i will never feel joy again. allow me to sob for hours
Average reaction to the end of Gideon the Ninth. I shall hold you to my heart, dearest <3
seen from United States
seen from United States
seen from Colombia
seen from China

seen from Canada
seen from China
seen from France
seen from United States
seen from United States

seen from United States

seen from Spain
seen from Canada
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from China
seen from United States
seen from China
i will never feel joy again. allow me to sob for hours
Average reaction to the end of Gideon the Ninth. I shall hold you to my heart, dearest <3
tricking myself into practicing anatomy by drawing The Characters in random poses: part 1
Iām so hyped
I fear learner may be cursed
dan and phil have me babygirlifying real adult men who i have never met in my life and that is the danger of them
Iām having a lot of thoughts about Messner-Loebsā Wonder Woman run, and trying to quantify them in a coherent manner.
Part of the problem is setting out clearly in my head whatās dated, whatās offensive, whatās Loebs trying his best (and failing), what is partly a complete lack of language to explain what heās describing, whatās giving me 1970s political feminism vibes, and so on.
Mostly what I want to do is provide multiple lectures on intersectional feminist theory from the future, because the most frustrating part of reading this is I can see where Messner-Loebs is trying. Frequently failing, but despite a large amount of misogyny, he pretty obviously was thinking about writing women.
First point, and the one thatās going to be a sticking one for a lot of people: you are not going to enjoy these stories at all unless you can think of them as historical period pieces. The way Messner-Loebs thinks and writes about the concept of gender and of women is going to catch you off guard, if you try to come into this expecting to see anything even remotely current reflected. Heās actually lucky in that due to being sensible enough to avoid a lot of feminist and gender terminology and instead simply portray concepts, heās managed to sidestep getting frozen in amber using language that would get him cancelled today.
That said, Messner-Loebs clearly sees misogyny as a challenge that women and the Amazons as a race have to face head on. So thereās a lot of depiction of it, both deliberately and in passing. The fact that his opening storyline on the series was heavily based in the sexual violence implicit and explicit in becoming the host for a female demon āwifeā, followed up by a space adventure revolving around a gender-divided species who hate and enslave womenā¦itās not subtle, and itās a slog to get through.
Messner-Loebs canāt decide if he wants to write āDiana: sheās just like you, with the same problems YOU haveā or as an Amazonian Warrior. So he sort of vacillates between the two in the most awkward manner (back to back āspace pirate queenā and āworking in fast food as she needs moneyā is pretty eye-rollworthy, as is āassassins but weāre discussing Etta getting anorexia for her wedding dressā).
I think itās interesting and infuriating in equal parts and has me stopping to work out my feelings frequently.
i have the opening for revolutionary girl utena on my playlist and every single time it comes on i have the uncontrollable urge to stand up and perform the great gay mating dance
tonight im working on the aro buck fic and true north. speaking t into existence.