I got this while scrolling on instagram to try to convince me to join threads and I—
We did it. We finally saved her.

seen from Germany
seen from Germany
seen from United States
seen from Netherlands
seen from Netherlands
seen from Netherlands
seen from Netherlands
seen from China

seen from United States
seen from Germany
seen from Netherlands

seen from Germany
seen from United States
seen from United States

seen from Brazil
seen from Türkiye
seen from Malaysia
seen from United States
seen from United States
seen from Türkiye
I got this while scrolling on instagram to try to convince me to join threads and I—
We did it. We finally saved her.
Why is it always about Orpheus turning back foolishly and never about Eurydice following him out of the Underworld, likely knowing she was doomed. That Orpheus went all this way, singing the story of their love, hopeful that he will return her to the surface and finally build their life together— but they will not. She knows her Orpheus will turn back. And yet she still follows him, all the way to the top, because the simple pleasure of seeing his back again is enough for her. Isn’t that a foolish thing to do for love?
Orpheus always turns around because, yes, you would too if you literally crawled through the underworld to get Eurydice back; BUT! Also because people don’t come back from the dead and storytelling is and always has been a way to process emotions.
Orpheus and Eurydice are the exploration of grief so strong you’d go to hell and back to save the person you lost and the gutting realization that it doesn’t matter how hard you try, people don’t come back from death
Suddenly I'm holding the world in my arms
thank you hadestown for rewriting my brain
YOU WANNA WALK WITH ME A WHILE?
the long walk (2025) // hadestown, anaïs mitchell // orpheus and eurydice, edward john poynter // a word to orphuists, kazimierz wierzyński