Martin Elfert
Pentecost 23
November 16, 2014
Zephaniah 1:7, 12-18
Psalm 90:1-8, (9-11), 12
1 Thessalonians 5:1-11
Matthew 25:14-30
Have you ever done that spiritual exercise in which you read a Bible story and then picture yourself – and perhaps other people whom you know or knew – in the scene described? Maybe you close your eyes and become the first man or the first woman standing before the tree of knowledge and wondering about its fruit; maybe you become one of the Israelites crossing the damp floor of the Red Sea, a few startled fish looking at you through the wall of water; maybe you become one of the people standing around the Lamb at the end of days, a loved one who has been gone for years at your side as you your sing praise; maybe you become one of the people sitting at Jesus’ feet as he tells folk tales, as he touches you and heals you, as he hangs from the cross, as he dances out of the tomb. Maybe – and I don’t know if this is an act of imagination that indicates hubris or humility or something in between – maybe you become Jesus himself, walking the dusty roads of life.
There is a teacher who tells the story of doing this exercise with a group of students. The text upon which they were meditating was one of Jesus’ most famous parables, the parable that we know as the Prodigal Son. The teacher asked the students gathered around the table with him who each of them imagined themselves to be in the story. And they responded: the father, the brother, the son, the hired hand. One young woman had said nothing. And so the teacher asked her if she wanted to share. But she said: No. No, it’s stupid. The teacher, as good teachers sometimes do, gently pushed. He asked again: Who are you in the story? And so the young woman said: I’m the fatted calf. I’m just standing in the field, enjoying the sun, enjoying chewing on the grass. And all of a sudden I’m dead and on the dinner table.
And just like that, the teacher understood the Prodigal Son in a whole new way.
Today we hear the story known as the Parable of the Talents. “Talenton” is an ancient Greek and, later, a Latin word that means “weight or sum of money.” It gives us our contemporary word, “talent” – natural aptitude or ability – and there are linguists who believe this parable is actually directly responsible for “talent” meaning what it does in modern English. Think about that next time that you watch America’s Got Talent.
The contemporary definition of “talent” profoundly shapes our understanding of this story. And should we engage in the spiritual exercise of imagining ourselves within this tale, it profoundly shapes who we will picture ourselves to be. My guess is that, if I were to take a survey, the vast majority of us in this room would say that we imagine ourselves to be one of the three slaves.
Now, maybe you are the slave with a lot of talents: you’re good looking, smart, charismatic, and athletic (that describes most of the people here this morning) and you have used your gifts to do some amazing things; you have doubled your money. Maybe you are the slave with but a couple of talents, but you have nonetheless figured out how to find success and do good work with what you have.
Or maybe you are the slave with but one talent. And out of fear or foolishness, you have hidden that gift in an old and dusty drawer, you have forgotten it behind the couch, you have put it into a bank account in which the service charges are higher than the interest. You have done nothing with your life.
If you are that last slave, this parable has a clear message for you: God, who is unmistakably the master, is very disappointed in you. God will abandon you in the dark. God will leave you. God is sorry that he made a failure like you. God doesn’t love you.
Is that right? Is this what Jesus is hoping to teach us? Is this what Jesus wants us to know about ourselves? Is this what Jesus wants us to know about God?
Then the one who had received the one talent also came forward, saying, `Master, I knew that you were a harsh man, reaping where you did not sow, and gathering where you did not scatter seed; so I was afraid, and I went and hid your talent in the ground. Here you have what is yours.'
But his master replied, `You wicked and lazy slave! You knew, did you, that I reap where I did not sow, and gather where I did not scatter? Then you ought to have invested my money with the bankers, and on my return I would have received what was my own with interest. So take the talent from him, and give it to the one with the ten talents. For to all those who have, more will be given, and they will have an abundance; but from those who have nothing, even what they have will be taken away. As for this worthless slave, throw him into the outer darkness, where there will be weeping and gnashing of teeth.'
Does that sound like God to you?
