my itaglio prints from first project in my printmaking class. though it would be relevant to post considering the state of things...
#interview with the vampire#iwtv#sam reid#jacob anderson#amc tvl

seen from Germany

seen from Australia
seen from China

seen from China
seen from Germany
seen from United States
seen from China
seen from Germany

seen from Belarus
seen from China
seen from United States
seen from Kazakhstan
seen from China
seen from United States
seen from Kazakhstan

seen from Kazakhstan

seen from United States

seen from United States

seen from Kazakhstan
seen from Kazakhstan
my itaglio prints from first project in my printmaking class. though it would be relevant to post considering the state of things...
the beast, a big ol zinc plate etching reusing an old plate i found in the shop
Chine colle and sugar lift project
“Christie”
Theme: How a good AZA zoo focuses on inspiring the guest to want to learn more and to better the world for humans, environments, and animals. AZA zoo’s also work extremely hard in conservation and keeping zoos safe.
Prints are dun !!!! printed cleaned up, ripped down, titled, and signed and ready to go to #MAPC #printmaking #itaglio #etching #ink (at Indianapolis, Indiana) https://www.instagram.com/p/BoI07ZDn_BA/?utm_source=ig_tumblr_share&igshid=1vohmzixyts4s
28th January 2015
Etching - Intaglio
I was in the etching workshop and I and I made a start on my first Intaglio print we were shown how to prepare the copper plate and also how to put a wax coat on to prevent acid erosion later on in the process. I then chose to etch in a design that I had previously drawn in my sketchbook however I did not feel that it was appropriate for screen print, so I saved the concept for this process. The design is quite linear and lends itself to etching. I found the process reasonably straight forward however, it was completely new to me. One thing that was really noticeable was how fine the line was when etching the level of detail that I could achieve through this process was incredible. Unfortunately I was not able to actually use my plate to print as the technician was ill and we needed supervision, however I was able to use the acid bath and clean the plate so it is ready for printing. I am pleased with what I have done, however I really hope that when we learn how to use aquatint that a new level of depth will be added as at the moment it lacks emotion and meaning.
Yosemite Intaglio mono print Bk Kirwan