“The Moon has kissed you.”: An analysis into the relationship of Renamon and Impmon from Digimon Tamers, why it possibly has sound basis in the canon, and why they could possibly be one of the most layered relationships in all of the Digimon franchise. [PART 3: Symbolism, imagery, metaphors, comparisons to other archetypes, and other.]
PART 1 HERE
PART 2 HERE
· Power, and the law of the Digital World
This section will be rather short, but I feel to understand their characters it’s necessary to point out. Power is a rather abstract thing and it could mean different results depending on what field you’re applying it, but for the Digimon context it mostly means power on a physical level; to subjugate others to your will based on fighting prowess. The Digital World is Tamers is much more different than it was featured on the universe of Adventure; it’s a desolate land where the Digimon have to fight for survival; much more akin to animals in our real world. We even see this emphasized in the third episode, where Renamon and Guilmon leave the powers behind to get actually beastial in their attacks- growling, biting, etc etc. It’s a little unsettling for those used to the Digimon in a more fantastic manner, but it serves to showcase that in this world, physical violence is rather a matter of life or death.
So, we know Digimon in this world are much harsher, we understand that, and I think you can get where I’m going with this. Renamon and Impmon are initially portrayed following this belief, of fighting making you stronger, and all that (not only them; Terriermon is portrayed as wanting to get into fights as often). Of course, this is a very basic understanding of power, as we’ll see later. It’s less having enacting change than about making others around you submit to your power. While Renamon eventually learns of this, Impmon takes the long road.
But he learns, eventually, even if it means he has to learn it the hard way (Leomon’s death will always haunt him, I’d wager). Like I said before, the Digital world in this universe is cruel, but based on Leomon’s words, you can get around it by knowing when to fight and when to bend over. It’s a very practical lesson, I feel, that many parts of western media don’t truly get: you need both hard and soft power in the right moment with the right people to get a point across. Sometimes words can change a person’s mind, but in other situations you must use strength; when there are enemies to defeat, sometimes it’s the only way. It’s not about being a killing machine, or a useless passive tool; you just have to know when to strike.
So, we can read this as the Digimon gaining a conscience and mind besides what they were programmed, or what the habitat of the Digital world gave them. Ironic enough, the original Digimon abandoned the human, only to later gain a sense of “humanity” of their own by interacting with human children, decades later. Funny how it comes along.
· Other Symbolism and imagery
Well, here I’ll point out other symbolism and imagery that didn’t fit into religion or culture. Pop culture references, slang, and the like.
First up, let’s start with Beelzebumon’s design, which, I think I said before, not only calls back to Phantom of the Paradise, but also to a bird. Notice the sharp helmet, the black wings, the talon-like fingers…He looks downright bizarre, doesn’t he? Compared to other more humanoid Digimon, he looks a little uneven.
Yet I think the birds imagery is there for a reason, since it can allude to many things. It can allude to ravens, who are often associated with death with Western culture; but also but generic carrions / birds of prey, since they’re the most aggressive types of birds, and as we know, Beelzebumon early on is presented similar to an icon of Death the series has: he brings doom, and even if he manages to kill only one character, his actions manage to shape up the rest of the series.
I also think it’s fascinating that the Deva that suggests him to make the Deal to get power is Catsuramon, based on the dog in the Chinese Zodiac. In more colloquial terms, hitmen who are used by men in high places to get rid of possible enemies are often called “dogs” since they’re used often to do the dirty work; ea “take out the trash” so that a powerful man’s public perception/reputation isn’t soiled. In a way the Devas use Beelzebumon in a similar manner, just use him as a mercenary to take out the pesky kids who would otherwise ruin their plans. They don’t care about his wellbeing or struggle, after all, he’s nothing to them; just the convenient hitman for their plans to go as intended. So what if they ruin a potential friendship between him and the gang? It it not of their concern, and if he goes too out of hand (like it did happen in ep. 35), well, you know the saying “put the dog to sleep”? I reckon if Beelzebumon hadn’t been so powerful and there had been more Devas around at that point, maybe it would’ve been his end much earlier on.
And again, the symbolism! Ruki initially used Renamon as an “attack dog” as well, not really concerned for her wellbeing but just using her to get to a goal. Remember how I said earlier Renamon and Guilmon’s fight is framed to resemble more an actual dog fight than anything more animeish or fantastical. I do love how the show clearly states that self-reflecting and maturing is what distinguishes our heroes from the “villains”; Ruki learns from her mistakes and begins to trust and care for Rena, while the Devas just wallow in their pride until the end of the world comes and bites them in the ass.
