Aug 23, 2025
Harmony Hammond, Voices, 2024 (24-316),
Two-color lithograph, Paper Size: 19 1/2 x 16 inches,
Collaborating Printer(s): Valpuri Remling and Arikah Lynne Conant
seen from Bangladesh
seen from China
seen from Malaysia
seen from United States
seen from China
seen from Kazakhstan
seen from United States
seen from India
seen from United Kingdom
seen from China
seen from United States
seen from Yemen
seen from United States
seen from Lithuania
seen from United Kingdom
seen from China
seen from Malaysia
seen from United Kingdom
seen from Malaysia
seen from China
Harmony Hammond, Voices, 2024 (24-316),
Two-color lithograph, Paper Size: 19 1/2 x 16 inches,
Collaborating Printer(s): Valpuri Remling and Arikah Lynne Conant
Harmony Hammond, Chenille #12, 2021,
Oil and mixed media on canvas,
90 3/8 x 72 1/2 x 3 3/4 inches.
Courtesy Alexander Gray Associates, New York. © 2023 Harmony Hammond / Licensed by VAGA at Artists Rights Society (ARS), New York.
Harmony Hammond
Gender: Female
Sexuality: Lesbian
DOB: 8 February 1944
Ethnicity: White - American
Occupation: Artist, activist, curator, writer, professor
Harmony Hammond | Chenille #11, #12, 2021
Oil and mixed media on canvas
The artist takes scraps of textile, accompanied by their various histories, and creates a new body out of these fragments. Imbued with the lives lived by the materials used, Hammond’s paintings reveal a layered history of touch. The painting is a body that has been in physical contact with Hammond over and over, the touch at times gentle, at other times rough.
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Harmony Hammond
Lesbian Art in America: A Contemporary History
The first definitive history of lesbian art in the United States presents a collection of artwork, created since 1970 within the context of gay culture and political activism, along with critical analyses of the movement and profiles of thirty prominent lesbian artists, including Kate Mill, Joan Snyder, Deborah Kass, and Catherine Opie.
Website : Harmony Hammond is an artist, art writer and independent curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on Art & Politics (1976). Since 1984, Hammond has lived and worked in northern New Mexico, teaching at the University of Arizona, Tucson from 1989–2006. Hammond’s earliest feminist work combined gender politics with post-minimal concerns of materials and process, frequently occupying a space between painting and sculpture – a focus that continues to this day.
Harmony Hammond, Hunkertime, 1980, cloth, wood, acrylic, gesso, latex rubber, rhoplex and metal, 83 x 286 in