#jay's character analysis

[shiraishi-kanade]

An Shiraishi does not have communication issues. An has many issues, but communication ones isn't one of them.

The actual reason she doesn't tell Kohane or the rest of VBS shit is because the moment she realizes any of her issues don't have a quick and reliable fix she switches to "fuck it, we ball" mindset about them and that's infinitely funnier and more interesting than her not being able talk things out.

[shiraishi--kanade]

Listen. Listen. I know Kashika is first and foremost an Akito song. I know. I respect that.

However not for a moment since the second the 2dmv came out I could stop thinking about the fact that An is the only VBS member to not cover her face and instead place her hands on her neck.

[shiraishi-kanade]

An Shiraishi is always trying to be someone else: a short and messy analysis on how Vivid Street (unintentionally) messed her up

You know, I kind of have my own issues with the "Wishing to the Blue Sky for Your Happiness!" event, but a lot of my criticism of it boiled down to "huh, it's kind of weird how they gave An this insecurity out of nowhere, she didn't struggle with being herself before. Seems to be a reach just so Shizuku could have a role."

But that was before the Vivid Old Tale, and boy I'll admit I was very wrong.

The relationship between An and Nagi are... Very interesting, to say the least.

But there's no doubt that An absolutely idolizes Nagi. Sure, there's been this line about An always wanting to he a musical like her father, but we also know that for the most part, it was Nagi who taught her to sing, as well as Nagi who acted as An's mentor figure in a more emotional way.

In a way, An won the lottery. She was born into a family that loves her, into a community thay loves her, and just so happened to be talented and passionate about something that community values most. However, that talent has left her little to no space to actually... See herself as someone outside of it.

Now, none of this is actually necessarily negative by default. Having high expectations to one's children isn't necessarily bad either; with the right approach, it can make them grow and want to grow. We've also seen this happen with Touya in his childhood, which us another neat parallel.

But, unlike Touya, An has been very comfortable in her role, precisely because of her talent and being able to reach the very high bar raised for her. That comfort just... never made her reach out to something other than the place and the future she was already familiar with, because she never needed to. She was Ken's daughter and she was talented and everyone in town loved her and she promised to be the better than her dad and everyone took her seriously. What else could she possibly need?

In a way, An had her dole cut out to her before she was even born.

And then there's Nagi.

Yes, Nagi is An's role model. But there's more to that than just An looking up to her.

More than just being taught by her, An actually picks up Nagi's mannerisms, forms or speech, and even moral values (pretty much the entire point of Vivid Old Tale).

An saw, too, how much Nagi meant for the people of Vivid Street. She wanted to mean as much for them, too; rather, she already did mean as much, but she needed to be someone to justify being loved. It's not necessarily a conscious thought process but more of a subtle one: if you notice your community loves some traits of you more than the others, or values some aspects of you more, you start to lean more and more into them in order to fit in and be accepted.

For An, those particular traits were being talented, being Ken's daughter, but also... Being very similar to Nagi.

Them acting "like sisters" has been highlighted over

and over

and over again, even by people unfamiliar with Nagi, well into An's teenage years.

And it's not exactly... A complete coincidence on everyone's part. At one point, Nagi openly states she wants An to be like her, to be able to see things from the same perspective. At least to some extent, some of the actions Nagi takes to make that happen are completely deliberate.

So An tries to be like Nagi. This is both a conscious effort on her part and something that just... Is sort of a hidden force that shapes her into who she is. If you watch Nagi and compare even the way she talks with people of the town to the more mature, somewhat-grown up but not quite there yet An we have today... There's so many similarities it's uncanny. An is still much more hot-headed and impulsive, but that caring, considerate side of her shines through even more than before.

An doesn't try to deny or hide that, too. In fact, she's actually pretty proud of it.

(Whether Ken lied to her to make her feel better or if that expression was just a reaction to being reminded of Nagi passing away & the masquerade that followed after that, we'll never know.)

But here's the kicker: there's so much of Nagi in An it's hard to pinpoint where Nagi-san's traits end and An's own personality begins, if it even does. Because of how early has everyone decided on An's future, and because An never did anything to even hint at wanting to do something different (which she didn't! Sometimes people want to continue their family's legacy and that's completely normal and fine - again, she just got really lucky, both with her talent and supportive surroundings), An subconsciously kind of accepted that being like Nagi is... Just who she is.

That comes with taking on Nagi's part in the community, too. In the same way Nagi took care of everyone in town by helping them out at events, so too, does An - just to a much lesser extent, by going out of her way to keep in touch with everyone, going to events, and helping at a cafe, too.

