El Espinazo del Diablo is a Spanish gothic horror film directed by Guillermo del Toro, and written by del Toro, David Muñoz, and Antonio Trashorras. The film is set in Spain, 1939, during the final year of the Spanish Civil War.

After losing his father, 10-year-old Carlos arrives at the Santa Lucia School, which shelters orphans of the Republican militia and politicians, and is taken in by the steely headmistress, Carmen, and the kindly professor, Casares. Soon after his arrival, Carlos has a run-in with the violent caretaker, Jacinto. Gradually, Carlos uncovers the secrets of the school, including the youthful ghost that wanders the grounds.

It’s more sad than frightening. Sure, it’s advertise as a horror movie, but it’s actually a melodrama. There’s still ghost(s), but they’re not the main focus point. I’ve heard that this film is a spiritual companion piece to his Oscar-winning Pan's Labyrinth (2006) and I can see why. 

It shares similar themes and is also set against the backdrop of the Spanish Civil War, a brutal conflict that turned ordinary men into monsters. The Devil’s Backbone is great, but I prefer Pan’s Labyrinth a whole lot more because I feel like it goes to a another level.

The Cellar (2022) -- is an Irish-Belgian supernatural horror film written and directed by Brendan Muldowney and starring Elisha Cuthbert and Eoin Macken. It follows a family whose daughter disappears in the cellar of the large estate they have just moved into.

I enjoyed it! At first I thought it was going be a typical haunted house story with maybe a demonic possession thrown in. But no, it pleasantly surprised me by going in another direction and I wasn’t expecting it at all: cosmic horror.

When it hit that point, it got me so excited and I was like yiss. I wanna know more. Some of my excitement fizzed out when the other layer was revealed, but not enough to ruin the whole thing.

I’m surprised there aren’t more people talking about this movie. So I looked it up and I don’t know why the critics are being so harsh on it with their ratings and reviews. It’s not 2-stars or trash. I’ve seen terrible films and this isn’t it. It’s not perfect. There are some parts that could’ve have been trimmed down, removed or improved upon, but for being filmed during COVID, in which wearing mask, social distancing and quarantine was in full effect, it turned out pretty decent.

Give the film some slack. They made do with the situation, their low-budget and time constraints. Oh, I didn’t find it scary, but I still enjoyed it. It’s not everyday I get surprised with elements of cosmic horror in a film.

His House (2020) -- is an British horror thriller film written and directed by Remi Weekes from a story by Felicity Evans and Toby Venables. It stars Wunmi Mosaku, Sope Dirisu and Matt Smith. The film tells the story of a refugee couple from South Sudan, struggling to adjust to their new life in an English town that has an evil lurking beneath the surface.

It’s definitely not a 'scary' movie by any means, but it effectively uses elements of horror. I still very much enjoyed it! It’s a multi-layered horror film that’s not just about a haunted house. It takes you on an interesting journey about grief, guilt, immigrant experience and the on-going refugee crisis. It’s a really well-done film and with great performances from Mosaku and Dirisu. I would recommend!

The Haunting in Connecticut (2009) -- is an American supernatural horror film produced by Gold Circle Films and directed by Peter Cornwell. The film is alleged to be about Carmen Snedeker and her family, though Ray Garton, author of In a Dark Place: The Story of a True Haunting (1992), has publicly distanced himself from the accuracy of the events he depicted in the book.

The film's story follows the fictional Campbells as they move into a house (a former mortuary) to mitigate the strains of travel on their cancer-stricken son, Matt. The family soon becomes haunted by violent and traumatic events from supernatural forces occupying the house.

Eh, it’s okay. Throughout the entire movie I kept getting the sense that it was familiar. I was drawing a blank, but it wasn’t until halfway into movie that I remembered it.

This is the problem with including older movies onto my watch list and not keeping track of what I’ve seen already. If it's terrible, boring, or doesn’t bring something new to the genre. I will forget it.

