
seen from United States

seen from Indonesia
seen from Jordan

seen from Malaysia
seen from United States
seen from United States

seen from Sweden
seen from Jordan

seen from Malaysia

seen from United States
seen from Belarus

seen from Egypt
seen from Thailand
seen from United States
seen from China
seen from Philippines
seen from Singapore
seen from Russia
seen from France

seen from France
The Benjamin Franklin of Monogamy
Reminiscing in the drizzle of Portland, I notice the ring that's landed on your finger, a massive insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there's two kinds of women—those you write poems about
and those you don't. It's true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane's Addiction
lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast
as the bad boy in your life, the Magellan of your dark side. We don't have a past so much as a bunch of electricity and liquor, power
never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely
a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I'm still not immune to your waterfall scent, still haven't developed antibodies for your smile. I don't know how long
regret existed before humans stuck a word on it. I don't know how many paper towels it would take to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster than the luminescence of one that's just been lit, but I do know that all our huffing and puffing
into each other's ears—as if the brain was a trick birthday candle—didn't make the silence any easier to navigate. I'm sorry all the kisses
I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you'd press your face against the porthole of my submarine. I'm sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding off the shoulder blade's precipice and joyriding over flesh, we'd put our hands away like chocolate
to be saved for later, and deciphered the calligraphy of each other's eyelashes, translated a paragraph from the volumes of what couldn't be said.
Jeffery McDaniel, 2003
In an effort to get people to look into each other’s eyes more, and also to appease the mutes, the government has decided to allot each person exactly one hundred and sixty-seven words, per day. When the phone rings, I put it to my ear without saying hello. In the restaurant I point at chicken noodle soup. I am adjusting well to the new way. Late at night, I call my long distance lover, proudly say I only used fifty-nine today. I saved the rest for you. When she doesn’t respond, I know she’s used up all her words, so I slowly whisper I love you thirty-two and a third times. After that, we just sit on the line and listen to each other breathe. --Jeffery McDaniel, The Quiet World
Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffery McDaniel
What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex.
Jeffery McDaniel
Jeffrey McDaniel :: The Quiet World
In an effort to get people to look into each other’s eyes more, and also to appease the mutes, the government has decided to allot each person exactly one hundred and sixty-seven words, per day. When the phone rings, I put it to my ear without saying hello. In the restaurant I point at chicken noodle soup. I am adjusting well to the new way. Late at night, I call my long distance lover, proudly say I only used fifty-nine today. I saved the rest for you. When she doesn’t respond, I know she’s used up all her words, so I slowly whisper I love you thirty-two and a third times. After that, we just sit on the line and listen to each other breathe.
ffrey McDaniel's "The Ben Franklyn of Monogamy"
The Quiet World
BY JEFFREY MCDANIEL
In an effort to get people to look
into each other’s eyes more,
and also to appease the mutes,
the government has decided
to allot each person exactly one hundred
and sixty-seven words, per day.
When the phone rings, I put it to my ear
without saying hello. In the restaurant
I point at chicken noodle soup.
I am adjusting well to the new way.
Late at night, I call my long distance lover,
proudly say I only used fifty-nine today.
I saved the rest for you.
When she doesn’t respond,
I know she’s used up all her words,
so I slowly whisper I love you
thirty-two and a third times.
After that, we just sit on the line
and listen to each other breathe.
Jeffrey McDaniel, “The Quiet World” from The Forgiveness Parade. Copyright © 1998 by Jeffrey McDaniel. Reprinted with the permission of Manic D Press.