To kickstart the Black History Month Author Spotlight series, I'd like to introduce everyone to our first IF author, Lapin (@harlequinoccult)!
(I had a ton of fun reading Lapin’s answers, and I’m sure you will too! Read on for a celebration of ‘weird,’ Lapin’s Black southern gothic / horror influences, and how a D&D game could lead to interactive fiction!
Lapin, thank you again for your candid, humorous responses, I am very honored to have gotten to know you better :D)
Author: Lapin
Black creole and cajun, artist and writer, and wannabe game developer
Games: Slaughter Squad (Horror, Slasher, Romance)
Synopsis:
YOU HAVE A HUNGER
A HUNGER THAT YOU’VE BEEN NEGLECTING
For the most part, you’re a pretty normal mid-20-something year old who lives in a shitty apartment in the city. Well, except for one thing.
Your.....”Associate” Carter “Dollface” Abernathy.
Who is a murderer, and quite frankly, a sloppy one at that. And you’re the accessory to his crimes. No matter what way you’ve gotten to know the man, or how you feel about him, you’re stuck with him, and stuck with just being his little “helper”
........Or are you? Especially when you’re suddenly given a....Unique opportunity.
Games: The Valley of Luck (Fantasy, Adventure, Romance)
Synopsis:
The Valley of Luck was said to be a myth. Something that grandparents would tell their grand-kids around a campfire. Even those who worshiped Lucian, The God of Luck, thought it nothing but an old wives tale.
Until, one day, a man with an arm made of solid gold started telling people that he'd been there, that he'd seen the Valley. Word spread quickly, and suddenly, every continent was alight with the rumor that The Valley was real, that it could give you all the riches you could ever want, and then some. However, your quest, whether related to The Valley or not, will lead you down a much stranger path.
Quote from the interview:
My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household… Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse.
… I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs….I ADORED internet horror, which was my gateway into classic horror, funnily enough.
Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.
Read on for the full interview!
Tell me more about yourself! What are some things new readers or long-time readers might not know about you?
Both parts of my family are 100% from Louisiana, New Orleans and the deep south. My moms side have been there so long, we have two streets named after us.
Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?
My main project, of course, is Slaughter Squad. I love slasher movies and horror media in general. But what I always noticed with horror/romance, at least in the visual novel scene, is that the main character is nearly always the one getting screwed over, so I thought, well, what if the bad guys actually are your peers? How would this dynamic change if they don't see you as prey? I never thought that premise would appeal so much to so many but hey, I can't complain! I adore seeing people having fun with the silly little concept I had.
Now, my secondary project, The Valley of Luck. Some may not know this, but this story is based off of a D&D campaign I DM'ed back in the day with my friends. All the ROs are NPCs that my friends had, or where going to encounter. I won't lie, I did shy away from it and changed some things when the whole debacle with Wizards of the coast (the company that "owns" D&D) Where making some...questionable decisions. But this story is my baby. My first born. This one has been in the works far longer than SLSQ and has a lot of background lore that I hope I get the opportunity to share.
I do have a few other projects bumping around, One I am particularly excited for, But that one will have to wait a little bit~
How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?
My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household. I never felt that I truly had a sense of identity until that household inevitably split up. Everyone talks about being the weird kid in middle school, but no one mentions being the "normal on the outside but wants to be the weird kid so bad its painful on the inside but can't because you were told that stuff is 'white people shit' " type of kid.
Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. I was a little shitter on the internet, I can't lie about that, as much as I want to. But I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs....I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.
What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?
Let your characters speak through you like you're being possessed by a demon.
What’s the one thing you’re really proud of that you’ve written so far? Do you have a favorite character or scene that you’ve written?
I am so serious.
is it wildly inconvenient? yes. does it help your writing a ton? also yes. Doing Roleplay with friends is a fantastic way to learn to do this. being a DM for a D&D game has basically made it so characters can simply speak from my brain at any given moment. It's also annoying because some of these people do NOT shut up. Learning how a character would react on the fly does wonders for dialogue writing and character analysis. Roleplay with your friends, or hell, strangers who are down to clown that could become friends. Be cringe. be free.