Remember what I said before about Vajramon, about how he’d be important later on? His crush is interesting to notice because, in an oddly manner, it’s eerily similar to how Impmon’s interactions with Renamon are showcased. Vajramon urges for Renamon to ditch the humans and live with the Digimon, on their own terms. It’s not so dissimilar to how Impmon initially tried to lure Renamon in to his side, to convince her that living wild and free is ten times more exciting than being at the mercy of the humans.
The red shoes comparison in ep. 27 is also good to point out again since I’ve read some analysis of the fairy tale, and apparently, the story could be read as an analogy to temptation and redemption (religious redemption)….Just in the same episode where our demon boy gets tempted to make a pact with the devil, something he’ll regret later on…
I’ll have to add more to this idea. The comparison with the Red Shoes is interesting because usually, unless it delivers vital information or adds importance to the plot (like say, Princess Tutu with Swan Lake), fairy tales and references in children’s media tends to be very simple, well known facts or stories, so that more audiences can understand the reference without getting lost. Here’s the thing tho, while the Red Shoes was popular for a few years, it’s nowhere near as popular as other fairy tales like Cinderella or Red Riding Hood or even Hans Christian Andersen’s other works like the Litle Mermaid or the Ugly Duckling. If the writing staff wanted to pinpoint something, they could’ve easily used an invented fairy tale or brought forward a local Japanese folktale. So, the Red Shoes is added there because it can relate to the plot, but again, also look at it from a symbolic perspective.
In most analysis of the fairy tale, the story can be read as an allusion to temptation and redemption, specifically of the religious variety. So now, we can see, well, what’s the big deal? Since neither Juri, Takato or Jen have those stories in their characters arcs…But you know who does?
Bingo.
And you know who has his prominent scene where he sells his soul to the devil in the same episode?
Bingo bingo bingo.
· East and West, and the Relative “Othered” Culture
Digimon takes a lot of cues from real-life mythologies to base the designs of their monsters, nobody denies that. We’ve spoken of the religious aspect of these two, but what about the cultural aspect? Does it ring as true?
Well, yes. For religion shapes a lot of our cultures as well, and informs us a lot about our mindsets, our beliefs, and other aspects that form our selves. But other aspects of culture can flourish apart from religion; family, education, work or anything else that shapes how we function in our society. Digimon can take these elements and mold them to shape new aspects of the characters.
First, we can explain that Digimon, as an anime, is a product made mostly by a Japanese staff, with Japanese writers and producers, and as we can infer, Japan, like any other country; has a different culture than the one we (the West) is accustomed to. Heck, that can be applied to each Western country as well, since each of us differ in some aspects (where it be food, language, beliefs, etc etc). Based on what most of the writers grew up with, they were probably influenced by their surroundings when writing the series.
So where does Renamon and Impmon fit in all this? Well, compared to the other main Mons, the two are the ones that represents the most an specific culture, like religion.
I already explained enough in religion, so I won’t repeat much, but it’s interesting to point out again. Renamon is influenced with a lot of imagery from different Eastern religions, from Taoism and Shinto, and she’s not only related in religious terms, but also culturally. She’s very reserved, and that’s a stark contrast against the other Child Digimon who are much chipper and chattier. In TVTropes, I read, instead, that her quite, withdrawn behavior is a nod to the Yamato Nadeshiko model, an archetype in Japanese media that refers to the “ideal Japanese woman”, an archetype for a female character that is idealized as what the perfect Japanese woman would be. Quiet, elegant, but also strong and able to withhold struggles. Now, I stated before Renamon was written as agender, as stated by Konaka, but in some episodes of the series sometimes the writing schews towards favoring a more feminine view of her (characters calling her “beautiful”, the association with cherry blossoms…), and with that idea in mind, she clearly personifies this ideal. She’s strong, she’s never left without agency, but she also never loses her composure and always respects her superiors. Based on her design and her leitmotif (the flute whenever she appears), she withhelds her culture in great passion (in most dubs, she’s the only Digimon that keeps her attacks in JP, whereas the others have theirs translated or are just basic Eng), and again, she’s sent as the partner to the girl that belongs to a more traditional Japanese household.
