Whoever came up with the ship name "Miketosis" needs to be kissed on the lips (or given a lifetime supply of Ben & Jerry's if they're not up for kissing)
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Whoever came up with the ship name "Miketosis" needs to be kissed on the lips (or given a lifetime supply of Ben & Jerry's if they're not up for kissing)
i love how the scenes summer has with tai and raven actually kinda... mirror? one another, like. they have similar beats:
first, the focus is on summer before tai / raven arrive -> "it's not like you to rush off on a mission in the middle of the night." / "nobody suspect anything?" and summer answers (i think tai did suspect something tho lol) -> a moment of levity that summer joins tai in, but doesn't banter back with raven -> tai / raven shows concern, tho tai doesn't verbalize it while raven does -> summer alleviates tai's concerns, placing her hand on his cheek and comforting him: "i'll be back soon." tai believes her; summer does no such thing with raven at first ("you're one to talk."), before attempt was made while she simultaneously shoulder checks raven: "if i do this right... then there's nothing to worry about. trust me."
which. summer wasn't back Soon™ either, so add that to the pile of Bad Vibes That "Trust Me" Is Giving.
Why the show should add Lukadrien and Kagaminette (or why making Miraculous more queer would make it more fun)
I’ve long since given up the idea that the writers would ever try to make Miraculous Ladybug an interesting show to watch.
Time and time again I have been let down by some of the ridiculous plot decisions made in this show. The whole reason the an ancient magic order fell because some incompetent twat was hangry and made a sentimonster because of it. The events of miracle queen exposes a bunch of heroes' identities?
Nah, lets keep them on a temp heroes no worries, hell lets even make one permanent because she’s Ladybug’s best friend! (Even though the whole reason one member was kicked of the team was soley for the reason that Hawkmoth knew who she was, but lets ignore that ;) ).
Marinette can’t directly confess to Adrien and so makes stupid plans for 3 seasons to try and woo him, only to act like she’s given up when Kagami actually makes progress with Adrien as a proper relationship should. Hell, for the sake of the Love Square not concluding until the ultimate dramatic season 25 finale (tm), lets make an episode showing why Adrien and Marinette can’t fall in love!
Even though Chat could have told Ladybug who he was after he was deakumatized and end the show right then and there but FUCK IT. IDIOCY REIGNS SUPREME!!!
So yeah I've given up on an interesting miraculous show, but frick it! I still think it could still be fuuuuuuuun >:) .
Despite some of the outrageous writing this season, I still got a laugh out of a couple of things, such as Chloe cutting Hawkmoth off when he does his usual spiel of “get me the miraculous” in Queen Banana. And I think the show could use more fun stuff.
And I think that the best way to do that would be to replace the more “ahem” controversial love ships that cause wars, known as Lukanette and Adrigami, and instead replace them with some fresh takes!
Hi this is Arlakos, welcome to my TED Talk, and today I’ll be discussing why Lukadrien and Kagaminette would not only be better ships for the show, but also make it much more fun!
I saw that look!!! :D
Ok, wo fang ich an...ich mache das mal im Jana ( @albvrich ) - Style so gut ich das kann. Wird aber sicher ausführlicher und weniger von diesem Weltklasse Sarksmus dabei sein und in sauberem Denglisch. :) VORSICHT SPOILER! @chepseh
“Die Niere” von Stefan Vögel -
Inszenierung Wangener Festspiele 2021 (Peter Raffalt)
The music and sound were great - That’s it!
NOOOOOoooo kidding! :D
Sie waren alle famos - Ich kann mich sogar zwischen ihr und Florian Thunemann nicht entscheiden, wer besser war - also mache ich es auch nicht.
Das hat einfach nur Spaß gemacht! War irre witzig. Kommt locker an die Inszenierung aus Berlin ran, die ich 2019 gesehen habe.
She has a phenomenal theatre voice...goosebumps...
Soooo much Alberich and Boerne - Vibes in the first 20 minutes. Had to control my thoughts. Failed now and then...because...really...that call...come on!!! That was straight out of “Limbus” or “Mord ist die beste Medizin!”
And OMG she’s got nice legs too - yes, we saw them - bared. They look so smooth... :D
Das Beste war wohl, dass man gemerkt hat, wie sehr sie die Rolle mag. Dieses hidden agenda-Ding. Die Rolle ist so grau, hinterhältig und intrigant. Man hat ihr die pure Spielfreude wirklich angesehen. Dass sie Lust auf solche Rollen hat. Und das Größending hat überhaupt keine Rolle gespielt. 0,00000000-Nicht. Man vergisst es zwischen drin wirklich selbst.
Alberich...I mean ChrisTine...I mean Kathrin has a knife - watch out!!!!!!!! :D She even threw it!
And boy, she can be pretty scary. You really don’t want to be her husband and the end of this...well...game.
She won not fair and square but in a dubious and very manipulative way.
But sorry, guys. She’s earned it.
I always liked her character in this play, even back in 2019. Had a fight with my late best friend over it. I won that argument too. :D (Sending greetings to heaven for this one, dear Marco. :))
Her eyes are really something else. So beautiful and clear. Perfect colour and shape....ok I stop...but really...
Her singing voice is great too. So strong but also kinda of soft and warm...