Also, this is one of those movies where you have to constantly adjust the volume. I really hate it when the dialogue is super low, so you increase it only for the loud jump scare noise to nearly blast your ears out.

Note: What’s interesting is I went into this thinking I’m going to be scared, only to realize that none of these movies have managed to do so. I don’t know if it’s because I got a higher tolerance to spooky things now or if it’s because I’ve seen everything and it’s hard to be scared of something when you know what’s going to happen next (or can correctly predict it).

[witchysolfan]

I have a certain love and fondness for early 2000’s ghost films. There’s always a beautiful tragedy interwoven in their stories.

I wish there were more ghost films today that would go back to those themes. Less jump scares and shock value and more tragedy and beauty. It just has a different of heavy weight on you when watching them.

[lessthansix]

10 Films for October

1. The Cabinet of Dr Caligari (1920) 2. Nosferatu (1922)  3. Vampyr (1932) 4. The Dybbuk (1937) 5. Rebecca (1940) 6. The Uninvited (1944) 7. The Seventh Seal (1957) 8. The House on Haunted Hill (1959) 9. The Fall of the House of Usher (1960) 10. The Haunting (1963)

[hmuncut]

Ghostlight, where do I start with you?  Director Jeff Ferrell’s first feature film went the way of a traditional horror movie: a ghost story.  A ghost story that asks you “Would you spend the night in a haunted theater for $50,000?”.  It really is a fun concept for a movie considering the memorable House on Haunted Hill shares the same idea but is 55 years old and could use a breath of fresh air.  Sad to say, though, it felt like a lot more than a re-used plot idea which held this movie back from really shining in a sea of indie supernatural horror movies.

  Images from ‘Ghostlight’

Images from ‘Ghostlight’

The story invites us into the lives of married couple Andrew (Brian Sutherland) and Mira (Lisa Coronado).  To the dismay of Mira, Andrew has won a radio contest that would require him to spend the night in a haunted theater for a prize of $50,000.  Easy enough, right?  Oh, did we mention that the solo sleepover would fall on the 80th anniversary of an infamous double murder-suicide and plenty of mysterious deaths have occurred ever since?

This film had enough to deliver a solid ghost story but didn’t feel polished enough to achieve it.  I noticed with this film that a good script can really suffer if the acting can’t approach it the way it’s intended to and that was a major issue here with Ghostlight.  The tone was almost too serious and melodramatic at times, especially when showing scenes with the current theater owner, Gideon Black (Dennis Kleinsmith), making it a little dicey. The  recovered screen test of one of the original victims from the 1930′s really suffered by the fact that it was shot digitally. It  would have been much more believable had it been shot on film.  Ghostlight was TOO clean that it lost a lot of the spook factor.

Images from ‘Ghostlight’

  The movie has its setbacks but not without it’s good points!  Brian Sutherland’s role as Andrew was believable and he held a lot of the movie up all his own.  He and Lisa played very well off of each other as a married couple and it made their relationship coupled with her constant dread seem a lot more feasible.  I have to mention that the score, which was composed by Semih Tareen, added a nice and eerie feel to the film as it builds.  The film relied more on story than scares, but the few jumps here and there that you got were fun additions.  An unexpected twist really softened the low points and brought a lot of understanding to certain previous scenes.  We are also treated to Jeff Ferrell busting out his acting chops in the role of Eddie in the film!  I can appreciate a filmmaker who’s hands-on and seeing as Ferrell is the writer/producer/director/editor/and actor of Ghostlight, I’d say he deserves some applause for his introductory project to the feature length film world.

2/5

Ghostlight is now available on DVD including Redbox and most Family Video locations. It is directed by Jeff Ferrell and stars Brian Sutherland and Lisa Coronado. Ghostlight is being released courtesy of  Brain Damage Films.

If it’s dark out, turn on the fright with ‘Ghostlight’ – movie review Ghostlight, where do I start with you?  Director Jeff Ferrell's first feature film went the way of a traditional horror movie: a ghost story.