I love the opening to Slaughter Squad and if you told me to rewrite it with a gun to my head I would tell you to shoot me. I love how punchy it is and it came out exactly how I wanted it to. I don't play favorites with characters (<- lying) but my two favorites to write are the stinky little bastard cat Sterling in TVoL and.....Carter, from SLSQ. I love writing complete bastards. One being lighthearted and gets a pass for it because he's just a kitty cat and the other you want to actively beat his face in with your bare hands. It's SO funny.
If you were to say one thing to your readers, other authors, and/or the interactive fiction community: what would it be?
Write. Write it now. Doesn't have to be good doesn't have to be polish all that matters is that you WROTE IT. All the bells and whistles can come later!!!! Stop thinking about the later and think about the now!!!! Write what you love and never give two shits about if it's cringe!!! Be excellent to each other!!!
Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?
GO LISTEN TO CHROMAKOPIA BY TYLER THE CREATOR RIGHT NOW!!!!!!!!!
This-or-that segment: (bold = Lapin’s pick)
Coffee or tea?
Early mornings or late nights?
City or countryside?
Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)
Steady progress or frenzied binge-writing followed by periods of calm?
Summer or Winter?
First drafts or editing?
Introvert or extrovert?
Plotter or pantser?
Characters or plot first?
Lapin’s custom “this-or-that” pairing: Rain or Shine
More on Black Southern Gothic:
Black southern gothic can vary a lot, but when I think of it, I think of old semi abandoned wood shotgun houses in the swamp, all white tiny baptist churches where the white paint is peeling from the heat and humidity, riding horses down a dirt paved street while people still ride by in their old busted down 1960s chevys. Old plantation houses that have been reclaimed by the swamp. The dark, humid heat of the night on a street with no streetlights. Every house you see is absolutely haunted by something and not just ghosts. Voodoo and hoodoo is different than what people will tell you it is.
Sassafrass, Cypress and Indigo by Ntozake Shange, Sing, Unburied, Sing by Jessamin Ward, and anything by Toni Morrison 100%.
Our fourth edition of the Black History Month Author Spotlight series, features Becky (@losergames)!
(I’ve been in awe of Becky’s multi-talents (art, writing, coding, excuse me??) for a long time now, and am super excited to get to interview her and introduce her awesome game, Chop Shop! The portion on morality and finding a middle-ground between harmful stereotypes of “bad” POC characters and angelic, one-dimensional ones who can do no wrong was a really interesting and insightful take.)
Author: Becky
Hello hello!!! I’m Becky! I am a black bisexual woman from the UK, lover of games, TV and food. I have a Bachelor's degree in Animation & Visual Effects and currently work as a technician at a college 😁
Games: Chop Shop (crime, action, LGBTQ+, meaningful choices)
Short blurb:
A crime action interactive fiction game.
Quote from the interview
There are a few main themes I keep in mind about when writing Chop Shop but the big one I think everyone understands is morality. What is right and wrong, and the various shades of grey in between, has been written about a thousand times in a thousand ways but it is continuously interesting to me in a changing world. What does it mean to be a bad person doing good things and a good person doing bad things? Is there a chance for redemption? What are the consequences?
Race and class are also massive factors, made all the more complicated when we’re looking at sets of characters on either side of the PC’s life. I want to write black and other characters of colour make bad, questionable, and unredeemable decisions whilst also remaining aware of stereotypes and archetypes. I want them to be loud, messy, and rude, attributes that are always attached to minorities, but I also want them to be smart, calculating, and deceptive. I think a lot of people are scared to do so and we end up with plain, can-do-no-wrongers that lack any depth.
Read on for the full interview!
Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?
I am currently working on the crime action interactive fiction Chop Shop. There are a mix of inspirations that went into Chop Shop but above all else I’d say the kicker was my circumstances at the time.
During covid I walked away from the WORST job I’ve ever had and moved back home, which I realised a while after was an extremely huge blessing. I had a major burnout and was processing what my ex-managers had put me and my colleagues through. So, in my freetime I was playing a lot of cyoa/ romance games (shoutout Love Island the game) and found a whole fandom that also enjoyed them.
I made some friends, did art commissions, and wrote some fanfic here and there, yadda yadda. A close friend recommended I try out a very popular COG game at the time (🧛) and it all spiraled from there. I fell in love with the format, endless creativity, and community and never looked back.
