Isolation (2005): Illicit science experiments go horribly wrong on an isolated farm in Ireland, pitting a farmer and an innocent young couple against a monster.
Why doesn’t more of horror tumblr like this movie??? It has practical effects for its monster, does not like cops, has a black final girl, is full of cute and pettable cows, and has a hot sad older man alone on a farm. What’s not to love?
I loved everything about this. It got two (TWO!) audible gasps out of me, which is kind of hard to do.
The first half an hour is really just a farm drama, about a cow having a difficult pregnancy and ordinary people coming into conflict. There’s the relationship history between the farmer and the vet, there are notes of the social issues that drove the couple away from their old lives, all very mundane stuff. All of that is good, and the actors perform very well. It all culminates in the night that the cow gives birth, a scene which is mostly just the intense drama of trying to save the cow and her calf...until something very unsettling is revealed. Which is when the movie takes a violent turn into the horror of science gone wrong.
I should really at some point compile a list like “ten most unsettling scenes in horror movies,” which would be a hard list to put together in general, but it’s clear that one specific line from this movie would sit at the very fucking top. You’ll know it when you hear it.
The creature in this movie is ALL practical effects. Grotesque, gory, beautiful. You can see a beautiful side shot of a model from bogleech here, here on artstation is the life-size model of a cow sculpted for the movie, and the IMDB photo gallery for the movie has some nice photos. (Spoilers abound on that last one.)
Many elements of earlier practical-effect monsters are at work here (the Thing and Xenomorph comparisons are obvious), but I would like to give a special shoutout to the creatures of The Deadly Spawn. The way that this creature moved through water and mud in early stages of its development was extremely reminiscent of the delightful basement scene from Deadly Spawn. It’s really good stuff.
The movie isn’t constantly moving at top speed--despite being only 90 minutes, it still gives plenty of breathing room. It doesn’t hesitate when it’s time for the monster to show its face, for a sudden bout of violence, or for a tense chase scene. But that isn’t all we get. Between the tense moments there’s always a beat or two of stillness and silence, without any dread continuing to build, letting us wind down before ratcheting the tension up again to a higher point.
Which, pacing-wise, does make me think of the process of pulling a stuck calf out of its mother. Veterinarian Dr. W. Mark Hilton puts it this way: "Pull calf with hooks or use calf jack. The key is to go slowly and only apply pressure when the cow pushes. When she rests, you rest.” Appropriate, no?
Warnings: animal death, gore, sex, traumatic childbirth (a cow but I feel like it’s worth mentioning)