Being a Digital Monster, she can’t belong to any specific culture, but if we can apply the idea of “coding” (adding certain characteristics of a culture or a race to a character that in principle wouldn’t have (example: an alien), but without outright stating it), then we can infer the writers intended for her to be read as Japanese. Yet, this has a different effect on her than on Impmon. I’ll speak of that later.
Impmon instead represents Western imagery in almost every aspect of him. His design resembles a little bit Mickey Mouse, the supposed “icon” of Western cartoons, or even Bimbo from Betty Boop. A mascot, really. A cute trickster cartoon meant to entertain children; makes sense to pair him up with the youngest Tamers, then.
His dialogue in the Japanese dub is peppered with random words of English as well (he mentions “pride” and “baby” quite pronounced in episode 8). Usually in anime this is a shortcut to point out the character has influence from the West, or is American; usually it’s done to point out how different the character is from the rest of the cast, who are more prominently portrayed as Japanese, or how the character attempts to look “cool” by speaking another language. Think of many English speaking characters in Western media who attempt to speak French / Italian to seem “sophisticated” or “romantic” (Cultures will idealize/romanticize and exoticize other cultures, it happens all the time, no matter the culture).
The American influence is also in Beelzebumon. The leather jacket, the bike, the rock theme tune he’s associated with…Commonly associated with the greaser /rock and roll movement, which took place in America. You can recall the number of “bad boys” influenced by this look in media in general. It also has influence on how Japanese media portrays bad boys, since he has blonde hair.
Now, you’d think it’s nothing special, but in anime blonde hair is very special. In Japan, people with natural blonde hair are uncommon to see, since it’s a very homogenous race. People with natural blonde or red hair are uncommon, or foreigners, so often in an anime or manga, unless the character is stated to be from another country, if they have blonde hair it’s often to showcase how they “stand apart” and are “noncomformist”. A large subsection of Japanese youth who bleach their hair often do it to stand out from the rest of society, and sometimes they can be associated in media with gangs and delinquent behavior. You see a bit of this with Yamato in Adventure, that portrayed his initial aloofness and lone wolf nature with his design (also the “aloof musician” and his partner being a literal wolf- he’s based a lot on American ideals of a bad boy); but we also see this complete with Beelzebumon, who’s the “stranger” of the team. And well, gotta fit the “bad boy” aesthetic. (Notice western biker bad boys often are brunettes; take that into consideration)
And yes, whenever a series does attempt to interpret a culture, it will inavertedly “other” this culture in contrast to the homogenous, dominant, hegemonic culture. There’s always an Other, in any story. Here in Digimon, it’s the inverse of how would Western Media do so. While with Renamon, it’s used to emphasize her connection to the country, and show her as dignified and traditional; with Impmon is to further emphasize his role of the “outcast” in the group, how he initially stuggles to fit in with the others in many ways. He’s too American initially to get along with the other more Japanese characters.
…And yet, it is interesting, again, to pinpoint, the character that bonds the most with the “foreigner” is the one that’s most wrapped around Japanese traditions. Hmm…
· Impmon’s redemption, and his placement in the franchise as a whole /Second chances
Digimon as a franchise is not a stranger to redemption arcs, or giving second chances to those who wronged. Tailmon, Ken, Oikawa, Kouichi and others have committed mistakes in the past, or wronged the main characters in significant ways, yet the narrative always attempted to find a way for them to right the wrongs and let the characters commit to turn to the best versions of themselves. Sometimes they succeeded, sometimes they lost, sometimes they almost gave up their lives…What matters here is that there was always a chance.
So, where does this go? Well, that Impmon is in a similar position. He probably fits the classic Redemption Arc to a Tee, considering he was conscious of all his decisions, and wasn’t brainwashed/didn’t know better to make his decisions. Yes, you could say Catsuramon influenced him, but all of his choices were done by his own decision. So he wanted power…And he got a taste of what unlimited power can give you, and where it can lead you, if you have no control. He goes to a point where he basically asks himself “was this worth it?”.
What is important to note is while it is possible to redeem yourself, it is not easy, for these characters have to sacrifice. They hurt others so much, endangered their mission, so they must understand some things may not be so easy to achieve. They have to gain empathy, to fully turn good, they must realize the damage they cause to others in the first place. They end up even losing loved ones on the way (Wormmon, Wizarmon), but it’s what finally leads them on the path to goodness, I think.
What is also vital is that these characters are contrasted against the villains, which showed that, despite their cruel nature, they have a conscience, a sense of empathy, something which the villains lack. They have to stop and think, and realize that their actions have consequences.