I loved the Need For Speed games as a kid, the og Most Wanted, Carbon, and Underground 2 are, in my eyes, amongst the masterpieces of games from the 2000s. It got to the point I was going over to friends houses just to play on their PS2 lmao. I am also a Fast and Furious fiend (shock) and I will defend that god awful series till I die. Fast forward to being a teenager/ young adult I’ve become a massive fan of fictional crime shows. Breaking Bad will always be my first love, but I also love The Sopranos, Fargo, The Wire and more.
How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?
The real catalyst for Chop Shop was my previous job. A lot of the PC’s experiences are based off my own. A few examples I love sharing are how I had to make breakfast for my boss every morning and had to keep the office freezer stocked with a specific supermarket ice lolly because he ‘needed’ one every day at 3pm. I truly wish I was making this up because people think I’m crazy when I tell them. But I really was catering to a man-child because I was desperately trying to get my foot into a creative industry. Woof!!!
That said, the industry I wanted to work in was and still is extremely competitive. I came out of uni with a tonne of friends, but also a tonne of competition. It stung very badly to see my peers excel and surpass me when it came to careers but that’s just a part of becoming an adult. That life really was not for me and I’m glad I’m out of it now.
My mother is an extremely influential person in my life. Bits and pieces of her stick with me, not just in my writing but my every day. She’s worked in corporate all her life, from the early 80s and still to this day. She laughs about it now but she tells stories about the times she was laughed out of meetings or undermined by subordinates because she was a black woman in positions that were not occupied by minorities. It hurts to think about but I can only dream of having the type of strength she does.
Now that I think about it, Chop Shop is a massive fuck you to the past.
Are there any specific themes or messages you hope players take away from your work?
There are a few main themes I keep in mind about when writing Chop Shop but the big one I think everyone understands is morality. What is right and wrong, and the various shades of grey in between, has been written about a thousand times in a thousand ways but it is continuously interesting to me in a changing world. What does it mean to be a bad person doing good things and a good person doing bad things? Is there a chance for redemption? What are the consequences?
Race and class are also massive factors, made all the more complicated when we’re looking at sets of characters on either side of the PC’s life. I want to write black and other characters of colour make bad, questionable, and unredeemable decisions whilst also remaining aware of stereotypes and archetypes. I want them to be loud, messy, and rude, attributes that are always attached to minorities, but I also want them to be smart, calculating, and deceptive. I think a lot of people are scared to do so and we end up with plain, can-do-no-wrongers that lack any depth.
What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?
I write way better outside of my bedroom. I know writing is supposed to be fun and a hobby but sometimes it’s… not. If I get stressed out in my room, it’s all a mess. The brain needs to be away from where I sleep to get work done. Last summer, when all the teachers were on holiday time, I was the only one in my department for weeks and it was the best writing stint I ever had haha.
Oh and I keep a huge spreadsheet. All the episode breakdowns, outlines, character details etc. It looks insane to anyone else but it is my prized baby.
Do you have favourite interactive fiction games, characters, scenes or authors that you’d like to recommend?
My goto game rec is always 180 Files: The Aegis Project. So quick and punchy, more narrative/plot than romance focused. The action sequences are fun and the interactions are so delicious, ugh. I love it. I’ve played it at least 20 times to get the different endings and it’s never not satisfying, just… chefs kiss. I’m also really enjoying Thicker Than right now AAHHH I NEED TO CATCH UP!!!
Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?
Not anything specific but I do have some books I’d like to recommend to my fellow black readers:
The Psychosis of Whiteness: Surviving the Insanity of a Racist World by Nicola Rollock
Black Skin, White Masks by Franz Fanon
The Strangers: Five Extraordinary Black Men and the Worlds That Made Them by Ekow Eshun
Black England: A Forgotten Georgian History by Gretchen Gerzina
The Hard Road To Renewal by Stuart Hall
Honestly I’d recommend anything by Stuart Hall lmao. RIP king, you would be shocked at the media literacy today.
This-or-that segment: (bold = Becky's pick)
Coffee or tea?
Early mornings or late nights?
City or countryside?
Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)
Steady progress or frenzied binge-writing followed by periods of calm?
Summer or Winter?
First drafts or editing?
Introvert or extrovert?
Plotter or pantser?
