Untitled, Heidi Bucher, 1979, MoMA: Drawings and Prints
Committee on Drawings Funds Size: 47 1/4 x 31 5/8" (120 x 80.3 cm) Medium: Embossing with linseed oil, graphite, and mother of pearl on paper
http://www.moma.org/collection/works/178105

seen from United States
seen from United States

seen from Malaysia
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seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from Bulgaria
seen from China

seen from United States
seen from Argentina
seen from United States
seen from United States

seen from Russia
seen from Bulgaria

seen from Malaysia
seen from United States

seen from United States
Untitled, Heidi Bucher, 1979, MoMA: Drawings and Prints
Committee on Drawings Funds Size: 47 1/4 x 31 5/8" (120 x 80.3 cm) Medium: Embossing with linseed oil, graphite, and mother of pearl on paper
http://www.moma.org/collection/works/178105
Ablösung der Haut - Herrenzimmer, 1979 #HeidiBucher #HansPeterSiffert
BACK IN THE BOOKSHOP: HEIDI BUCHER published by Karma and The Swiss Institute Although Heidi Bucher’s (1926-93) oeuvre remained mostly overlooked after her death, a recent revitalization around her idiosyncratic practice has opened the conversation on this pioneer in the feminist dialogue of the 1970s. Born in Switzerland, Bucher moved to California in the 1960s where she collaborated with her husband Carl on “Bodyshells,” a series of wearable sculptures exhibited at the Los Angeles County Museum of Art in 1972. She returned to Switzerland in the mid-1970s and began her most iconic body of work, latex casts of objects and rooms. This volume includes a conversation with Christian Scheidemann on conserving contemporary materials; essays from the catalogue of the seminal 2004 “Migros” exhibition; memories from Beatrix Ruf and curator Bice Curiger; as well as a walk through the Swiss Institute exhibition with her sons and collaborators Mayo and Indigo. Embracing the conceptual framework of an exhibition at Swiss Institute and its related public programs, each book in the SI Series adds retrospective context through seminal essays, archival materials, event transcripts, artist portfolios and exhibition documentation, as well as reprints and new translations of important texts. Each book in the series assumes a unique format to delve into the work of an artist, an artistic movement or a philosophical conundrum. Edited by Karen Marta and Simon Castets, text by Indigo Bucher, Christian Scheidemann, Bice Curiger. Via our website and in the shop tomorrow. #worldfoodbooks #heidibucher #karma #swissinstitute (at WORLD FOOD BOOKS)
Untitled, Heidi Bucher, 1979, MoMA: Drawings and Prints
Acquired through the generosity of James Keith Brown and Eric Diefenbach Size: 47 1/4 x 31 1/2" (120 x 80 cm) Medium: Embossing with linseed oil, graphite, and mother of pearl on paper
http://www.moma.org/collection/works/178103
#HeidiBucher https://www.instagram.com/p/CVfpedWtIvM/?utm_medium=tumblr
Heidi Bucher, Ablösen der Haut II – Herrenzimmer, 1979
@postcontemporary_ 🏴 Heidi Bucher #heidibucher (at Troquet Du Temple) https://www.instagram.com/p/CPp6hJrtOfv/?utm_medium=tumblr
Ablösung der Haut - Herrenzimmer, 1982 #HeidiBucher #HansPeterSiffert https://www.instagram.com/p/CDHtiR8oTfx/?igshid=nny61u07dlqd