#harunfarocki

[naked-atelier]

Harun Farocki, Ein Bild - An image, 16mm film, 23 min, 1983

[mu-th-ur]

Crepuscolo — Group presentation curated by Matteo Binci and Giacomo Pigliapoco at Bastione Sangallo, Loreto, Italy which ran from September 05 to October 31, 2020 W/ works by: #EnricoBoccioletti #AnnaBuntingBranch #GiuliaCrispiani #HarunFarocki #RaffaelaNaldiRossano #AthenaPapadopoulos #RaphaelaVogel Courtesy Collezione Valentini and Tisot Art Collection Photo @michelealbertosereni @giacomopigliapoco @matteobinci @passsiveagggresssive @annabuntingbranch @g.crispiani @harunfarockiinstitut @raffaelanaldirossano @athena_papa_doubled @rada_vogel #matteobinci #giacomopigliapoco #bastionesangallo #loreto #italy #groupexhibition #groupshow #grouppresentation #nonwhitecube #collezionevalentine #tisotartcollection #loretoexhibitions #italyart #sculpture #installation #performance #ofluxoplatform @ofluxoplatform (at Loreto, Italy) https://www.instagram.com/p/CHNZ9K3FzCy/?igshid=14olow2lnsdph

[mybarricades]

My new blog: Die logischen Revolten 

logischerevolten.com

[naked-atelier]

Harun Farocki, Ein Bild - An image, 16mm film, 23 min, 1983

Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle. Maybe all those trappings are only there to cover up the naked woman. Maybe it's like with a paper-doll. The naked woman in the middle is a sun around which a system revolves: of culture, of business, of living! (It's impossible to either look or film into the sun.) One can well imagine that the people creating such a picture, the gravity of which is supposed to hold all that, perform their task with as much care, seriousness, a responsibility as if they were splitting uranium.

This film, An Image, is part of a series I've been working on since 1979. The television station that commissioned it assumes in these cases that I'm making a film that is critical of its subject matter, and the owner or manager of the thing that's being filmed assumes that my film is an advertisement for them. I try to do neither. Nor do I want to do something in between, but beyond both. (Harun Farocki, 1988)

[inside-the-white-cube]

2025-07-08 Holding Pattern @DortmunderU

[millenniumfilmjnl]

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Millennium Film Journal No. 55 “Structures and Spaces: Cine-Installation” (Spring 2012) Cover: Paul Sharits 1995 installation @greenenaftali 2011-12. MFJ No. 55 is available as a PDF download at mfj-online.org/ issues #steina #harunfarocki #alfredguzzetti #paulsharits https://www.instagram.com/p/CCUG-MvF4Yw/?igshid=11xlh8bdb74f9

[kaligofsky]

#harunfarocki The Creators of the Shopping Worlds/Die Schöpfer der Einkaufswelten (2001) https://www.instagram.com/p/B-1U_-gFrAA/?igshid=1butvyoy3k8w4

[kaligofsky]

My fifth recommendation for #bookchallenge, by invitation of #ruthkaaserer, to post the cover of a book of importance to me for seven days–without a review: ‘A Corner in Wheat’ by Helmut Färber. I got the book as present from #harunfarocki. https://www.instagram.com/p/B-QBto1FoNN/?igshid=bs6siigxc3de