It’s also interesting to point out that often, these characters don’t turn to villainy out of a sense of arrogance or pride; but the franchise cleverly shows that it’s often grief and misplaced emotions that fuels them to the dark side (it doesn’t help that a wicked figure is often nearby to tempt them). Ken, Oikawa and Tailmon turned evil out of the grief of losing loved ones or living a life of resentment, abandonment and pain. We’re given enough depth to understand that under different circumstances, they wouldn’t have taken this path. Similarly, I feel Impmon wouldn’t have taken his path if he hadn’t been beaten so badly by Indramon and then exiled himself away from the Tamers (who were ready to welcome him into the team at that point).
Also, curiously enough, the atoner characters in Digimon often are associated with purple. Wonder why…
· Moon queens and their doomed romances /Parallels in couples from other media
Here I’ll focus mostly on other mythology/ media and the moon association, since it adds a lot to the discussion.
I said before, and I’ll repeat it again, but Renamon is closely associated with the moon. She’s framed in shadows often, her first transformation into Kyuubimon is during the full moon, and Taomon and Sakuyamon feature the moons in their transformations.
Incidentally, their first meeting is on a night of a full moon, her natural element. It could lead to a suggestion of how he tries to tempt her to the “dark side”, but it cannot work on her because the moon is her mother, she bathes in starlight and shadows; she feasts on moonglow and clouds. The darkness knows her, so it cannot scare her.
Interestingly, a lot of mythology related to moon maidens/moon goddesses are love stories. Like the Greek Moon Goddess Selene who fell in love with Prince Endymion from Earth (that’s the basis for Princess Serenity’s story in Sailor Moon), or the Chinese Moon Goddess Chang’e who was forced to live on the moon once she was separated from her lover. It is interesting that goddesses who are associated with the moon, in two very different culture (Ancient Greece and China) have their goddesses star in love stories with a mortal man. (we could say that Impmon, in this analysis, is the man- the man who sinned, but was allowed redemption- wow, symbolism from three different religions at once!)
Of course, it is interesting to point out that in Shinto religion, the Moon god is male, which would be a contradiction to our analysis, but I still feel you can make the connection work well.
...And yet, once she evolves into Sakuyamon in the human world, one shot of her has her framed similar to Amaterasu, the sun goddess of Shintoism. Symbolism? You decide.
They even share a few parallels with Daenerys Targaryen and Jon Snow, from Game of Thrones / A Song of Ice and Fire. Dany, like Renamon, is often associated with the moon (“moon of my life”), and has a mystical connection with a magical creature (dragons, kitsunes) and magical white hair. They’re seen as goddess-like figures in their narratives. (Mhysa, Mother of Dragons, the Unburnt) They both tend to be strong and ruthless to their enemies, but compassionate with their loved ones. They also both have a storyline that they start as pawns of someone else, only for them to end up as Queens in their own right.
Both of the female in these couples are often associated with the East, while the male is associated with the West.
Jon doesn’t have much in common with Impmon/Beelze aside from the black/death/raven association (“Lord Crow”), but they both struggle with accepting their identity as they are (a weak runaway Digimon, a bastard in a prejudiced society), yet both manage to go through stories where they turn being from the lowest of the low to having some of the largest roles in the cast, even gaining power in the process (Lord Commander/Prince That Was Promised, Reformed Demon Lord). Finally, both couples have a lot of foreshadowing and symbolism as well (“a flower grew from a chink of ice in the wall, filling the air with sweetness” / “The Moon has kissed you, Lord Snow…”). And both stories are deconstructions of their traditional genre (High Fantasy/Monster Pet anime). Guilmon, like Drogon, is the red and black dragon whom can have a dangerous side if left untreated, but both Takato and Dany need to learn how to control their children so that they cannot keep causing uncontrolled damage. And well, both stories really start to get going once the birth of a dragon comes forward. XP
And well, the three main Digimon are also the same color as Dany’s dragons! Coincidences, I know, but I like it.
· Death and the Maiden / Hades and Persephone / Life, Death and Rebirth
Now, at this point this is pure speculation, since this is mostly a Western concept, and probably does not have an exact Japanese equivalent; but often ideas and similar archetypes can be found in almost all cultures and mythologies across the world, and I liked the pattern where this was going; so, better to mention it just in case.
