Yazdığınız karakter an gelir
Elinizdeki kalemi alıp kendini yazmaya başlar
O artık can bulmuştur ona dokunmayacaksın

seen from Russia
seen from China

seen from Canada

seen from United States

seen from United States
seen from United States

seen from Canada

seen from Canada
seen from China

seen from United States

seen from Canada
seen from Netherlands

seen from Malaysia
seen from Hong Kong SAR China
seen from China

seen from United States

seen from United States
seen from Malaysia

seen from United States
seen from China
Yazdığınız karakter an gelir
Elinizdeki kalemi alıp kendini yazmaya başlar
O artık can bulmuştur ona dokunmayacaksın
The Man Within (1929)
Graham Greene
Penguin Books
Lost Time (2023) by Marcel Antonio
What is the price of Experience? Do men buy it for a song, Or Wisdom for a dance in the street? No! it is bought with the price Of all that a man hath— his house, his wife, his children. Wisdom is sold in the desolate market where none come to buy, And in the wither’d field where the farmer ploughs for bread in vain.
—William Blake
For grief indeed is love and grief beside. Alas, I have grieved so I am hard to love. Yet love me—wilt thou? Open thine heart wide, And fold within the wet wings of thy dove.
—Elizabeth Barrett Browning
A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.
—Graham Greene, The End of the Affair
'I wiII take some men.
We wiII shoot some arrows into this white man.' - wind in his hair
'If he truIy has medicine, he wiII not be hurt.' - wind in his hair
'If he has no medicine, he wiII be dead.' - wind in his hair
'No man can teII another what to do.
But kiIIing a white man is a deIicate matter.' - ten bears
'If you kiII one, more are sure to come.' - ten bears
'It's easy to become confused by these questions.' - ten bears
'It's hard to know what to do.
We should talk about this some more.' - ten bears
'That is aII I have to say.' - ten bears
d a n c e s w i t h w o l v e s, 1990 🎬 dir. kevin costner
The Third Man (1949)
My rating: 6/10
Remus Lupin by Graham Greene
Greene would strip away the wonder of the magical world to reveal a landscape of moral gray areas, exhaustion, and quiet disappointment. He would portray Lupin not as a heroic figure but as a man burdened by an incurable, shameful secret who is trying to get by in a world that offers him very little kindness. His technique centers on a kind of gritty realism. He would use sparse, melancholic prose that focuses on the dirt on Lupin’s sleeves, his frayed robes, and the constant gloom that follows him. Greene would explore Lupin’s struggle through a lens of existential weariness. Every choice is a compromise between his natural kindness and the inevitable cruelty of his condition, leaving us with a man who is searching for a peace he feels he will never earn.