@Regrann from @basheerj - When you see this kind of police work we must as a community celebrate and champion this type of behavior #GregoryKing #GoodCopsMatter - #regrann
seen from China
seen from Malaysia
seen from Belarus
seen from China
seen from Malaysia
seen from China

seen from United States
seen from China
seen from Bulgaria

seen from United States
seen from Brazil
seen from United States
seen from Japan
seen from China

seen from Malaysia

seen from United States

seen from Malaysia
seen from United States
seen from Israel

seen from Portugal
@Regrann from @basheerj - When you see this kind of police work we must as a community celebrate and champion this type of behavior #GregoryKing #GoodCopsMatter - #regrann
thINKingDANCE was started to catalyze conversation about dance and to develop the skills of dance writers in the Philadelphia area. Our initial year-long training scheme, funded by The Pew Center for Arts & Heritage through Dance Advance, has included workshops with great visiting dance writers, monthly peer-critique sessions, and lots of editor/writer dialogue. In our first year, we published over two hundred articles drawing attention to Philadelphia’s robust and diverse dance community.
Through all the years I’ve viewed his works, Bill T. Jones has exposed what lies at the underbelly of his explorations, never stopping to nurse the discomfort of disturbed viewers. Extolled with many accolades including the Kennedy Center Honor, a…
It was easy to forget I was at a dance performance!
Foreign to me I must admit. Butoh. Foreign. But my inquisitive self led me to Rhizomas: a performance art piece conceived by Butoh practitioner Ryuzo Fukuhara in collaboration with a local Philadelphia improvisational quartet, Wormhole Superette. Inside…
From the onset, it was hard not to notice the many contrasts, even if they were subtle. The chaotic strumming of each string, and the high pitch screeching echoing through the speakers were an anarchic counterpoint to Fukuhara’s orderly trancelike movement ritual. He moved lightly, yet with noticeable weight, carrying his pelvis low to the ground, often maintaining a rounded torso which acted as the anchor to his angular limbs.
photo credit Irina Varina by Gregory King for The Dance Journal The smell of onions dawdled in the air as I walked through the corridors of the Headlong
Red chested from her self inflicted beating, Mason lowered herself towards the floor and I couldn’t help but wonder if her body had become metaphoric memory – as if pounding here chest was an attempt to beat her memories into nonexistence.
These works by Powerhouse and Witherspoon were not just about queer pride, but about rejecting white heteronormative dominance by using the queer black body to illuminate queer black experiences.
Mom brings back Opus Cactus, a piece from 2001, and makes the desert bloom.