Characters or plot first?
Becky’s custom “either-or” pairing: Driver or passenger?
Our sixth and final edition of the Black History Month Author Spotlight series, features Imani (@themuse-if)!
If you enjoyed this, do keep your eyes peeled for future events!
(I’m so glad I got to know Imani — and The Muse — so a big thank you for taking the time! I have a soft spot for slice-of-life / coming of age games, and I certainly related to the past about using IFs to live out alternate-life fantasies…)
Author: Imani
Hey! Imani here! Something that readers may not know about me is that I sell vintage clothes for a living. I’m really passionate about sustainable fashion, and while I could hop on my soapbox and talk about the evils of fast fashion, I’ll choose not to bore you all. To jump off of that point, growing up I watched a lot of films and tv shows, and I was always drawn to how fashion and costume design could really add to those stories. If you ever wonder why I’m always creating visuals for my IF it’s because it really helps me to picture the characters in each scene that I’m writing and make them feel more tangible.
Games: The Muse (slice of life, romance, school life, university life)
Short blurb:
You come from a family of artists and art lovers. Your mother is a passionate curator for a small gallery in the city and your father is a sculptor and painter with a very dedicated cult following. They met when they were just starting out and have built a lovely life for themselves and their two children, you and your older brother Cameron. Your parents have always been super supportive of you and your brother’s dreams and ambitions. They were a great source of encouragement and guidance for your brother on his path to discovering his goal to become a game designer and you on your path to become whatever you choose.
Growing up surrounded by such creativity just so happened to inspired you to want to create something of your own. Now that you’ve graduated high school it’s time for you to head off to university! You’ve decided to leave the mid sized city that you call your hometown, and go to the big city NYC! You’ll be attending NYU more specifically, but you won’t be making this move alone you’ll be attending with your best friend Maxine!
Quote from the interview
In December of 2023 I sort of stumbled into the world of Interactive Fiction. I had plenty of experience with more narrative based games, but they all had a visual element, and usually didn’t really have a lot of freedom in building your own character. After reading a few IFs, and loving the amount of control that I had on the narrative as the reader, I was hooked. Not too long after I started conceptualizing what is now The Muse. Working on this project during my slump really gave me a sense of purpose and made my day to day feel much less grim.
Read on for the full interview!
Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?
So long story short I quit my pretty run of the mill job in August of 2024 and I wasn’t able to find something else until September of 2024. As you can imagine I was pretty depressed. I ran through my savings and it was really tough having to rely on my partner so much.
In December of 2023 I sort of stumbled into the world of Interactive Fiction. I had plenty of experience with more narrative based games, but they all had a visual element, and usually didn’t really have a lot of freedom in building your own character. After reading a few IFs, and loving the amount of control that I had on the narrative as the reader, I was hooked. Not too long after I started conceptualizing what is now The Muse. Working on this project during my slump really gave me a sense of purpose and made my day to day feel much less grim.
How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?
I grew up in a household that really appreciated the arts. Music, dance, theatre, studio art, I had a little taste of it all. My older sister (much older, we have a 13 year age gap) graduated from an arts high school and then went on to study studio arts in graphic design in university. I always really looked up to her because she was honestly just so cool. She could sing, dance, act, paint, she even played the clarinet for a while. I on the other hand mostly focused on dance from the time I was three until my senior year of high school when I quit. It’s kind of silly dance that I quit right before the start of my last year in high school when I would be transferring to my sister’s alma mater. I think I just felt a little stifled by dance and I didn’t see it as my main priority.
Starting in middle school I had a few English teachers that really got me more into reading and writing and so when this new opportunity came I chose to study theatre instead so that I could take the playwriting and creative writing courses. After graduating I just went to a normal state school and I always wondered what my university experience would have been like if I had gone to an arts university instead. I’m definitely using The Muse to live out all of my art school fantasies.
What’re you excited to tackle/implement/work on next? Or anything you’re looking forward to in the year ahead?
I’m not gonna lie to you, coding is not my strong suit so just getting the prologue complete was a big hurdle in itself. I am super excited to be moving on to the main story though! The characters that I’ve created are all very near and dear to me since each of them have little similarities to me. I can’t wait to properly introduce them all in game.
