week 39/78 of missing woozi
seen from Nepal
seen from Thailand
seen from United States

seen from Japan
seen from United States

seen from Malaysia
seen from Paraguay
seen from Azerbaijan
seen from China
seen from Japan
seen from China
seen from China

seen from Belarus
seen from China

seen from United States
seen from Hong Kong SAR China

seen from Sri Lanka
seen from Iraq

seen from Malaysia
seen from United States
week 39/78 of missing woozi
With three movies to compare between, I really appreciate how each Knives Out movie explores justice from a different thematic angle, not based on the murder that was committed but based on the cruelty that led to that murder.
In Knives Out, a compassionate, ethical young woman treats everyone around her with generosity, and the people around her repeatedly try to take advantage of her kindness to force her into losing the fortune that was gifted to her by a dear friend. There, justice means that she keeps the fortune and decides that actually, she doesn't have to be kind and giving to people who've proven themselves assholes.
In Glass Onion, a woman loses her sister to a gang of wealthy, successful people who've sacrificed their principles for the sake of ambition and ego. There, justice means that everyone involved will be made notorious: whatever their other accomplishments, they will forever be known for being complicit in the burning of the most famous painting in history.
In Wake Up Dead Man, the church takes advantage of a young girl's loyalty and faith to place her under a lifelong burden and fill her with guilt, shame, and hatred. Justice means helping her understand what was done to her and the women around her, and giving her compassion so she can find peace.
This is cool because it means the movies contradict each other! The compassionate justice of Wake Up Dead Man would be totally misplaced in Knives Out, and so would the toppling-monuments justice of Glass Onion. And because each movie has something different to say, they all stand on their own and feel fresh.
This is also why Benoit Blanc is the uniting figure but never the protagonist of these movies. He's an agent of legal justice in that he's the detective and it's his job to figure out whodunnit, but the protagonist -- Marta, Helen, and now Jud -- is always the character who delivers thematic justice.
𝙻𝙰𝙸𝙺𝙰 𝚃𝙾 𝙶𝚁𝙾𝚄𝙽𝙳 𝙲𝙾𝙽𝚃𝚁𝙾𝙻 — I miss you , Have I told you that yet?
“Do you think there is someone else out there?”
Big fan of media that makes you feel like this
"chell solving test chambers is like sex for glados" well known, basically canon with that bit in portal 2 where they established that glados's body has a built in pleasure response to completing test chambers
"chell solving test chambers is like sex for chell" groundbreaking, deeply fascinating implications about chell, opens up new and innovative forms of lesbian sex
I imagine young Dean loved riding shotgun, talking hunts and cars with his dad, feeling all grownup and whatnot. But some days he'd let Sammy have the front seat, would cramp himself into the back, listen to that Led Zeppelin album and watch nature go by :>