#jon key

[shoot-me-now-or-shoot-me-later92]

Not me seeing Pedro’s photo about his nails, noticing the portrait above his head and thinking it looked familiar from one of his old posts!

That is a portrait he bought back in June 2020 from the artist JonKey during lockdown.

Just hanging in his bedroom ❣️

[creativespark]

Jon Key

[design-art-architecture]

Jon Key

[sometimes-now]

Jon Key

[mugglenet]

Happy birthday to Jon Key, who played Bogrod!

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Jon Key

[sheltiechicago]

Jon Key's Second Goodbyes: Exploring the Beauty of Bittersweet Farewells

[longlistshort]

Currently at Steve Turner gallery in Hollywood are three excellent painting exhibitions. The first, pictured above, is Francisco Rodriguez’s Midday Demon.

From the press release–

Steve Turner is pleased to present Midday Demon, a solo exhibition of new paintings by London-based Francisco Rodriguez, most of which feature an isolated male figure within a desolate urban landscape. In some, the figure is upright and smoking a cigarette. In others, he appears to have passed out. The artist describes the bleak setting as one that fosters exhaustion, listlessness, sadness, dejection, restlessness, anxiety and depression. Rodriguez observed the phenomena of the “midday demon” while growing up in Santiago, one of the largest cities in South America; again in London where he has lived for the last five years; and also during a recent residencies in Poland and Ukraine. He ponders the effects of the oppressive midday sun and wonders if such “spirits” actually do appear at that hour. Are his figures victims of some  “midday demon”; or are they the demons themselves?

In the second gallery are Rebecca Shippee’s paintings (seen below) for The Creators, featuring four portraits that are scaled to life and painted from observation.

In the third gallery are Jon Key’s paintings (shown below) for Violet Alabama, a solo exhibition “inspired by the artist’s personal history and memories of growing up in rural Seale, Alabama”.

From the press release–

Through self-portraiture, Key explores the lineage and history of his identity through four themes–southern-ness, blackness, queerness, and family–each of which he represents chromatically with green, black, violet and red. He will also exhibit portraits of his father and grandfather to highlight the friction between the generations and the challenges of being a queer Black man in the Deep South.

All three of these exhibitions close 10/12/19.