Another thing that I’m really excited about is collaborating with readers. I really love the input you all bring to the table and learning about some of your MCs and how you all are crafting your own journeys. I’m hoping to get through Book 1- The Muse: Just Getting Started by the end of the year, and that would include both freshman and sophomore year. Fingers crossed!
Do you have favourite interactive fiction games, characters, scenes or authors that you’d like to recommend?
I’m currently waiting with baited breath for the next chapter of Infamous, and I know I’m definitely not the only one. Don’t ask me who I’m romancing though, I haven’t made my final decision yet. (It’ll probably be Orion though he’s just so…you know.)
Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?
Felicity, Dance Academy, Center Stage, Skins UK, Fame (the show). These are more like forever obsessions/inspirations that really inspired the vibe for this IF. If you haven’t watched Felicity I highly recommend it, honestly the characters are really frustrating but it’s just so good, trust me.
This-or-that segment: (red = Imani's pick)
Coffee or tea?
Early mornings or late nights?
City or countryside?
Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)
Steady progress or frenzied binge-writing followed by periods of calm?
Summer or Winter?
First drafts or editing?
Introvert or extrovert?
Plotter or pantser?
Characters or plot first?
Write your own “either-or” pairing: movies or books? (I actually can’t choose, unless we’re talking about books turned into movies. The book 9/10 is usually going to be better.)
Our third edition of the Black History Month Author Spotlight series, features Kiki (@scapegoated-if)!
(I’m rly happy to have gotten to know Kiki better through the feature, and the interview contains really interesting insights on gender and race-locked main characters in interactive fiction, among other things! If you haven’t yet played Scapegoated (and if you’re a fan of Infamous/music IFs, definitely give it a go!)
Author: Kiki
Born and raised North London, but ethnic background Jamaican (my parents are a part of the Windrush Gen)
Short blurb:
Scapegoated is about a female musician in a band that is seguing into an acting career. She is facing a lot of blame and scandal regarding the split between her band that happened in 1968. Not only are a lot of the general public hurt and angry about it, but so is an infamous serial killer that has been terrorising the west coast...
Quotes from the interview
I’m from North London. My parents moved to London when they were children from the Caribbean and are a part of the Windrush generation. I am a black, bisexual woman growing up in the UK, a place that tends to disguise its wider prejudices as a classist issue in all cases.
[…]
A huge part of my love for music is strongly intertwined with my relationship with my late father. He passed away in June of 2023, and he was very much so kickin’ it in the ‘70s. He was a DJ throughout his life, so the legacy of LPs that he left behind was unspeakable and very ‘70s.
Read on for the full interview!
Tell me more about yourself! What are some things new readers or long-time readers might not know about you?
I graduated from a Russell Group university with an English Literature BA (Hons). I think a part of me has always wanted to be a writer in some capacity; I know that I’ve always wanted to write a book. So, I think beginning this IF has existed for me as a gateway to see what that would be like. I thought of it as a brainteaser–the prospect of exploring different outcomes and different pathways that a character may undertake. It has been challenging, dare I say more challenging than writing an actual book, but that’s exactly what I wanted out of this process.
Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?
My best friend introduced me to the world of interactive fiction one day last year. She introduced Infamous to me and asserted that I would really like it because I’m a huge music nerd. Of course I fell in love with the characters and the world, but I also fell in love with the format of IFs.
A huge part of my love for music is strongly intertwined with my relationship with my late father. He passed away in June of 2023, and he was very much so kickin’ it in the ‘70s. He was a DJ throughout his life, so the legacy of LPs that he left behind was unspeakable and very ‘70s. I am a huge music lover with such a wide-spanning eclectic taste, but the period of music post-”Dylan going electric”, post-”Elvis being on the out”, Quincy Jones (rest in king) and Beatlemania is just everything to me, so the idea for Scapegoated came into my life in a very natural way. I knew that whichever story I told, I wanted it to explore the Sunset Strip, groupies, rock ‘n roll, The Beatles, The Manson Family and Cher all at its core.
I am of the opinion that coverage of the ‘70s music scene has been run into the ground lately. There has been a resurgence of nostalgia within the public consciousness when reflecting upon this time due to Daisy Jones & The Six, which was one of my favourite shows the year it was released. So, including Hollywood and murder was my attempt at innovation.
