Anouk Aimée-Jean-Claude Pascal "Le rideau cramoisi" 1953, de Alexandre Astruc.

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Anouk Aimée-Jean-Claude Pascal "Le rideau cramoisi" 1953, de Alexandre Astruc.
Anouk Aimée et Jean-Claude Pascal par Robert Doisneau sur le tournage du film d'Alexandre Astruc, Le Rideau cramoisi, 1953.
Eurovision Fact #440:
The winning song in 1961, 'Nous Les Amoureux' by Jean-Claude Pascal, was the first song performed at Eurovision about a gay romance.
It was revealed that the song was about "[denouncing] the repression against homosexual love..."
[Sources]
Jean-Claude Pascal representing Luxembourg in the Eurovision Song Contest 1981, with the song “C'est Peut-être Pas L'amérique”
Jean-Claude Pascal and Jeanne Moreau in THE WAGES OF SIN (1956).
ESC winners: Men (solo)
1958: France. "Dors, mon amour" by André Claveau
1961: Luxembourg. "Nous les amoureux" by Jean-Claude Pascal 1966: Austria. "Merci, Chérie" by Udo Jürgens 1980: Ireland. "What's Another Year" by Johnny Logan 1987: Ireland. "Hold Me Now" by Johnny Logan
1990: Italy. "Insieme: 1992" by Toto Cutugno 2008: Russia. "Believe" by Dima Bilan 2009: Norway. "Fairytale" by Alexander Rybak
2015: Sweden. "Heroes" by Måns Zelmerlöw 2017: Portugal. "Amar Pelos Dois" by Salvador Sobral
Edu Lobo & Tom Jobim - CHOVENDO NA ROSEIRA (Tom Jobim) luciano hortencio Álbum: Edu Lobo & Tom Jobim - Edu & Tom - Tom & Edu : Tom Jobim & Edu Lobo - 1981 - Full Album - YouTube Chovendo na roseira Chovendo na roseira by Tom Jobim: a Schenkerian approach - SciELO Olha, Tom Jobim viu que está chovendo na roseira… Tom Jobim:Elis Regina/Chovendo Na Roseira/1974 - YouTube Carlos Malta | Chovendo na Roseira (Tom Jobim) | Instrumental SESC ... ou Carlos Malta - "Chovendo Na Roseira" - YouTube Roseraie du Val-de-Marne | L'HAŸ-LES-ROSES - YouTube Les Gravereaux | Hier et aujourd'hui
Eurovision Fact #714:
Luxembourg's first two winning songs, "Nous Les Amoureux" from 1961 by Jean-Claude Pascal and "Poupée De Cire, Poupée De Son" by France Gall from 1965, were deemed controversial at the time. This was because Pascal's song discussed homosexuality via the usage of vague pronouns and Gall's song was jam packed with double entendre.
[Source]