#insect week

[humanbyweight]

I've been told that it's #InsectWeek and that I should plug my work.

I'm so bad at marketing... Uhhhhh... Buy my books...!

https://www.owlflyllc.com/publishing

[neocurio]

rOAD TO NOWHERE #roadtonowhere#insectweek #inthefrontyard #reels #keepitreel #videoshort#neocurio

[efraart-mix]

What could be better than an Insect Week artwork? Well, two xD!!! Now the dragonflies (Insect Week's own trademark) take center stage 💚💚💚

[booleanbug]

centipede paint cup. from the bug tool series i made for class. the coloration was based off of s. heros if i remember correctly

this piece was sold at the fwa artist alley

[arthistoryanimalia]

#TwoForTuesday for #InsectWeek :

Cee Pootoogook (Inuit, b.1967)

1. Mosquitoes

Cape Dorset, 2014

Lithograph, 30 x 22 1/2 in.

2. Arctic Lice

Cape Dorset, 2015

Lithograph, 30 x 22 1/2 in.

[arthistoryanimalia]

For #Caturday during #InsectWeek :

Hans Thoma (German, 1839–1924)

Drawing for the primer: Cat, c.1905

Pen & pencil drawing on paper, 78 x 114 mm

Städel Museum SG 2050

[arthistoryanimalia]

#TwoForTuesday for #InsectWeek:

Adolphe Millot (French, 1857–1921) “Insectes” plates for Nouveau Larousse illustré : dictionnaire universel encyclopédique, 1898 ed.

[arthistoryanimalia]

#InsectWeek fashion:

Elsa Schiaparelli (Italian, 1890–1973) for Maison Schiaparelli (French, founded 1927) Necklace & Suit, Fall 1938 collection necklace: rhodoid (cellulose acetate plastic) & metal; suit: rayon, silk, plastic Metropolitan Museum of Art 2009.300.1234, 2009.300.2374

Necklace: "From the fall 1938 pagan collection, this iconic necklace epitomizes Schiaparelli's Surrealist tendencies, perhaps more than any other design she executed because of the unreal idea of insects crawling on your skin as a fashion statement. Because of the clear Rhodoid, a type of cellulose acetate plastic, the multicolored insects seem to be resting on the wearer's skin. Rhodoid was a newly developed material and Schiaparelli was unafraid of using inventive materials for her designs. She appreciated the avant-garde quality and element of surprise infused into the design by using unconventional materials. The pagan collection was inspired by Botticelli's lush paintings; therefore flowers, woodland creatures, foliage, and insects decorated dinner suits, evening gowns and accessories. The multicolored metal insects were also seen securing a ribbon hatband on a doll hat and resting on the collar of a suit [shown here]. This necklace was worn by Millicent Rogers (who also owned the suit previously mentioned), one of Schiaparelli's best clients who was brave enough to wear her outré designs."

Suit: "Elsa Schiaparelli was influenced by the Surrealist art scene of Paris in the 1930s, and references to that movement frequently materialize in her designs. Artists were using collage, photography and paint as their medium; Schiaparelli was using clothing. Here, in a suit from her fall 1938 Pagan collection, she incorporates three elements that have become hallmarks of her career-- interesting fabric, Surrealist elements and unconventional buttons. Schiaparelli scoured fabric houses to find fabrics that perfectly translated her artistic ideas. The crepe used for this jacket and dress is highly textured, adding a rough dimension to the overall design. The Surrealist elements here, the plastic bug ornaments, are shockingly realistic and in juxtaposition to the delicate pink silk of the collar where they rest. As Dilys Blum states in Shocking! The Art and Fashion of Elsa Schiaparelli, many designs from this collection featured earthy decorations inspired by Botticelli's paintings, like flowers, fruits, animals and insects. Buttons were another form of expression for Schiaparelli. In this case, the leaf-shaped buttons represent foliate forms, another common motif seen throughout the Pagan collection. This unusual ensemble would require a certain level of fashion bravado, and the previous owner, Millicent Rogers, definitely possessed that."