How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?
I’m from North London. My parents moved to London when they were children from the Caribbean and are a part of the Windrush generation. I am a black, bisexual woman growing up in the UK, a place that tends to disguise its wider prejudices as a classist issue in all cases. I am writing Scapegoated as someone that has only been to the US twice for two weeks at a time. I am writing Scapegoated as someone that can only relate to two aspects of my main character. I am writing Scapegoated as someone that has experienced discrimination and has been scarred by instances of discrimination. In university, I tended to be quite outspoken; in my first year, I felt quite ostracised by my predominantly white cohort during the BLM movement, because I seemed to be the only one willing to speak out in favour of it.
When I first wrote Scapegoated, I was inboxed on Tumblr and replied to on the Choice of Games Forum with genuine curiosity about my choice to gender and race lock my protagonist. This is an excerpt of my response:
I didn’t want to have a self-insert MC because I wanted to ensure that the conversations had revolving these social issues and the murders that unfold aren’t danced around. Perspective is an extremely important factor in that, and I want to ensure that the MC is directly involved–rather than just there as things happen because it wouldn’t be interactive. [...] Initially when I planned this story, before it was titled and the only thing I knew was that I wanted to write an IF about the '70s music scene, it was neither gender or race locked [...]. But I did toy with my ideas by self-inserting (I’m a black woman) when I was attempting to figure out the logistics of gameplay. That’s when I realised that due to the time period and all of the change that was happening at the time, social issues had to be discussed.
To this day, I am extremely proud of my decision and the conviction in my decision. I asserted a level of loyalty to the story I am telling in a way that I didn’t know I was capable of; retrospectively, I think I took a kind of power in it. But I really love the story I am telling and the range of representation.
I am trying to work the line of prioritising my vision, all the while giving weight and importance to my readers’ opinions in the way that these very interesting and thorough opinions deserve. It warms my heart that even one person might care about my characters just as much as I do.
what are some of the most rewarding or challenging aspects of writing Interactive Fiction for you?
Songwriting. I’m tragic at it, but I like to think I’m self-aware enough. There are different characters with different voices and different reasonings behind their songwriting styles. I struggle to ensure that their songwriting oozes with their individual personalities.
What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?
Story beats. However, planning and writing can exist as two entirely different realms to me. What I think the story may be, can develop into something entirely new all on its own once I begin to write. Sometimes characters that I think I know transform into someone entirely new once I start to get to know them through writing their dialogue. I’ve experienced this with several characters already. On the contrary, some characters are so secure in my mind that they can’t be anything other than who I’ve introduced them to myself as.
I really love the writing process I’ve conjured up. It hasn’t failed me yet, but it isn’t secure–writing can never be anything other than an insecure process. Writing, for me, always remains in a constant stage of planning.
Do you have favourite interactive fiction games, characters, scenes or authors that you’d like to recommend?
I have received a lot of IF recommendations due to how new I am to IFs. I truly haven’t read very many, so all I can recommend to anybody are the 3 IFs that I have read which I each loved enormously: Infamous; College Tennis: Origin Story; and Apartment 502.
If you were to say one thing to your readers, other authors, and/or the interactive fiction community: what would it be?
I only got here in December, and so far everyone has been extremely welcoming and helpful. Honestly, I have no notes. All I can do is encourage everyone to give writing a chance. It’s been so fruitful and rewarding for me, so I strongly urge everyone to give it a shot if you’re considering it. Stop thinking, just do!
Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?
I’m currently reading I’m With The Band by Pamela Des Barres as research for my IF, which has been a great insight into the mindset of groupies on an intimate level.
As for something that changed my life, I recently watched Sing Sing (2024)--which wasn’t something I did in relation to Scapegoated, I am just an avid film-watcher–and it was such an incredible de-stigmatising eye into the prison system. An extremely important watch for Black History Month, too!
This-or-that segment: (bold = Kiki's pick)
Coffee or tea?
Early mornings or late nights?
City or countryside?
Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)
Steady progress or frenzied binge-writing followed by periods of calm?
Summer or Winter?
First drafts or editing?
Introvert or extrovert?
Plotter or pantser?
Characters or plot first?
Kiki’s custom “either-or” pairing: writing in silence or with music playing?