But An doesn't purposely mold or change her personality to be like her role model, too. This is important: An doesn't wear a mask because she doesn't need to. In her mind, she already is like Nagi, or at least, she's on track to be, without doing particularly anything different. Because they're just so similar they're so close and practically behave like sisters, and because An grew up singing in the town exactly like Nagi did, and because she loves the town just like Nagi did - what else could An possibly need to do except get better at singing and get more grown up?

You know, to reach that mature and down-to-earth side of Nagi that we often see in the past?

That side?

Yeah.

Now the Shizuan event's conflict isn't so out of place, is it?

But anyway, back to the point.

Because of Nagi wording things the way she does and because of people on Vivid Street making such a point of their similarities, An naturally assumed she would eventually become like Nagi. This is why, even aside from Kohane's improvement, aside An's abandonment issues, Kick It Up a Notch is a giant slap to the face for An, as well as her wake-up call.

Kohane taking on Nagi's mantle before An was able to, or potentially ever could, isn't just about singing - it's an attempt at An's entire sense of self, just as well as her place in the world, and on the smaller sense, her hometown, too.

Because if An is not Nagi, she doesn't belong.

Because An never knew how to do anything but sing. Because becoming like her family, like Nagi, was the only option she ever imagined for herself ever since she was a child.

And if An is not Nagi, then who the hell is she?

[this post was very much inspired by @the-one-that-weeps 's An analysis post, who kind of put this much more eloquently than I could! Go check them out.

All translated lines that aren't taken from the wiki transcripts are by lozybug on YouTube!]

[shiraishi-kanade]

In general I feel like we as a society fandom have moved on from Kamiyama Cheer Squad way too fast, and I also feel like An's role in that event was sorely overlooked. Especially considering she didn't get a card, but like. Look. Listen.

Not only did An switch places with another student, partially because she thought her presence would make Mizuki feel better (it did) despite the fact that she didn't have to and nobody made her do that,

Not only An was one of the first people to openly give Rui her support, because once again, she's incredibly open-minded and friendly,

She was also just. Totally okay with bungee jumping from the school windows.

Do you see what I mean by An being able to meet Rui halfway. Like yeah. This girl heard "we need to do bungee jumping it'd be impressive. Don't worry, I'll make it safe" and immediately went "hell yeah, I'm in". I need more An & Rui performance focused events. I need them like air. Those two are so fun and they don't even have a kizuna.

[shiraishi-kanade]

A lot of An's character arc revolves around other people because at her core she is lonely: alternatively, middle school An Shiraishi was not having that grand of a time and here's why.

An is by no means a person who's shunned by others or has no friends, she isn't lonely by conventional means, but she's lonely in a way that she couldn't find anyone to connect with after Nagi's passing.

Even then, there's a solid chance that that isolation has started before; we can see in An's past that it's not only An's dream alone but also her skill that makes her seem unreachable to others.

Because of who her family is and also because of who An is, she was shoved in this kind of unique position of "If anyone can do it, it's her." An was put on a pedestal by everyone around her. That is also the exact opposite of a situation that Akito (and consecutively Touya) have ended up in, who started our being rejected and pushed down.

Teaming up with An on her terms would have meant admitting you have to meet her at her level. Whether An realized that or not, whether she knew the truth behind Rad Weekend or not, that was just what it was.

An is not prejudiced, though. She really just wanted a team who had the same dream she did. But other people raised the bar for being An's partner even if An herself didn't have any requirements other than having a serious dream.

But that is isolating. Going through that for two years is isolating. If try to find someone special for two years and fail because people either don't take you seriously at all or take you so seriously they can't think of themselves as being good enough for you, that will mess you up in one way or another.

(This also means An's partner was always fated to be someone outside of Vivid Street - someone who didn't know the intricacies and implications of teaming up with An and did that just because they wanted to. In a twisted and ironic way, it was always meant to be Kohane.)

That's why An is constantly walking on eggshells around Kohane. Kohane is her first shot at making a real connection and An wouldn't let go of it easily; but that's also why An keeps messing things up and having messy feelings about Kohane: she is her first try to build that kind of relationship.

This is also in part why she's so hesitant to confront those feelings head on; she doesn't think she's allowed to express them because she doesn't want to hurt Kohane, and because she's already been a bad partner and because she's afraid to lose her. It's a vicious cycle of her past being so lonely she desperately craves a connection but because she's been so lonely she doesn't want how to handle the challenges that inevitably come with that connection.

