Camelot sketches (I’ll probably add more in the future)

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Camelot sketches (I’ll probably add more in the future)
Vase of Sunshine By Jeff Stanford, 2026 Buy prints of this image at: https://fineartamerica.com/featured/vase-of-sunshine-jeff-stanford.html or more of my images at: https://jeff-stanford.pixels.com/
Roses. Marie Krøyer seated in the deckchair in the garden by Mrs Bendsen's house (also known as Roses and Roser) (1893) by Peder Severin Krøyer (Danish, 1851 – 1909), oil on canvas, 67.5 x 76.5 cm (26.6 in × 30.1 in), Skagens Museum, Denmark
Louise Catherine Breslau, La vie pensive (Pensive Life), 1908, Oil on Canvas. Cantonal Museum of Fine Arts (MCBA), Lausanne.
Louise Catherine Breslau was a Jewish, Swiss artist born in Germany in 1856 to a family of Polish descent. The two women depicted in the painting La vie pensive are Breslau herself (with her back facing the viewer) and her companion, partner (lover?), French artist Madeleine Zillhardt.
'Peonies' (circa 1869) by Berthe Morisot (French, 1841 - 1895).
Oil on canvas.
Courtesy National Gallery of Art.
Sun Bird
Oil on canvas
instagram: audrey.aember
Cleaning up my customs materials, I've tested out by making a Klimt inspired portrait. Between him and Harry Clarke's patterns & motif treatment in clothing's details, it's hard to pick a favourite one. But for the colours and of course geometric impressionism, I'd pick Klimt.
Title: The Garden Wall Artist: John Singer Sargent (American [active in England], 1856-1925) Date: 1910 Genre: genre art Style: Impressionism Medium: gouache, transparent watercolor, and wax over graphite pencil on paper Dimensions: 40 cm (15.7 in) high x 52.1 cm (20.5 in) wide Location: Museum of Fine Arts Boston, MA, USA
Though best known, both in his own day and today, for his elaborate portraits of American and European high society figures, John Singer Sargent pursued a lifelong interest in watercolors. His works in this medium range from impressionistic sketches of his friends and family, to Venetian cityscapes and genre scenes, to portraits of Middle Easterners and North Africans whom he met on his travels. Here, he depicts two women, one dressed in light colors and the other in dark, on either side of an open doorway into a garden. The asymmetry of the composition adds visual interest, and the lightness of the brushwork, perhaps executed en plein air, reflects Singer Sargent's sense of freedom from the constraints of formal portraiture.