we saw you from across the bar and hated your vibe
seen from United States
seen from Argentina

seen from France
seen from Germany
seen from United States

seen from Nepal

seen from Philippines
seen from Brazil
seen from Netherlands
seen from Morocco

seen from Colombia
seen from United Kingdom
seen from China
seen from China
seen from United States

seen from China
seen from United Kingdom

seen from France
seen from China
seen from China
we saw you from across the bar and hated your vibe
Among the many amazing aspects of the Hadestown pro-shot, one of my favorites is the way Patrick Pages injury provides an excellent example of how disability does not have to be barrier to musical theatre. The way his injury was presented, especially in Hades and Persephone's dance, shows how with enough care, choreography and blocking can be modified for a disability and still present a beautiful story. In fact, the pro-shot shows how disability can not only be accommodated, but also utilized for characterization and storytelling.
Winter's nigh and summer's o'er Hear that high and lonesome sound Of my husband coming for To bring me home to Hadestown
Mr. Hades is a mighty king Must be making some mighty big deals Seems like he owns everything Kind of makes you wonder how it feels
Kinda insane just how much the accommodations and consideration for Patrick Page's disability improved the show and gave Hades a whole new layer of depth. Every show should be so good to their disabled actors
The face journey Patrick Page did around the line, "Then doubt comes...Doubt comes in," was so exciting. I was buzzing in my seat.
The way he starts off the stanza just villain-plotting against Orpheus, and then he looks at Persephone and hears himself and realizes he's talking about his own shortcomings as much as Orpheus's, and he just kind of slackens in some combination of shame, resignation, understanding, and says, "Then doubt comes. Doubt comes in," with this clear subtext of, "Oh, I get it now." Perfectly setting up the "It's time for spring," moment.
so i just watched the hadestown proshot and holy fucking shit i truly think that that is the best proshot i have ever seen so here are some specific things i really loved
amber gray's expressions just wow. she is so expressive and such a phenomenal actress
the way the fates appeared behind orpheus during wait for me
how every time during group numbers the camera focused on a certain person you could hear their vocals more clearly than everyone else
all of the fates
wait for me reprise in 4k with peak sound holy shit eva noblezada i love you so much
the cracking noises during wait for me when the walls opened up
the shots from above/below the stage
how during doubt comes in all the shots were primarily close ups of orpheus so it was hard to tell where eurydice was
one of the people in my theater shouting "NO" when orpheus turned around
literally so many more things i could talk about this proshot for ages
please i beg if you have not/are not intending on seeing it to watch it it is a masterpiece
In celebration of the proshot