"One of cinema’s preeminent magicians welcomes us with his trademark corpulence and pastiched cigar to the IDFA at Amsterdam in a selection entitled Framing. A self-confessed charlatan making a film about yet another self-contained charlatan, Orson Wells takes immense pleasure in 1973’s F for Fake reminding us that film is by nature trickery whilst hoodwinking us one more time"
"Artists, Magicians, Alchemists, Capitalists": Yaron Dahan explores the 2014 International Documentary Festival Amsterdam for the Notebook.













