#imaginary landscapes

[sheltiechicago]

Photographer Don Hong-Oai Captured Traditional Chinese Aesthetics with Imaginary Landscapes of Timeless Beauty

Don Hong-Oai (1929–2004) was a Chinese-born photographer renowned for his distinctive style that melded traditional Chinese painting aesthetics with photographic techniques.

[sheltiechicago]

Photographer Don Hong-Oai Captured Traditional Chinese Aesthetics with Imaginary Landscapes of Timeless Beauty

Don Hong-Oai (1929–2004) was a Chinese-born photographer renowned for his distinctive style that melded traditional Chinese painting aesthetics with photographic techniques.

[egoschwank]

al things considered — when i post my masterpiece #1398

first posted in facebook february 7, 2025

rex dixon -- "endgame" (2021)

"the end is in the beginning and yet you go on" … hamm

"my paintings refer to, among other things, real and imaginary landscapes, to nostalgia, to certain states of mind, and to the persistence of memory" … rex dixon

"all life long, the same questions, the same answers" … clov

"my posts refer to, among other things, my imaginary memories … so in the end … is the life i make … equal to the life i fake" … al janik

[aioleis]

Architect Eugene Tssui's wild bio-inspired Venturus concept for a "wind-generated dwelling" in Victoria, Canada, 1982.

[aioleis]

𝕮𝖔𝖘𝖒𝖔𝖌𝖊𝖓𝖊𝖘𝖎𝖘 Cosmogenesis by Robert Fludd In his treatise on cosmogenesis (1617-18), occultist Robert Fludd depicted the universe of unformed matter (hyle) as a single black square, "as a black smoke, or vapour, or a dreadful gloom, or the darkness of an abyss." God then inscribes a circle of interiority—the universe

In this very famous diagram of Fludd's, we see that the circle of unformed matter exceeds and delimits the ordered universe. but god (now a triangle) extends further, his furthest points being 'extra omnia'—outside everything

[aioleis]

Parallel Polis

Parallel Polis is a socio-political concept created by Czech political thinker and dissident Vaclav Benda in connection with the informal civic initiative, Charter 77.

Benda and other philosophers sought to build a theoretical framework for social events in dissident circles.

Social structure

The alternative culture, or underground, was described in Parallel Polis in 1978 for the first time. A political scientist, Benda noticed the emergence of a new social structure in artistic and intellectual circles as a tool to escape the totalitarian communist regime and detected the following pillars of the new "field":

Constant monitoring and verification of civic rights and freedoms, which the state tends to restrict. Parallel Polis consists of people who actively advocate for (and protect) their rights.

"Alternative" (underground) culture is independent, and consists of art which is developed without the permission—or support—of public authorities.

Parallel education and science, representing the right to free education and the development of scientific research (residential seminars and educational societies and academies)

A parallel information system as an expression of the right to the free dissemination of information (such as samizdat publishing and unofficial magazines and collections)

Parallel economy: "Political power considers this area as a critical resource for arbitrary control of citizens and strictly regulates it at the same time". The economy of dissent was based on reciprocity and trust in the individual. It was the germ of a principle and the search for resources which are not dependent on the control of monetary tools.

Creation of parallel political structures and the promotion of their development. The alternative political structures must be incubated in the Parallel Polis and develop into a form which can replace the ruling authoritarian regime.

Parallel foreign policy must be an instrument of the parallel society for the international stabilization and grounding of the movement and the search for financial and mental resources.

These patterns of the parallel structure are not a closed set; on the contrary, they occur on all fronts of the resistance against the authoritarian state. The aim of the Parallel Polis, according to Vaclav Havel, Ivan Martin Jirous, Milan Šimečky and other dissidents who discussed the concept, should be an independent society not oppressed by laws and decisions of representatives of public authorities—a society based on its own values, which are not forced by the central authorities.

Use in cryptoanarchism

The concept has been revived by scholars who met at the University of Washington and now work at other academic institutions.

They posit that Benda's idea is being practiced on the Internet, which facilitates parallel institutions. In 2014, a physical space inspired by the idea opened in Prague's Holešovice district. Since then, individuals inspired by the idea have started a similar physical space in Bratislava, and further physical spaces are expected to open in Vienna and Barcelona. The venue serves as a think tank for individuals interested in ideas of innovation without a central authority. The goal is building parallel structures on a voluntary basis with an effort to remain state-free. The venues also operate as cafes that only accept cryptocurrencypayments. The space gained media attention for acts of political activism, such as a boycott of Electronic record of sales in Czech Republic after it was put into effect, or after receiving a statement from the Czech National Bankprohibiting the use of the word "coin" for a symbolic metal coin connected to a virtual Bitcoin.

Paralelni Polis

[aioleis]

Hariton Pushwagner's visual novel ‘Soft City’ (1969–1975)

The narrative of Soft City is deeply connected to traditional dystopian science fiction. "Astounding depictions of dystopian, alienating reiteration." While it evokes Fritz Lang’s Metropolis and the social division of Blade Runner, as well as the imagery of Hilberseimer’s Großstadt, the primary inspiration for Terje Brofos.

Silkscreen prints from the series 'One Day in the Life of the Mann Family', which arose from a lengthy visual/literary collaboration between Pushwagner and the author Axel Jensen. The series was printed by the screen printer Gunner Fredriksen in 1980.

[larrycarlson]

LARRY CARLSON