👫 for domi 🥺👉🏻👈🏻
(Send 👫 & I’ll write four hcs for our muse’s dynamic) || Accepting!
1. Domi is his day/night dynamic, the opposites attract. Meek in the places, he is confident, sharp on the edges where he is blunt, cool and distant just as he is warm and dead center. The differences between them are many, and at times so diametric even they sometimes question what brings them together at all. The answer, of course, is dawn, and dusk. There is, however, different they are, a sliding scale, a gradient that goes from day to night and night to day. Good days, they make a game of finding the dawn (is it a specific hour? first light? the gap between that and the proper rise of the sun?) and point, together, at the different-each-day sunsets of dusk. On bad days, the places they back up to each other are the frontlines of battlegrounds, where they wonder why the other is so the way they are, and fight over if things belong in light or darkness, and criticize each others’ method of being. At all times, it stays true that opposites are compliments. It cannot always be day, and it cannot always be night. Divine balance, or what have you. Domi’s more private way of living her life helps Henry pull back from things to find balance when he cannot do that on his own. Her here-is-how-I-survive that she has taught herself, those iron boundaries of what she will and won’t tolerate from people around her (her “harshness”) are valuable, and honest, and exemplify a self-focus that Henry, often, lacks. Simultaneously, Henry’s constant engagement helps bring Domi into things, without which she would just... pull away and pull away and pull away until she was gone completely. His giving and dependence on others show her that it’s not only true that people need each other but that it’s ok, and it’s alright, and it’s safe to love and be loved. ( “Your life would be easier without me” / “But not better.” is. so very them for it being something I didn’t write. His life would be easier without her, simpler, and he’ll even admit that because that’s not the point. It’s not about easy. )
2. One of his absolute favorite things to do is listen to (/feel) her heartbeat. This is another one of those things that’s like, broadly true of him, but with extra emphasis inside of this dynamic. Part of it is because like... he knows he often has an effect on it, both in sense of making her heart beat faster but also when they’re gentle and still and it settles. And his settles to match hers. The rest isn’t really for any particular reason that he’s got a label or an explanation for, just a thing that’s true. Mostly this means a lot of him laying with his head against her chest or sometimes her back, but also he’ll find it at her wrist or neck, too, feeling out the beat of her heart. Committing the rhythm to memory only to forget it on purpose so he can, again, seek it out. Lots of kisses to pulse points, thanks for being here, which actually-
3. Touch as talk. I think we might have talked about this so you might already know it lives in my head but: I think they do a lot of touching-as-talking. And he’s really not usually one for like, codes as communication? He generally prefers forward speak and direct ways of addressing things, calling them out, naming them. It just happens, though, that from their earliest meeting there were, already, a lot of things they didn’t have to say to each other. A lot of things that they already knew, and both have trouble putting to words for different (yet similar) reasons. There was a lot of silent understanding that came first, and then that led into getting to know each other. Secrets and souls and fears, first, then what color is the others’ favorite, and where they like go to spend time, and what jokes make the other laugh. So– for that as their ground zero, for them, there is a lot of touching-as-talking. A light tap to the elbow instead of hello. Side pressed against side in place of I’m with you, arm brushing by arm as shorthand I’m here if you need me but I’m giving you space. Grabbing his shirt with only the ends of her fingers to say stay here, please. Cupping her face for I love you. Pulling her hand to his face for I know you love me, too.
4. It’s about trying. The conscious decision to try. The choice, again and again and again, of picking love. Acceptance, forgiveness, growth. They’re picking this. If it were easy... I won’t say that would be bad, because that’s not fair and different ways of loving exist, but if it were easy... I’m not sure they’d pick it. They’re both kind of like that– I don’t pick easy I pick better. I pick difficult, and I pick vulnerable, and I pick you.















