Irving Harper, Untitled,
Paper, nails and string construction on artist's board in artist-made Plexiglas shadow box,
Image/construction: 39⅞ h × 29⅞ w × 3¼ d in (101 × 76 × 8 cm)

seen from Yemen

seen from Russia

seen from United Kingdom

seen from Maldives

seen from Netherlands
seen from United States

seen from Russia

seen from Türkiye
seen from Russia
seen from Malaysia
seen from Maldives
seen from United States
seen from Germany
seen from United States
seen from Norway

seen from Malaysia
seen from United States
seen from Canada

seen from Australia
seen from China
Irving Harper, Untitled,
Paper, nails and string construction on artist's board in artist-made Plexiglas shadow box,
Image/construction: 39⅞ h × 29⅞ w × 3¼ d in (101 × 76 × 8 cm)
by Irving Harper
Oscar Niemeyer, Palácio da Alvorada, Brasília, Brazil, 1958-1959 © Gonzalo Viramonte VS Irving Harper, Herman Miller Logo, 1946
Irving Harper (1916–2015) paper sculptures.
Via: (X)(X)(X)(X)(X)
In-Depth: The Real Story Behind George Nelson's Iconic Ball Clock Three geniuses, a few too many drinks, and a design icon from 1949.
Irving Harper, Untitled (heads) USA, c. 1960,
Found object assemblage, 8¾ h × 6 w × 8 d in (22 × 15 × 20 cm)
Found object assemblage 11 h × 11 w × 12 d in 28 × 28 × 30 cm)
Found object assemblage 8 h × 5½ w × 6½ d in (20 × 14 × 17 cm)
Wright Auctions