The concept of Death and the Maiden is a very old archetype, harkening back to a set of paintings done during Renaissance Italy, where it depicts a young woman in a passionate relationship with the personification of Death, often in the form of a skeleton. It’s an art movement meant to display the natural contrast between Life and Death (the woman representing life and birth, and the skeleton representing, well…Death; precisely). People have caught on to this movement, and began applying similar concepts in other pieces of art, like literature or theatre.
This has even earlier origins in the Greek Myths of Eros and Psyche and Hades and Persephone; where a pure female figure, often a goddess symbolizing life and spring; falls for a decadent godlike being that symbolizes Death and Otherness.
It’s a tale as old as time, basically; the idea of a beautiful, heavenly woman falling for a demonic monster-man. It’s a staple of almost every culture and every time period. It’s in the Epic of Gilgamesh, the first story ever told in the written world, with Enkidu and Shamat; Greek Myths, as I said before, like Eros and Psyche and Hades and Persephone. Phantom of the Opera (and its variations…Yes, Phantom of the Paradise can go here), The Hunchback of Notre Dame, The Man Who Laughs, East of the Sun and West of the Moon, Wolf Children, La Belle et La Bête and its million adaptations, King Kong, the Creature from the Black Lagoon, the X-Men (specifically romances with either Nightcrawler, Wolverine or Beast; since they emphasize more the message of “my lover is a monster but he’s truer than most “normal” people”), Mamoru Hosoda’s Belle (oooh, Hosoda, the same director of Our War Game…), Ancient Magus Bride, The Shape of Water, hell the whole concept of a “bad boy” lover can be this, if it’s emphasized his “Otherness” or “animalistic” tendencies…What these stories have in common is the “monstrous lover” aspect and elements like Redemption, Compassion for the Other, and the Transformative Power of Love. We can even see these simplistic storylines appear in more mature works like Jane Eyre or A Song of Ice and Fire (and yes, even Dany has a similar “Beauty and the Beast” motif in her story, yet it is not reciprocated from her side). Add to it elements of the “Byronic Monster” that first popped up in Frankenstein, about giving pathos and dimension to the monster figure, beyond being just a threat to be eliminated; and there you have elements that adapt to current Monster romance stories.
So, I find this concept when applied to Renamon and Impmon fitting, especially if we can apply it to their Ultimate/Mega levels. Sakuyamon is framed specifically as a Defense Digimon, and her transformation emphasizes sakura blossoms, which are a flower that blooms especially at the start of spring. She’s drawn with so much grace and elegance, one could associate her figure as that of a goddess (fitting, since she was named after one). Sakura blossoms symbolize often new beginnings, rebirth, purity and beauty; which would place Sakuyamon in the Persephone/Shamat/Beauty role in this scenario.
The Beelzebumon…Now, his story is not based on his looks, which is the basis of most of these monster stories, but he’s still associated with a “monstrous figure” in his darkest moments during the story. A threat to be vanquished. Everything in his design alludes to evil, death and the devil; as I’ve previously commented on. Not only is his name taken from a well known demonic figure (Beelzebub), but details of his design call back to common characteristics of animals associated with death. His wings, long and black, call to the raven; a bird often associated with ill omen and cemeteries. He even has other elements that call back to birds: the beak-like helmet, or his long, talon-like fingers. His design seems to allude to a bird of prey or a carrion bird, known for feasting on corpses. Add to that that he gruesomely kills Leomon, setting up the following events of the second part of the series; and his backstory in other Digimon media as a Demon Lord…He can be easily associated as the Lord of Death in this universe. The Hades to Sakuyamon’s Persephone in this scenario.
So, with such big contrasts, one would think they would be polar opposites, right? Have nothing in common, no? Well, that’s where we differ. In many of these “Beast and Beauty” / “Monster and Maiden” stories, they ultimately, against the judgement of others, get together. They learn to see similarities with each other and that leads them to start a stronger bond. Commonality leads to empathy, which leads to compassion, which leads to a transformation of the self. If it weren’t for Renamon’s empathy, Impmon would’ve been left for dead in the Digital World. Once in the Real World, he’s given a second chance, and without delay he starts amending the bonds he had broken previously. Incidentally, the “transformative power of love” is in full essence here, since once he again the friendship of Ai and Makoto, he’s able his true Ultimate/Mega form, Blast Mode, which in extended media, is stated to be a “Beelzemon freed of any wickedness in his heart”. Note that Ai’s name in Japanese is often translated as “love”, so, the effect of love indeed does transform our favorite Imp; from a rascal, to a monster, to a person searching to do the right thing. And again, recall back the religious symbolism- the fallen angel NOW regains his wings…And now he can atone for his sins. And once fully good, the Maiden accepts the aid of the Monster once again, without judging him or criticizing him.
