#khandar

[sanjogitakiduniya]

Targah /Tarangah

Targah /Tarangah is something which an important part of kashmiri pandits marriage. Before 70s most of the women used to cover their head with targah but no a days, it’s limited to the marriage day. Even today it’s has been limited to few areas only. People used to avoid wearing targah because they didn’t give it importance. But this is a real kashmiri culture and people should follow the…

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[sunilkumarjha-blog]

खंडर सी पड़ी थी ज़िन्दगी मेरी, गुलिस्तां तो इसे आपने बनाया है। #surmayeeshayar #surmayeebareilly #khandar #khander #gulistan #garden #monoment #zindagi #jhakajhatka #hindishayari #hindishayar #hindi (at Noida नोएडा)

[shwetawrites]

Britishers being entertained by Bundela royals in the 19th century. Hunting tigers, drinking and hukka. That's what you got. (Fresco found at Lakshmi Temple, #Orchha) . . . #history #indianhistory #historicalplace #madhyapradesh #travelwriter #travel #india #khandar #travelwriter

[zubiweb]

Kharzar Novel by Abdul Rab Bhatti Complete

Kharzar Novel by Abdul Rab Bhatti Complete

Kharzar Novel by Abdul Rab Bhatti Complete Kharzar Novel by Abdul Rab Bhatti,Read online Urdu Digests,Novels,Magazines,Digests,Safarnama,Islamic Books,Education Books,imran series,mazhar kaleem,Book Stores,Best Islamic Urdu Books,Read Urdu Stories & Novels Online.onley zubiweb.net Here you can find all kind of romantic & Social Urdu Novels Written By Pakistani Famous Writers,Read Online Urdu…

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[dhrupad]

So, who was the most difficult character to portray? Which do you consider your most challenging role to date?

Azmi: You know, the one person that I was really surprised to discover in myself was Jamini, the character I played in Mrinal Sen’s Khandar. To find Jamini, I had to go deep inside the recesses of my own being and, when I did, I was actually startled to discover that she actually existed.

How do you get in touch with someone who you think exists within you? How do you isolate this person? Is there a process?

Azmi: The first time you hear a story is very important—whether it is narrated in three lines or as an entire script. The first narration is very important for me for something clicks during that time. Mrinalda narrated the story to me in five lines— and something pulled me to that character and I said, “Yes, this could be challenging”. What happened is that Khandar came immediately after Mandi. And for Mandi, I had put on weight and was very gregarious on the sets and it was one big jhamela…and in three weeks I was reporting for Khandar, set in these ruins in Shanti Niketan. And very subconsciously—it is only in retrospect that I am able to understand this—I decided that I was going to be by myself; no make-up man, no hairdresser, no nothing, just my books and my music. It was as though I had decided to withdraw from life’s experiences. For with Mandi I had expanded the barriers of my own persona and I had to find the quiet, tragic but dignified Jamini from somewhere within. So it was a very reserved Shabana on those sets. Looking back, I realize that it also had to do with the ruins. You know, they do something to you. You really get affected by your environment.

--Ameen Merchant with Shabana Azmi (Rungh, Film & Video Issue II)