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Hadar & Glenmarks - Lady Antoinette (1975)

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Voting ended onFeb 10

#melfest 1975 #hadar kronberg #glenmarks #ann-louise hanson #karin glenmark #anders glenmark #Youtube

Standout Moments from "Les Misérables" Recordings, #12

1990 Original Stockholm Cast Recording

Tommy Körberg (Jean Valjean), Jan Åström (Javert), Karin Glenmark (Fantine), Claes Malmberg (Thénardier), Beatrice Järås (Mme. Thénardier), Maria Rydberg (Éponine), Richard Carlsohn (Marius), Joakim Jennefors (Enjolras), Gunilla Backman (Cosette)

Karin Glenmark’s urgency and Tommy Körberg’s gentleness in “Come to Me.”

This is just a 21-track highlights recording, but I still managed to find a small standout moment. In “Come to Me,” Karin Glenmark’s Fantine belts “Look M’sieur, where all the children play!” (or rather its Swedish equivalent) in such a delirious, desperate tone, but then Tommy Körberg’s Valjean soothes her by singing “Be at peace, be at peace evermore” (or rather its Swedish equivalent) with utter softness and gentleness. Their contrasting delivery of these two lines perfectly capture the torments of Fantine and Valjean’s compassionate efforts to comfort and help her. Incidentally, I’ve just learned that Tommy Körberg voiced the Beast in the Swedish dub of Disney’s Beauty and the Beast. While this album doesn’t convey much of his capacity for the Beast’s initial rage and ferocity– it unfortunately cuts “Valjean’s Soliloquy” and “Confrontation” – it most definitely conveys how lovely he must have been as the gentle, selflessly loving Beast in the later part of the movie.

#les mis #les miserables #musical #standout moments #stockholm #cast recording #1990 #karin glenmark #fantine #tommy körberg #jean valjean

Murray Head - One Night In Bangkok

#murray head #one night in bangkok #chess #chess album #benny andersson #rutger gunnarsson #lasse wellander #per lindvall #bjorn json lindh #anders glenmark #karin glenmark #new wave #music #music video #music is life #music is love #music is religion #raining music #80s

A musician can shock us in many ways. Of course, I'm cheating with my next choice, since Anni-Frid Lyngstad's last solo album might not be a surprise, she sung in her language before, though she rarely ventured in the style of Djupa Andetag. Then again, I consider the album to be a homecoming for her. No, her singing in Swedish is not the only reason I call the LP like that. No, the platter is basically her checking a possibility of a much different career. Don't laugh, since one notices a glimpse into an alternative Frida, Frida that was more interested in the style the 70's had no clue what to do with. That might be the reason for us being baffled by the album, she shows the brand she wished to pursue before her pop stardom.