We can even suggest that Jen’s sensei aiding him to get to Ai and Makoto fits into the “don’t judge a book by its cover” message, since Sensei was the only one who saw fit to help Impmon, since he wasn’t scared of him. He knows nothing of his past, only knows of his looks, yet “senses no wickedness in his heart”; unlike all the other passengers in the train who screamed at his sight. So, good, we basically get all the message of the story covered at this point!
So, while it’s far from a typical romance, it does share a lot of similar elements for the story to take place. (Perhaps in a future sequel, maybe…)
· “Compassion is so often the solution”
I wanted this to be an entry in itself. Because ultimately, compassion is what saves both of them. It’s often a statement in most children’s media, which would be considered a cliché and just something not worth talking over, but for this relationship it’s vital.
Heck, it’s compassion what leads to Renamon’s first time evolving. Fighting not for the sake of fighting, but for saving Ruki (“You’re my partner”). It’s also the culmination of her character development, going from a Digimon only attacking and dedicated to fighting to giving her life for her friends…It’s that level of compassion where the gods grant her chance to evolve to Mega, the time when she shines the brightest. It’s when Ruki starts seeing her as an equal, and cares for her wellbeing, that their bond can strengthen and achieve evolution without qualms. Compassion allows her to achieve her true power and turn into a beautiful, powerful Goddess.
Similarly, Impmon is saved more than once due to the power of compassion. And the most vital time, it wasn’t even Renamon’s doing! The event that lead the course to change his life came all from Juri’s actions, who meant nothing to him at that point. As Dukemon defeated him in battle, he was ready to strike, ready to finish all the harm and misery and Beelzemon brought upon the children, but he stopped. He stopped, and only because Juri requested it! Even Beelzemon couldn’t understand it at first; his tone of voice and body language seemed to have accepted defeat and possible death at that point.
Beelzebumon: Why? I don’t get it…I killed Leomon, after all…
Juri (in tears):…Even if we kill you, that won’t bring him back…And I never want to feel this pain ever again! So please…Just stop…
-Episode 36
And everyone stops, the battle ends. Dukemon devolves and Takato goes to comfort Juri, while Beelzebumon is lost amidst his thoughts. Everything, all he knew, all he believed in, was shattered in that battle, was shattered in that moment a little girl pleaded for his life. So what was she to him? What was he to her? He believed for a long while that humans were stupid and selfish; and in her eyes, he would be nothing more than a bloodthirsty murderer. He could’ve died, and maybe stuff would’ve ended right then and there.
But Juri shows him something different, another layer, a second chance, selflessness. His whole image of humans broke in that moment, at the same time that broke all his illusions of power. If it weren’t for that simple act of kindness, maybe he wouldn’t have reconsidered and taken responsibility for his actions. Maybe he would’ve pondered killing more and more Digimon until a Mega showed up and put him in his place.
But because of that little gesture of mercy, of kindness, was what lead him away from his “expected” destiny, that of a cruel Demon Lord; to forge his own path, the Fallen Angel who gained his wings again. He suffered, and lost, but he learned, and he got better than ever. And all because somebody helped him, in the darkest he’s ever been.
Other things
Nothing serious, it’s just that in promotional material for the series, they’re always one way or another together. Look:
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Final thoughts
And all this is why I think this is the most interesting couple that has existed in the Digimon series, or has the potential to be one of the more interesting; since a lot of ideas and themes are tied with context and symbolism and imagery. It’s not just casual dialogue or “well they look cute together”, a lot of beauty of their potential is all in the imagery, the music, the hidden meanings, etc. It’s just a shame the fandom never took off because of outside circumstances, because I know they have the potential, in a parallel universe, to be some of the most characters in the fandom. I mean, they already are, but I think would people would be more on board with their relationship if they saw the parallels. I mean, after all, they’ve got soo many elements others go nuts for in other fandoms: redemption arc, symbolism, “bad boys”…
That I’m probably looking too deep? Maybe. That it’s just a coincidence? Perhaps. But that there is something there…Oh yesss.

















