Have you seen Head Cases (2005)?
Yes
Partially
No, but I've heard of it
Never heard of it
seen from China
seen from Japan
seen from Hong Kong SAR China

seen from Brazil
seen from Algeria
seen from China
seen from Germany
seen from United States

seen from Malaysia
seen from China
seen from China

seen from United States
seen from China

seen from Spain

seen from Canada
seen from Honduras
seen from Türkiye

seen from United Kingdom
seen from United States

seen from Philippines
Have you seen Head Cases (2005)?
Yes
Partially
No, but I've heard of it
Never heard of it
books I’ve read in 2025 📖 no. 40
Head Cases by John McMahon
“Back from the dead. And now dead again. What do you want us to do?”
I finished one of my two library books last night! It was “Cross My Heart” by Megan Collins and I would def recommend if you like fast-paced thrillers with multiple twists.
So, I started my second library book, and the main character is LITERALLY Spencer Reid. He is 6”1 with an athletic build and curly brown hair, check. He has an eidetic memory, check. He’s showing signs of autism, check. AND, his mom has Alzheimer’s, check.
There are some differences between the two, personality wise. I think Reid is more personable, but that could be because he’s one of my favorite characters ever, and I’ve rewatched CM no less than 3 times through now😭
Anywayyyy, if you like Criminal Minds, and you want to read a novel that emulates a finale episode(s), then def check out “Head Cases” by John McMahon🙂↕️
Boston Legal (TV Series) - S1/E1, 'Head Cases' (2004) Philip Baker Hall as Ernie Dell
books I’ve read in 2026 📖 no. 010
Inside Man by John McMahon
“Patterns. If you’re like me, it’s all you see in the world. Fibonacci sequence appears in the flowering of an artichoke. The golden ration recurs in the form of flowers. And spirals and striped develop in hundreds of species, both to hide from prey, but all to attract mates. Put simply, we all want to be seen.”
Kristeva analyzes a level of social depression that affects everyone equally, more or less, yet its root is the same “capitalistic and colonist society” that [Frantz Fanon] identified. Adorno writes in the introduction to Minima Moralia, “What the philosophers once knew as life has become the sphere of private existence and now of mere consumption, dragged along as an appendage of the process of material production, without autonomy or substance as its own. [..] existential psychologist Frantz Fanon, who diagnosed the colonized of the Antilles as suffering from an inferiority complex not on an individual but on a collective level. [..] Fanon argues that for Europe and for “every country characterized as civilized or civilizing,” the family is a miniature version of the nation and that, conversely, the characteristics of the family, in particular its paternal structure of authority, are projected onto the social environment. This ensures, on Fanon’s view, a seamless transition from familial to civic life for any subject who has been raised in a functional family. For black culture, it is almost exactly the opposite. A black child, having grown up in a normal, functional family, “will become abnormal on the slightest contact with the white world.” he will tend to cast his own family structure, which is now identified with what society rejects, back into the “id” and identify his political or subjective state with white culture. This causes profound dissonance at the level of egoic identification. Kristeva imagines the constitution of culture itself, like Freud’s ego, as a string of lost objects, traces of which we can see in the historical chain of memorials to great individuals, official records of world-historical events, and the trauma of war and loss. In the normal process of cultural formation, these monuments memorialize the past, building it up from within through abandoned object cathexes, whereas when a culture is pathologically melancholic, [..] it is in need, just as is the individual who has lost all desire to communicate, of some sort of force of reeroticization. The creative drive can be seen as a move from the death drive to Eros, and Kristeva envisions this possibility primarily through art, through revolution in a very particular sense, and through psychoanalysis.
Feels like one set of insane criminals is packing up while the other set of insane criminals is setting up for the next act of histrionics, shaming, blaming, emotional manipulation, and victimization.
Mental as anything.