Abbess, composer, poet, philosopher: Kassia (c.810–c.865) was a multi-talented woman and one of the most prominent female voices in the Byzantine world.
The outspoken candidate
Kassia was born into an aristocratic family; her father, a military official (Kandidatos) at the imperial court, ensured she received an exceptional education. In a society where women had a relatively high literacy rate, Kassia’s intellect and skills stood out. As a teenager, she earned praise from Theodore the Studite, who wrote:
"While you have not surpassed those of old, of whose wisdom and education we in this generation, both men and women, fall far short—and immeasurably so—you have done so with regard to those of the present, since the fair form of your discourse has far more beauty than a mere specious prettiness"
From a young age, Kassia demonstrated her piety and strong personality. She supported a monk imprisoned by the Iconoclast authorities and likely began contemplating a monastic life early on.
She participated in a bride show at the palace, where the young Emperor Theophilos sought to choose his empress. Theophilos reportedly remarked to her, "From woman come evils," referencing Eve’s sin. Kassia, undeterred, replied, "But from woman sprang many blessings," alluding to the Virgin Mary.
Kassia was not chosen. Her poem On Stupidity may reflect her thoughts on the encounter:
It is terrible for a stupid person to possess some knowledge;
and if he has an opinion, it’s even worse;
but if a stupid man is young and in a position of power,
alas and woe and what a disaster.
Woe, O Lord, if a stupid person attempts to be clever;
where does one flee, where does one turn, how does one endure?
The abbess
After this experience, Kassia was reportedly delighted to pursue her true calling as a nun. She founded her own monastery in Constantinople, where she served as abbess.
Life in a women’s monastery offered significant opportunities. Nuns held all key offices within the monastery, and the abbess wielded complete authority. She carried a staff like her male counterparts, sat on a throne during church services, and could even preach. In some cases, abbesses were respected as spiritual authorities for men as well as women.
Kassia’s writings during this time reveal a vivid personality. She was outspoken and direct, with little tolerance for hypocrisy or falsehood. At times, she came across as impatient or acerbic, but her works also show a sensitive, compassionate side and an emphasis on genuine friendships.
The artist
Kassia dedicated her days to “philosophizing,” writing epigrams and composing gnomic poetry. However, she is best remembered for her liturgical hymns. As one of the few female hymnographers in Byzantine history (alongside contemporaries like Theodosia and Thekla), Kassia is the only woman whose works were incorporated into the official Byzantine hymnals, which remain in use today. The 14th-century writer Nikephoros Kallistos Xanthopoulos ranked her eleventh on his list of the most influential composers.
Kassia’s writings often highlighted the contributions and courage of women. She rejected stereotypes of female weakness and submission, as reflected in this poem:
I hate silence, when it is a time for speaking.
I hate the one who conforms to all ways.
She even hinted at the idea of female superiority in her poem Woman:
Esdras is witness that women
Together with truth prevail over all.
Today, Kassia is venerated as a saint in the Eastern Orthodox Church, with her likeness depicted in icons. Her feast day is celebrated on September 7, and her most famous hymn is still chanted during the liturgy for Holy Wednesday each year.
Enjoyed this post? You can support me on Ko-fi!
Further reading:
Herrin Judith, “Changing functions of monasteries for women during Byzantine iconoclasm”, in: Garland Lynda (ed.), Byzantine Women, Varieties of Experience 800-1200
Sherry Kurt, Kassia the Nun in context: The Religious Thought of a Ninth-Century Byzantine Monastic