I love her sassy-bitchy-me-Persona very much. (Note to myself: Need to write an AxB-Fanfiction like that...ooC take that.)
I SAW THE ALBERICH-EYEROLL like one and a half metres in front of me...
“Futschikato” :D ´- New Fav-Word :D :D :D
She looks great in violett and pink...
I never want to see her cry for real...
Boy, she is funny.
“And holy shit, did she just smirked like that?!” - Me every other minute :
I want Alberich to drive Boerne crazy like that!!! (Looking at you @khaladriel ) I want Alberich to be sneaky and plotting...sorry, I know it’s ooC but please...Boerne would loose his shit....
(Note to myself: Need to write a FF based on the plot of this play but with some major changes...)
Sollte Alberich jemals das Wort “schminken” wieder sagen, kann ich für nichts mehr garantieren...
Did I mention that:
SHE IS F*** BEAUTIFUL!!!!
...and damn is she talented too.
Ich werde sie mir definitiv wieder ansehen, wenn sie mal woanders was anderes spielt. Das wird jetzt mein neues persönliches Hobby. And look what I discovered on the way. A beautiful place called Wangen. :)
Aso: Die Inszenierung ansonsten war auch mega gut, sehr witzig, qualitativ absolut hohes Niveu. (Nur Elisabeth Ebner, die ich schon in Berlin gesehen habe, war heute etwas schwächer meiner Meinung nach. Florian Thunemann war unfassbar brillant und Paul Schaeffer passte gut ins Boerne-Vibe-Schema für mich. :D)
Last but not least:
I MISSED YOU THE WHOLE TIME AND THOUGHT OF YOU.
Really! Especially at the end...no one to “fachsimpeln” with...no one to just drink a glass of wine or something else with afterwards...next time...Please!
ALSO:
I grabbed (maybe stole...) a few of this when no one was watching (you were suppose to just take just one)...does anyone of you want one?
I know accept questions now, if you have any. :)
Music for Surfing and Spying
Aloha Enola (the Waterboarders, 2018)
Apache (Jørgen Ingmann, 1961)
Arabesque (the Ventures, 1966)
Bermuda Triangle Shorts (Way out West, 2007)
Black Black Magic of Love (Messer Chups, 2008)
The Bub Light (Rod Freeman & the Blue Men, 1960)
The Chase (John Baker, 1968)
Chunky Macapuno (the Metrolites, 2006)
Crossbeat (David Cain, 1967)
The Cruel Sea (the Dakotas, 1963)
Diabolik Criminal (the Metrolites, 2006)
Diamond Head (the Ventues, 1964)
Fireball [Instrumental Version] (the Barry Gray Orchestra, 1962)
Ghost Riders in the Sky (the Ventures, 1961)
Green Onions (Booker T. & the M.G.’s, 1962)
The Happy Organ (Dave Cortez, 1959)
High Wire (Edwin Astley & His Orchestra, 1964)
Joe 90 (the Barry Gray Orchestra, 1968)
Let’s Go Trippin’ (Dick Dale & the Del-Tones, 1961)
Lonely (the Lovin’ Spoonful, 1966)
The Lonely Surfer (Jack Nitzsche, 1963)
Love Dance of the Sarooes (Rod Freeman & the Blue Men, 1960)
Malibu Babylon (the Blue Stingrays, 1997)
A Man in a Suitcase (the Barry Gray Orchestra, 1967)
Memoirs at the End of the World Theme (the Postmarks, 2009)
The Missing Jewel (John Baker, 1968)
Moon Dawg! (the Gamblers, 1959)
Orbit Around the Moon (Rod Freeman & the Blue Men, 1960)
Out of Limits (the Marketts, 1963)
Penetration (the Pyramids, 1963)
Percolator (Billy Joe & the Checkmates, 1962)
Peter Gunn (Duane Eddy, 1959)
Pipeline (the Chantays, 1962)
Psyché Rock (Pierre Henry, 1967)
Ramrod (the Challengers, 1963)
Red River Rock (Johnny & the Hurricanes, 1959)
Ridin’ the Wind (the Tornados, 1962)
The Rocking Surfer (the Beach Boys, 1963)
Sea Sports (John Baker, 1968)
Slaughter on Tenth Avenue (the Postmarks, 2008)
Sleep Walk (Santo & Johnny, 1959)
Spring Is Nearly Here (the Shadows, 1962)
Subterranea (the Aqua Velvets, 1997)
Surf Jam (the Beach Boys, 1963)
Surfing and Spying (the Go-Go’s, 1981)
Tear Drop (Santo & Johnny, 1960)
Telstar (the Tornados, 1962)
Theme for Young Lovers (the Shadows, 1964)
Today We Kill, Tomorrow We Spy (the Metrolites, 2006)
The Twistin’ Ghost (Max Crook, 1962)
Visa to the Stars (Jean-Jacques Perrey & Gershon Kingsley, 1966)
Wipe Out [Extended Version] (the Surfaris, 1963)
What is up Killing Eve fandom? I'm new, I'm late, I'm on episode 2, and I'm in love!
So The Last Podcast on the Left said in episode 378 that following old rockers on Instagram is the good part of the internet and they are preaching the truth