This slave with one talent gets his or her chance to speak with the master at roughly the three quarter-mark of the parable. And I’d like to suggest that Jesus puts his or her line and the master’s response at this point in the play as a kind of twist ending. This conversation is here in order to destabilise our mental casting, in order to subvert our picture of who we are in this tale and, maybe this is even more importantly, of who God is in this tale.
Notice just how startling the exchange is that Jesus gives us: the slave accuses the master of being harsh, of inspiring fear, of basically being a criminal: reaping where he didn’t sow, gathering where he did not scatter seed. And the master doesn’t disagree. Sitting behind his desk like Don Corleone, the master says: You’re right. What are you going to do about it? Given that you know that I am the kind of person who deals in deceit and rejection and violence, I’d have expected you to be smart enough to do a better job.
Friends, God has never, never spoken to me the way that the master speaks to the slave. And I’m going to risk being presumptuous and say that God has never spoken to you that way either. God doesn’t speak to anyone like this. I, on the other hand. Well, I have spoken to myself in this way lots of times.
And that makes me wonder: what if? What if who you and I are in this tale isn’t one of the slaves? Or, let me phrase that question a little differently, what if who you and I are in this tale isn’t only one of the slaves? What if who you and I are in this tale is all three of the slaves and the master?
If you have been hanging out on Wednesday evening during Kent Hoffman’s extraordinary classes, you will likely remember the story that he shared on our first night together. Hoffman works closely with homeless teens. And he works similarly closely with privileged college students. One of the exercises that he does is to asks the young people in the former category to write down the thoughts about themselves that they wish weren’t running through their heads. The thoughts that these homeless teens share go something like this: “I’m not good for anything,” “No one will ever trust me,” “No one could ever forgive me,” “No one could ever love me.” Hoffman asks the privileged college students to do the same exercise. And their responses go something like this: “I’m not good for anything,” “No one will ever trust me,” “No one could ever forgive me,” “No one could ever love me.”
The fear that we are unworthy, that we are not good enough, that we are unlovable is universal. And in the culture that we live in, a pretty common way of combatting that fear is to achieve: to accumulate money, to accumulate possessions, to accumulate status. And for a while, it feels like that strategy might actually work. For a while, it feels like we might have done enough to buy love, done enough with our talents that God might look at us and say, “Well done, good and faithful slave.”
But that strategy doesn’t work forever. It doesn’t last. Sooner or later we slip back to being the second slave – the second slave, whom we all know is the first loser. And then we fall back to being the third: we get laid off, we fail a big test, we don’t get the job we were hoping for, we succumb to addiction, we get sick, we get old. We run into our limitations. We do less than we had dreamed we would with our talents. And we wait for God to reject us, for God to kick us into the outer darkness.
But God doesn’t do that. God refuses to do that. No matter how much – or how little – worldly success we have, God keeps on saying to us the words that have formed the cornerstone of Kent’s presentation these several weeks. Maybe you remember them: You matter, and you matter absolutely. Perhaps we could express that even more simply, no matter how much or how little worldly success we have, God keeps on saying, I love you.
Richard Rohr puts it this way: The Biblical revelation is about awakening, not accomplishing. The testimony of the Gospel is that you can’t do anything to make God love you. And you can’t do anything to make God not love you. The testimony of the Gospel is that God insists on loving you, no matter what. Our choice is whether we will notice that love or not, whether we respond to that love or not.
The Parable of the Talents isn’t the exception to the Gospel witness, it isn’t the minority report, it isn’t the dissenting voice that says actually you do have to earn God’s love, actually heaven really is a meritocracy. Rather, it is a story that shines a light on the way that we reject ourselves, that we that we speak to ourselves in harshness, the way that we become our own cruel masters.
Who are you in this story?
Well, here is the answer that I think Jesus hopes you will give. You are the one who says I reject the casting choices that are available to me. I am not a slave. I am not the master. I am not my talents. I am not my successes or my failures. You are the one who looks God in the face and, in spite of everything, sees God looking back with the deep and total love of a mother for a child. You are the one, in spite of everything, who hears God say: You matter. And you matter absolutely.