(It's also about how An thought she had a special connection with Nagi - and she did, but Nagi was an adult with her own issues and problems going on which she just couldn't share with An because their relationship was still that of a mentor and a student. Nagi knew she shouldn't, and didn't, burden An with her feelings. But lack of truly meaningful connection with someone her age affected An later in her life. Kohane is socially awkward on the surface, but An is socially awkward internally. With Kohane, she's experiencing a lot of new feelings she hasn't dealt with before, and she doesn't know how to deal with them. She's the most experienced singer out of the group... But she's the least experienced as far as human relationships go.)

In the end, the confrontation was inevitable from the very beginning, because An needs to start seeing Kohane as someone will agency and will and as someone who can handle An at her worst, too. The fear to lose Kohane and her team if she really expressed what she feels (and it won't be pretty) is holding her back. An doesn't have to always be a perfect partner; she needs to see and understand that Kohane will understand and never leave her even if she isn't.

[shiraishi-kanade]

AWAKE NOW: an (almost) line by line analysis by yours truly, pt.1

If you've been following me at all, you probably know that Awake Now is my favourite An Shiraishi commission and that I always ramble how symbolic and incredible its lyrics are, among other things. Well, it's time for me to actually explain why I think it's so great!

This is part one tackling only in-game version; I'll later make an addition to this post expanding on the full version lyrics, because there is also a lot to unpack there and I don't want to do all what work in one sitting. Sorry.

[Disclaimer: for a quite a long time, the commonly accepted translation of this song has been facing criticism, and quite a lot of lines have been changed into what I believe is more accurate later. More corrections may be yet to come, but this post will use the translation available at 27.10 by Hiraethie, with edits by Violet and 25239x.]

Lazy Rainy My Soul is

now in a bad mood

From this new feeling called Lament

(New feeling called Lament)

The first verse of the song is referencing An's growing unease she experiences during the time of Bout to be Beside you; while she doesn't know why she feels that way at the beginning, a big emphasis is made on how she never felt that way before, because even having a partner is something that is a new experience for An.

The supposed relationship full of perfection

got complicated on its way

This line references the way An perceives her own and Kohane's partnership, as well as just their general dynamic: they started off strong but already faced some conflict during Singing in Sync, the very first event of VBS, during which An had to confront her overprotectiveness; now this relationship is starting to get even more complicated with An's anxiety and "hazy feelings" thrown into the mix.

Not only that, it's also important that this line went to Touya - who went through his own issues in his relationship with Akito.

Still staying passionate, I Try

A general callback to An's attitude to losing and having roadblocks:

🎧: I hate to lose, but I usually take a more positive approach to think and work harder to do better next time.

(btby episode 4, official tl)

As well as, in this particular situation, she only sees one way to get over her feelings: to stay passionate and keep singing. This line is later brought up again in Rekka with "My silence and passion, I kept them inside my heart" line.

It's not like you're the one at fault

This is An's admitting that Kohane is never at fault for making An feel the way she does; that she has the full right and ability to make progress and keep improving as much as she wants to, and An could never blame her for it. At the same time, An is bitter at herself for having these feelings at all, which we later see in WTWG.

Trip Step, I want to do that again and again

If we could light up the night together

For eternity, then...

An wants to be Kohane's partner and keep singing with her despite the anxiety she brought into her life. If we look at the phrase "light up the night" to mean performing and bringing excitement to people (which it very well could be, seeing the overall symbolism of fire and light has in VBS's story), it becomes apparent this refers to An wanting to stay partners with Kohane forever, especially considering these lines in the event itself:

👤: Have you found a good partner yet, An?

🎧: No, not yet... It's taking longer than I expected...

🎧: But I have a feeling that we're gonna be singing together forever once I do!

***

🎧: That she's [Kohane] the only one who can be my partner...

(same event, chapter 5)

An is willing to go to extreme length to keep being Kohane's partner - so they can "light up the night" together.

Falling in love with the sound of my wings

that I outstretched to the skies,

This line goes to Kohane as well as Touya, but refers primarily to Kohane's discovering her own talent and (rightfully) enjoying all the new experiences and emotions it has brought into her life. It's also a clever play on Kohane's name, seeing as if she had a kanji spelling instead of hiragana, it most definitely would have included the character 羽 - "wing" or "feather". This same wordplay is then later used in Hollow:

預かる背中のその羽が

azukaru senaka no sono hane ga

This is confirmed by the song's producer and the very same character is used in Awake Now, so it's very unlikely it's just a coincidence - at the same time, "outstretching her wings" definitely refers to Kohane gaining new abilities and exploring new opportunities with Taiga.

the flowers of my dreams start overflowing.

I’ll make them sublimely

beautifully bloom so,

Seemingly, An has gotten everything she's ever wanted: she found a partner and a team, and townfolk are starting to take her dream more seriously - but her feelings about Kohane are overwhelming and distracting her from that, even during practice. Even so, An is determined to make that relationship work.

