possible new project, or near-miss project?
This interview with Jett Pace, aka Old Man Canyon, popped up today as he plays the Winnipeg Folk Festival...
AMBY: Are you listening to music that is different than before?
OLD MAN CANYON: Definitely, yeah. I don’t listen to any folk music really, anymore. I’m listening to a lot of Michael Jackson, Prince and that kind of stuff and obviously The Beatles. I’m just trying to mesh those, that authentic kind of vibey, dancey experience.
AMBY: Are there plans to record differently this time around?
OLD MAN CANYON: Oh yeah. It’s going to be very different, I think.
AMBY: What do you have planned? Hide away somewhere?
OLD MAN CANYON: Yeah, that’s kind of what I want to do. There’s a couple of producers that had some interest, like Danger Mouse. But I don’t know. Part of me wants to do it on my own. I did an audio engineering school a few years ago, so I understand the recording process pretty well. I have a little studio.
AMBY: How did that go about, did Danger Mouse call you up one day?
OLD MAN CANYON: My manager is really good friends with his manager, so it is all intermingling where people hear stuff. I don’t know. He’s so influential when he produces an album, I love his stuff and you can tell what he produces.
AMBY: But you don’t want to have your own self taken away in that?
OLD MAN CANYON: Exactly. Exactly. We’ll see man, but I don’t know.
AMBY: Some people could be so tempted by that though, by the name “Danger Mouse” – I’m in! How do you control that urge?
OLD MAN CANYON: I just try and feel what feels right.
AMBY: If you listen to his Broken Bells project, that sounds like what you’re talking about with the disco-folk.
OLD MAN CANYON: Oh yeah. I think they’ve been kind of a big influence on me in the past and some of the new stuff as well. I just want to create. I write all my own, do my own demoes and what I do is play all of the instruments, alone in my basement in my studio. Then I bring it to the band and they just expand the parts, because I’m not too good at drums and bass. But the demoes are almost sounding at the point where I almost want to release the demoes. It is also nice to have a producer that has a different outlook on your songs and hears things that you don’t hear and wants to bring little parts out. I’d like to maybe get a producer to maybe hide out with me in this cottage and be more open to sharing.
AMBY: Or do it up Yeezus style, complete it yourself then drop it off at Rick Rubin’s house to strip it down.
OLD MAN CANYON: Yeah, is that what he did? I’d be down for something like that too.