Orange Tree, from Uncommon Prayer; Poems, by Kimberly Johnson
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Orange Tree, from Uncommon Prayer; Poems, by Kimberly Johnson
A poem by Kimberly Johnson
Foley Catheter
I clean its latex length three times a day With kindliest touch, Swipe an alcohol swatch
From the tender skin at the tip of him Down the lumen To the drainage bag I change
Each day and flush with vinegar. When I vowed for worse Unwitting did I wed this
Something-other-than-a-husband, jumble Of exposed plumbing And euphemism. Fumble
I through my nurse’s functions, upended From the spare bed By his every midnight sound.
Unsought inside our grand romantic Intimacy Another intimacy
Opens—ruthless and indecent, consuming All our hiddenmosts. In a body, immodest
Such hunger we sometimes call tumor; In a marriage It’s cherish. From the Latin for cost.
Kimberly Johnson
Kimberly Johnson writes: This poem arose out of the experience of caring for my spouse as he underwent prolonged treatment for cancer.
Copyright © 2020 by Kimberly Johnson.
More poems by Kimberly Johnson are available through her website.
Voluptuary
Sevenmile Creek in the extravagance
of June, a fullness of flowers: paintbrush
and larkspur, beeflower and attendant bees,
the cedars sough, the sunfired pines
forge filigree at the timberline.
My ballerina sister on the riverbank
poses, rod cocked to rearward,
released, and retracted, line tripped
terpsichorean by the weight of the fly.
Her flybox cockeyed reveals homemade
damsels: the Emerging Sparkle, the Orange
Sunrise, the Dark Scintillator, and a Green
Butt Skunk. A ridiculous scene, tableau pastc
liché, with verdure and soughing
and blah blah blah. She hooks a splake,
flips him to shore, yanks her knife open,
swipes anus to jaw. With a finger inside
she slides guts, gore, and shit in a shining
red pile. She dunks him, lets the stream
clean the gash, chucks him to me
for the icebucket, and here the suckerpunch
of beauty: white vault of ribs in their arch
to the spine, one red vein bulging faithfully
skull to tail, red gills fragile, useless
beneath the operculum, ordered
like layers of vellum. Scales flake off
and stick to my hand like glitter. Like silver.
-Kimberly Johnson
Feral
That year the world handbasketed to hell, To bind our busted Loves to something guileless and frail
We brought a rabbit home. We bought the cage, The sweetest timothy, The pellets and the pine. We rearranged
The house to make him room. We couldn't wait To rest his softness In our laps, to feel him soften
To our touch, to touch the tender of his head All undefended. But he flinched from every gentle,
Every gesture in his presence, trembled When we tendrilled Green shoots to his feeding,
Hunched for cover at our coming. Every evening's New endeavor To lure him into his enclosure
He fled, and ended hackled in a corner Heartbeating Like we were predators.
The more he ran, the more we had to chase. Anon, apace, We each fulfilled the other's fears.
Kimberly Johnson
Locker-room truant in a locked stall Through study hall Hiding, hand-stifling her cries, A girl wide-eyes the unimagined smear Of blood rusting Her fingertips. Secret, quaint horror. Some betrayal of the flesh has left her Vulnerable, Her blithe pellmell Redefining to this singularity. But no. She is smarter Than her body. She will starve This woman out, she will run and outrun The turncoat moon. She will firesale down To a shoestring inventory: item: Two eyes, indifferent Blue; item: brain and brainstem; Item: one mouth, tightened like a screwcap On the business end Of the pipebomb she’s just become.
Kimberly Johnson / Female
“I was trying, I think, to get inside the idea of desire, of what longing is, and for some reason I felt that inanimate objects were a good set of instruments to use to think about that idea. That move allowed me, a little, to separate myself from the question. I know what I desire, what I long for, but I was more interested in thinking about the urgency of longing toward something absent. And since the preeminent term for absence in western culture is God, these strange attempts to inhabit other kinds of desire took the form of prayers.”
— Kimberly Johnson
Kimberly Johnson, "Matins for the Last Frost"
Kimberly Johnson, Metaphorical God: Poems