#john luke

[blackmarketvoices]

BLACK MARKET VOICES PRESENTS:

BLOOD AND SAND - PART 10: THE KING IN YELLOW

COMING SOON

From the talents of:

SSJTrinity | @late-to-the-magnus-archives LynnLarsh Halberdier | @halberdbooks Flamia | @flamdoodles

(poster by Panda!)

[impossiblesuitcase]

as an eldest sister, I think that peony would be the oldest, and then a younger brother, and then the littlest sister. I’m curious, what would you name them

That's my order too!

I want them to have Chinese or Japanese names, the latter running off the fact that both Kaito is a Japanese name so the Imperial family--although situated in China--has some Japanese heritage. I don't have any names set in stone, but I like Kaminari, Yutaro and Emiko.

If the first two kids are going to have Peony and Rikan as a part of their names (whether first or middle names), I'd love Emiko for their third because then Iko also gets the special family name treatment.

Anyway these are just placeholder names for me, I'm open to others! As long as it's not Marie Rose Elizabeth, as I've seen some fics name kaider kids. To those names, I say:🤨

[highonsmurfs]

🎠𝕃𝕌ℂ𝕂𝕐 𝕃𝕌𝕂𝔼 ℍ𝔼𝔸𝔻ℂ𝔸ℕ𝕆ℕ𝕊

[Some are based on info from Comics/Movies/Cartoons and my own head lol 💜]

👢 His real name is John. Luke is his middle name, but no one really knows except Calamity Jane

👢 Luke is an asexual biromantic he/him in his 30s (30-34)

👢 A modern era Luke would Luke Bryan religiously 😭💀

👢 Luke is a big dog person. He got Rintindumb as a puppy when he was around 17-18

👢 Out of all the Daltons, he considers Averall to be his friend, and Averall feels the same. Luke knows that even though he would use his naivety to bring down Daltons' plans, but the small friendship he has with Averall is genuine

👢 Luke misses getting shot by bullets and arrows. However, he usually gets grazed if they come in too close. His body has a few grazing scars from such events. Any other cut or bruise comes from jumping off of Jolly, fist fights, ect.

👢 Used to chain smoke but states he gabe it up. Luke would sneak off and secretly enjoy a cigarette when he feels incredibly stressed.

👢 Luke and Jane are so close, they're like siblings. Jane is older than Luke by 2 years.

👢 When Luke was 22, he and Jane both got drunk on a New years party and woke up in a haystack inside of some farmer's barn. He then learned he and Jane were letting out the horses to ride, but the steeds ran off and never returned. He was careful with his "lemonades" ever since (the farmer never found out it was him that did it though)

👢 Luke is a tall boi. (6'1 not including the boots)

👢 He was raised on his uncle's farm after his parents passed away. That's where he met Jolly Jumper as a filly.

👢 Luke would fall asleep against a tree or something and would wake up to see Jolly Jumper all up in his face like

Ok thats a for now 💜👢

[nsfwbible]

Judith and Holofernes

Irish artist John Luke (1906–1975) made the oil-on-board painting around 1929.

“The sense of control and violence is a fascinating twist in relation to the cool glamour seen in fashionable images of women at the time,” writer Georgina Coburn observes:

“The 1920’s youthful ingénue becomes something altogether different in Luke’s painting, a psychological and societal threat to the ruling power of masculinity, perpetuated for centuries by male scribes and Old Masters.  Luke reimagines Judith as a force in her own right in a new era of emancipation, in the form of a young woman who looks only in her late teens. Dressed in a plain green collared drop waist dress and dark stockings, she has the stance of an avenging angel and the command of a general. Positioned centre stage in a room of flattened perspective like that of Italian Quattrocento painters of the early Renaissance, there is drama here outside tradition. Unlike the treatment of the subject by many European Old Masters, it isn’t the deed itself that is depicted but a state of calm self-possession immediately after, alive in the here and now.”

The painting is on view at the Armagh County Museum in Northern Ireland.

[portraituresque]

John Luke--Self-Portrait 1928

[ein-bleistift-und-radiergummi]

John Luke ‘Shaw’s Bridge Belfast’ 1939.

Shaw's Bridge" is probably Luke's last major work before the start of the Second World War and a significant point in the artist's development. This work recalls the earlier composition "The Bridge" from 1936 with its more simplified form and colours. Luke painted at least two versions of the bridge, the earliest in 1936, and he made at least one linocut print (c.1933). Shaw's Bridge" represents a synthesis in the artist's style, culminating in the more recognisable decorative and rhythmical compositions, and it is the work in which he settled on the technique of applying oil glazes over a tempera base. Luke continued to use this unusual technique for the remainder of his meticulously planned and executed easel paintings. "Shaw's Bridge" is probably the last painting that Luke completed with an identifiable topographical subject matter. After 1940 he turned increasingly to mural painting and public commissions.

(Source: the-saleroom.com)

[jadeseadragon]

John Luke (Irish, 1906 - 1975), Northern Rhythm, 1946, tempera on board, 35 x 49 cm., 13¾ x 19¼ in.  [high res via Sotheby’s]

[blackmarketvoices]

BLACK MARKET VOICES PRESENTS:

BLOOD AND SAND - PART 9: POTENTIAL

COMING SOON

From the talents of:

SSJTrinity | @late-to-the-magnus-archives LynnLarsh Halberdier | @halberdbooks CharlieGoLightly | @spinning-logic Flamia | @flamdoodles

(poster by Panda!)