#hubert jones

[biracy-draws]

Dad stuff domingo (almost domingo). Time for Jezebel's fuck ass father (dead as hell) (he/him)

[biracy-draws]

masculine urge to make a hubie halloween cabinet man pmv

OOH U SHOULD... dude I always thought abt Hubie Halloween Cabinet Man. u should

[biracy-draws]

So this is like. the entire plot

[biracy]

skin and desire with jezzy maybe…(for the ask thing)

skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?

Jezebel's whooooole deal is struggling with the fact that she, like, exists if that makes any sense. She has a lot of identity problems and self-worth problems and I definitely don't think she's "comfortable" in herself. She spends most of her story being the "smallest, weakest, most horrible version of herself", tormented by her father and almost completely subservient to him. What lives inside her is a version of herself that IS comfortable, even confident, and she's not used to that feeling at all. She's had that feeling tamped down by her mother for so many years that she completely suppresses the early desires to stand up to her father's ghost. Sometimes life will have u believing the version of urself that wants to say no is a curse and a monster and that's one of my favorite things to delve into with her

desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?

Jezebel wants... a lot. I'd say primarily she wants validation, she wants to feel like she's necessary. That's why Hubert enlisting her to reanimate his body is so effective; not only is he her father (and a positive parental relationship is also something she desires), but the fact that he becomes so physically dependent on her makes her feel NEEDED, which is huge for her (which in turn makes her become emotionally dependent on him. Get it? Ugh my mind). He manages to keep her under his thumb for so long because she's just so desperate for something even slightly resembling a positive relationship, and bc the way he manipulates her is different from how Annalise smothered her she doesn't realize (or chooses to ignore) that her relationship with her dad is just as bad as her relationship with her mom. Insert "'Jesse Pinkman just wanted a father figure' well he got one that's what fathers are like" post here

[seattlemysterybooks]

philsp

July 18, 1936 issue

cover art by Hubert Jones

Eugene P. Lyle, Jr., “The Withered Finger" 

Convict 12627: I Push Some “Queer”     

Charles Molyneux Brown, “Dragon’s Mouth"  

Carl Clausen, “Too Much Rope"   

Glenn Garrison: The Straw-Hat Murder Mystery     

Logan Reavis: Crime Laboratory     

Oscar Schisgall, “Love Affair"    

Herman Landon, “The Black Chapter"    

Art Russell, “Key to Hell"    

Judson P. Philips, “The Convention Murders” (Part 6 of 6) 

Stookie Allen - Illustrated Crimes: The Clue of the Camera “Eye Witness” 

Edward Parrish Ware, “A Bit of Psychology” (Ranger Jack Calhoun)  

Seattle Mystery Bookshop

[seattlemysterybooks]

philsp.com

June 13, 1936 issue

cover art by Hubert Jones

Judson P. Philips, “The Convention Murders” (Part 1 of 6)

Donald Barr Chidsey, “Strangers in Town” (Wainwright T. Morton)

Milo Ray Phelps, “Rub-a-Tub Dub” (Murray Magimple)

Jean Francis Webb, “The Muscleman’s Bomb Boys"

Fred MacIsaac, “Death Rides the Deep” (Part 3 of 6)

Stookie Allen, “Illustrated Crimes: The Friend-Killer"

Robert W. Sneddon, “A Strange Murder Mystery"

Edgar Franklin, “Honest to the Core"

Hugh B. Cave, “You Just Can’t Lose"

John A. Saxon, “The Doll’s Last Dance"

Seattle Mystery Bookshop