ahahah he's one of my favourite animals + the harassment architecture audiobook was massively entertaining to me
i appreciate it especially because i rarely find shit of that caliber nothing intellectual, refreshingly raw

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ahahah he's one of my favourite animals + the harassment architecture audiobook was massively entertaining to me
i appreciate it especially because i rarely find shit of that caliber nothing intellectual, refreshingly raw
bonus round: oc blinkies- scorched earth posthumanity prophet of violence edition<3 shoutou t to harassment architecture
Harassment Architecture by Mike Ma is my guilty pleasure, I fear.
Do you understand how many arsonists go uncaught? Not even close to caught? Just figure out how to do it and start soon. To be working class in this day and age is to be suicidal and complacent. Or maybe you just don't "get it".
In spite of the blatant displays of racial and sexual prejudices that seep into the diction of the text, as well as the fascist political alliances of the author, Harassment Architecture is nonetheless an exemplary work detailing the alienating experience of 21st century life under a modern societal framework through an elucidation lavish with an infelicitous, dark comedic atmosphere. This reads like a rendition of The Catcher in the Rye but if it were written by an incel who frequents /pol/ and adjacent image boards.
What elevates the narrative beyond mere provocation and transgression is its unflinching dissection of the soul-crushing rituals of late-stage capitalism, where the protagonist navigates a landscape of fluorescent-lit cubicles and algorithmic oversight that renders human connection obsolete. Through a lens smeared with irreverent humor, the text captures the kind of quiet rage of those who recognize the system’s invitation to self-erasure, whether through debt, distraction, or performative productivity, and opts instead for a chaotic reclamation of agency, however misdirected or profane it may appear to the sanitized mind.
Yet, the work’s true discomfort arises from its refusal to offer redemption or uniform sociological prescriptions, thus compelling the audience to confront the void where ideology and semblances of purpose once were intertwined. It is a mirror held up to the disaffected digital native, which reflects back not just the prejudices society claims to have transcended, but the seething undercurrents of resentment born from genuine material and spiritual decay. In this way, Harassment Architecture achieves a perverse authenticity; it does not soothe or enlighten so much as it festers, compelling one to question whether complacency is truly the greater suicide or if the real depravity lies in pretending havoc was never inevitable.
I feel like Lizzo spamming that one picture but whatevs
A large majority of obscure artistic culture is dominated by left-wing radicals. They dedicate themselves to some braindead cause and the result of this eternal struggle is the latest, greatest experimental indie album. They pour hours into an instrument thinking about how the proceeds will go to displaced Middle Eastern refugees when, in reality, the profit margin gets soaked up by superglobal megacorps. These are without question the worst revolutionaries time has ever seen. Kill someone important! Burn something down! Cut yourself for attention! Anything! The gas pedal is waiting to be stepped on.
Mike Ma, Harassment Architecture
Thanks Mike