The first line here also went to Kohane and Touya, likely reflecting how their dream was found somewhere later than An and Akito's was, so that development is even more spontaneous to them than to the first two.

don’t forget that I’m right next to you, okay?

This is both reassurance to Kohane that An will always be by her side and believing in her, and a plea by An for Kohane not to forget her as she keeps growing and moving forward, and for Kohane to keep An by her side. It's a very nice double edged sword of a line and probably one of my favourite ones in the entire song.

Also, it also has Akito in the background, which is just... *Gestures at Stray Bad Dog event*. And this moment in BTBY too:

🥞: She's having an effect on the rest of us, including me, which means you, her partner, probably have it worse...

🥞: You feel like you're getting left behind... Like I did a while ago...

Akito went through something very similar, though not identical - that's likely the reason he was able to notice An's worries and help her in the first place.

Even if our touching backs begin to separate

Kohane is starting to pursue training with Taiga outside of An's reach, and An is starting to bottle up her feelings about Kohane - they're no longer as emotionally close as they used to be, and that's okay. Might also refer to the difference in skill level that is not there yet but will become quite apparent soon: their touching backs begin to separate... Perhaps even going in different directions.

Awake Now

The name drop and the meaning behind the song title: An is now aware of the feelings she experienced back in Awakening Beat and the true reason behind it, as unpleasant as it may be.

This doesn't end with my longing alone

This is perhaps one of the most interesting lines in the song, as it's the one that has faced the most misinterpretation, previously being translated as "I will never stop yearning for you."

Nevertheless, a corrected translation makes a lot more sense. An refuses to be the only one "yearning" in her and Kohane's relationship; she wants to keep inspiring Kohane and make her go even further, for Kohane to keep yearning for An and her singing, too.

🎤: Since you want to be someone she can “respect and be proud of”, An, you want her to like and be excited by the way you sing.

(same event, chapter 6)

This later comes back as a major theme in WTWG:

🎧: (But you know what, Kohane?)

🎧: (I'm not satisfied with that.)

🎧: (I want to drag it out of you, too.)

🎧: (This new power of yours, all sorts of feelings you've never felt before, all of it, all of it!)

🎧: (I want to drag it out of you, with my song!)

(WTWG, chapter 7, tl by Lozy Bug on YouTube)

...and more throughout the same chapter. In other words, while Kohane's singing make An experience new feelings and emotions, An doesn't want to be the only one of the two this happens to - so... She starts working towards doing it right back at her. But in BTBY, this specifically refers to the "I want to keep singing with you forever" feeling, too.

In other words, even the game version of Awake Now is basically An's Shiraishi character arc condensed into one song; it breaks down the point of conflict in BTBY down to it's bare essentials, and expands on motives that will later come back in play over a year later - and that is why I consider this song to be the best An Shiraishi comm.

And we haven't even gotten to the full version.

[shiraishi--kanade]

Something that particularly upsets me in pjsk fandom is the villanisation of Touya's mother.

People really took the whole "she uses -san honorific on Touya, this is bad!!" without accounting for any cultural or social reasons for her to do so (while all the research I try to do on the topic leads to nothing, I did ask a Japanese speaking friend of a friend regarding that a while back and they said this might be a particular cultural nuance; however I don't remember the exact wording and I don't consider personal statements a good enough evidence) nor for the relationship Touya is shown and stated to have with his mother.

While it is true that she is complicit in Harumichi's abuse, she does not and did not initiate it; whenever she is shown to be restrictive and guilt-trippy to Touya, it always boils down to what Harumichi wants or thinks.

It becomes even more complicated with what we know now from The First Concerto, showing that Touya was, until at least some point, enthusiastic about his studies, which means Touya's mother could be potentially ignorant to Touya's mixed feelings regarding the matter, or if not that, at least their intensity. It is undeniable that she sided with her abusive husband, but siding with an abuser (who she was married to and likely financially dependent on, at that) and initiating the abuse is not the same thing. Touya's mother is not worse than Harumichi, and, quite frankly, I would say she was not even nearly as bad as he was.

Additionally, what we see of her in the present time indicates that her relationship with Touya is very cordial and was possibly cordial even before Nocturne Interlude. Touya is not opposed to having a family dinner with his family, compliments her mother's cooking, and his favourite food is his mother's baking as well. None of their interactions post main-story seem to be hostile, tense or even dishonest in any way.

In conclusion I think the Aoyagi family dynamic is very fascinating and messed up, and Touya's mom is not blameless, but if you put her on the same level or even lower than her husband, you really need to question what drives you to do that.

[shiraishi--kanade]

Good morning An Shiraishi fandom